Richard J. Watts

Narrative Co-operation in Charles Dickens's "Hard Times"

The Pragmalinguistic Analysis of Narrative Texts

Tony Bex

Standard English draws together the leading international scholars in the field, who confront the debates surrounding 'Standard English', grammar and correctness head-on. These debates are as intense today as ever and extend far beyond an academic context. Current debates about the teaching of English in the school curriculum and concerns about declining standards of English are placed in a historical, social and international context. Standard English: * explores the definitions of 'Standard English', with particular attention to distinctions between spoken and written English * traces the idea of 'Standard English' from its roots in the late seventeenth century through to the present day. This is an accessible, seminal work which clarifies an increasingly confused topic. It includes contributions from: Ronald Carter, Jenny Cheshire, Tony Crowley, James Milroy, Lesley Milroy and Peter Trudgill.

The Widening Debate

Standard English

The controversy surrounding the definition of Standard English and the notion of what is correct and incorrect is the central issue debated in this volume by a cast of leading international scholars.

Daniel Schreier

Anita Auer

This book draws on a range of informal letter corpora and outlines the historical sociolinguistic value of letter analysis.

Letter Writing and Language Change

Letter Writing and Language Change outlines the historical sociolinguistic value of letter analysis, both in theory and practice. The chapters in this volume make use of insights from all three 'Waves of Variation Studies', and many of them, either implicitly or explicitly, look at specific aspects of the language of the letter writers in an effort to discover how those writers position themselves and how they attempt, consciously or unconsciously, to construct social identities. The letters are largely from people in the lower strata of social structure, either to addressees of the same social status or of a higher status. In this sense the question of the use of 'standard' and/or 'nonstandard' varieties of English is in the forefront of the contributors' interest. Ultimately, the studies challenge the assumption that there is only one 'legitimate' and homogenous form of English or of any other language.

CONTRIBUTIONS TO THE SOCIOLOGY OF LANGUAGE brings to students, researchers and practitioners in all of the social and language-related sciences carefully selected book-length publications dealing with sociolinguistic theory, methods, findings and applications. It approaches the study of language in society in its broadest sense, as a truly international and interdisciplinary field in which various approaches, theoretical and empirical, supplement and complement each other. The series invites the attention of linguists, language teachers of all interests, sociologists, political scientists, anthropologists, historians etc. to the development of the sociology of language.

Power in Family Discourse

During the last fifteen years, existing models of linguistic politeness have generated a huge amount of empirical research. Using a wide range of data from real-life speech situations, this new introduction to politeness breaks away from the limitations of current models and argues that the proper object of study in politeness theory must be commonsense notions of what politeness and impoliteness are. From this, Watts argues, a more appropriate model, one based on Bourdieu's concept of social practice, is developed.

Politeness

Franz Andres Morrissey

The relationship between language and music has much in common - rhythm, structure, sound, metaphor. Exploring the phenomena of song and performance, this book presents a sociolinguistic model for analysing them. Based on ethnomusicologist John Blacking's contention that any song performed communally is a 'folk song' regardless of its generic origins, it argues that folk song to a far greater extent than other song genres displays 'communal' or 'inclusive' types of performance. The defining feature of folk song as a multi-modal instantiation of music and language is its participatory nature, making it ideal for sociolinguistic analysis. In this sense, a folk song is the product of specific types of developing social interaction whose major purpose is the construction of a temporally and locally based community. Through repeated instantiations, this can lead to disparate communities of practice, which, over time, develop sociocultural registers and a communal stance towards aspects of meaningful events in everyday lives that become typical of a discourse community.

Richard J. Watts

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