Richard I. Cohen

"Bringing together contributions from a diverse group of scholars, Volume XXX of Studies in Contemporary Jewry presents a multifaceted view of the subtle and intricate relations between Jews and their relationship to place. The symposium covers Europe, the Middle East, and North America from the 18th century to the 21st."--

Place in Modern Jewish Culture and Society

Mirjam Rajner

Samuel Hirszenberg is an artist who deserves to be more widely known: his work intertwined modernism and Jewish themes, and he influenced later artists of Jewish origin. Born into a traditional Jewish family in Łódź in 1865, Hirszenberg gradually became attached to Polish culture and language as he pursued his artistic calling. Like Maurycy Gottlieb before him, he studied at the School of Art in Kraków, which was then headed by the master of Polish painting, Jan Matejko. His early interests were to persist with varying degrees of intensity throughout his life: his Polish surroundings, traditional east European Jews, historical themes, the Orient, and the nature of relationships between men and women. He also had a lifelong commitment to landscape painting and portraiture. Hirszenberg’s personal circumstances, economic considerations, and historical upheavals took him to different countries, strongly influencing his artistic output. He moved to Jerusalem in 1907 and there, as a secular and acculturated Jew who had adopted the world of humanism and universalism, he strove also to express more personal aspirations and concerns. This fully illustrated study presents an intimate and detailed picture of the artist’s development.

A Polish Jewish Artist in Turmoil

Samuel Hirszenberg, 1865–1908

Adam Shear

Natalie B. Dohrmann

Elchanan Reiner

David B. Ruderman's groundbreaking studies of Jewish intellectuals as they engaged with Renaissance humanism, the Scientific Revolution, and the Enlightenment have set the agenda for a distinctive historiographical approach to Jewish culture in early modern Europe, from 1500 to 1800. From his initial studies of Italy to his later work on eighteenth-century English, German, and Polish Jews, Ruderman has emphasized the individual as a representative or exemplary figure through whose life and career the problems of a period and cultural context are revealed. Thirty-one leading scholars celebrate Ruderman's stellar career in essays that bring new insight into Jewish culture as it is intertwined in Jewish, European, Ottoman, and American history. The volume presents probing historical snapshots that advance, refine, and challenge how we understand the early modern period and spark further inquiry. Key elements explored include those inspired by Ruderman's own work: the role of print, the significance of networks and mobility among Jewish intellectuals, the value of extraordinary individuals who absorbed and translated so-called external traditions into a Jewish idiom, and the interaction between cultures through texts and personal encounters of Jewish and Christian intellectuals. While these elements can be found in earlier periods of Jewish history, Ruderman and his colleagues point to an intensification of mobility, the dissemination of knowledge, and the blurring of boundaries in the early modern period. These studies present a rich and nuanced portrait of a Jewish culture that is both a contributing member and a product of early modern Europe and the Ottoman Empire. As director of the Herbert D. Katz Center for Advanced Judaic Studies at the University of Pennsylvania, Ruderman has fostered a community of scholars from Europe, North America, and Israel who work in the widest range of areas that touch on Jewish culture. He has worked to make Jewish studies an essential element of mainstream humanities. The essays in this volume are a testament to the haven he has fostered for scholars, which has and continues to generate important works of scholarship across the entire spectrum of Jewish history.

Essays in Honor of David B. Ruderman edited by Richard I. Cohen, Natalie B. Dohrmann, Adam Shear and Elchanan Reiner

Jewish Culture in Early Modern Europe

"The Avraham Harman Institute of Contemporary Jewry, the Hebrew University of Jerusalem."

Visualizing and Exhibiting Jewish Space and History

Stefani Hoffman

Jonathan Frankel

This collection of essays breaks new ground in its interdisciplinary study of the way Jews redefined their identity in the changing societies of modern eastern Europe. Sensitively treating the drama of east European Jewry from cultural and political vantage points, prominent scholars provide fresh insights into the complex issues facing the Jewish world. The multifaceted essays in this volume reflect the influence of the pioneering work of the historian Ezra Mendelsohn.

Dilemmas of East European Jewry

Insiders and Outsiders

Notions of place have always permeated Jewish life and consciousness. The Babylonian Talmud was pitted against the Jerusalem Talmud; the worlds of Sepharad and Ashkenaz were viewed as two pillars of the Jewish experience; the diaspora was conceived as a wholly different experience from that of Eretz Israel; and Jews from Eastern Europe and "German Jews" were often seen as mirror opposites, whereas Jews under Islam were often characterized pejoratively, especially because of their allegedly uncultured surroundings. Place, or makom, is a strategic opportunity to explore the tensions that characterize Jewish culture in modernity, between the sacred and the secular, the local and the global, the historical and the virtual, Jewish culture and others. The plasticity of the term includes particular geographic places and their cultural landscapes, theological allusions, and an array of other symbolic relations between locus, location, and the production of culture. The 30th volume of Studies in Contemporary Jewry includes twelve essays that deal with various aspects of particular places, making each location a focal point for understanding Jewish life and culture. Scholars from the United States, Europe, and Israel have used their disciplinary skills to shed light on the vicissitudes of the 20th century in relation to place and Jewish culture. Their essays continue the ongoing discussion in this realm and provide further insights into the historiographical turn in Jewish studies.

Asher D. Biemann

Sarah E. Wobick-Segev

Homeland, Exile, Imagined Homelands are features of the modern experience and relate to the cultural and historical dilemmas of loss, nostalgia, utopia, travel, longing, and are central for Jews and others. This book is an exploration into a world of boundary crossings and of desired places and alternate identities, into a world of adopted kin and invented allegiances.

The Cultural Experience of Exile, Place and Displacement among Jews and Others

Spiritual Homelands

Ezra Mendelsohn†

Highlighting the seminal role of German Jewish intellectuals and ideologues in forming and transforming the modern Jewish world, this volume analyzes the political roads taken by German Jewish thinkers; the impact of the Holocaust on the Central and East European Jewish intelligentsia; and the conundrum of modern Jewish identity. Several of German Jewry's most outstanding figures such as Scholem, Strauss, and Kohn are discussed. Inspired by Steven E. Aschheim's work, several contributors focus on the fraught relationship between German and East European Jews (the so-called Ostjuden) and between German Jews and their non-Jewish neighbors. More generally, this book examines how Central European Jewish thinkers reacted to the terrible crises of the twentieth century-to war, genocide, and the existential threat to the very existence of the Jewish people. It is essential reading for those interested in the triumphs and tragedies of modern European Jewry.

Richard I. Cohen

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