Metropolitan Museum of Art (New York, N.Y.)

Richard Harrison Martin

Published in conjunction with the April 1999 exhibition, this catalogue presents the clothes, accessories, and library materials acquired by The Costume Institute at The Metropolitan Museum of Art during the 1990s. Six chapters (a history of fashion, the white dress, men of three centuries, the Americans, the contemporaries, and the library) provide a miniview of three centuries of clothing. The 113 color illustrations and illuminating text by Richard Martin (curator, The Costume Institute) display the Institute's commitment to presenting costume as a living art that interprets history, becomes part of the historical process, and inspires subsequent art. Oversize: 9.25x11.75". Annotation copyrighted by Book News, Inc., Portland, OR

Acquisitions of the 1990s

Our New Clothes

Harold Koda

Costume Institute (New York, N.Y.)

(this Vol. Has Been Publ. in Conjunction with the Exhibition ..., Held at The Metropolitan Museum of Art from 1.4.-8.8.1993)

Infra-apparel

This book shows how the fundamental traits of Cubism were translated into fashion.

Cubism and Fashion

Images of Man

Giorgio Armani

This alphabetically-arranged reference resource provides "information on and assessment of fashion designers active during the period from 1945 to the present."--Page ix.

Contemporary Fashion

Richard Martin

Bloom

A study of Christian Dior as an artist, focusing on his achievements through his works rather than through biography.

Christian Dior

Published in conjunction with the exhibition of the same name held at The Metropolitan Museum of Art during the first quarter of 1995. The authors (both curators at The Costume Institute) explore the West's fascination with ideas and motifs from the various Easts, and demonstrate the expression of t

Visions of the East in Western Dress

Orientalism

Bare Witness

Published to accompany an exhibition at the Metropolitan Museum's Costume Institute, this appealing book provides a lively survey of the history of haute couture from its beginnings with the formation of the House of Worth in mid-nineteenth-century Paris to the present-day creations of fashion's major designers. One section of the book features a survey of designs that exemplify the rise of haute couture - that is, fashion driven by the artistic expression of the designer rather than by the dictates of clients - including garments such as Poiret's "sorbet" lampshade gown, Chanel's "little black dress," Dior's New Look, and Balenciaga's sack dress. Among the contemporary couturiers featured are Gianni Versace, Yves Saint Laurent, and Christian Lacroix. Most of the designs are in the permanent collection of The Metropolitan Museum of Art and were photographed especially for this book.

Haute Couture

Features designers Geoffrey Beene, Bill Blass, Tom Brigance, Fox-Brownie, Bonnie Cashin, Anne Fogarty, Halston, Elizabeth Hawes, Muriel King, Anne Klein, Tina Leser, Vera Maxwell, Claire McCardell, Fred Picard, Bobbie Yeoman, Clare Potter, Carolyn Schnurer, Valentina, Diane Von Furstenberg, Emily Wilkins, and B.H. Wragge.

Sportswear, 1930s-1970s

American Ingenuity

Gianni Versace

Published to accompany an exhibition of Versace design that opened in 1997 - With commentary on the major inspirations and themes of the designer, his creative interpretations of the past, his visions of costumes for the opera and the dance, his ideas for the male and his innovative uses of different materials.

Richard Harrison Martin

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