Christopher Booker

Richard North

The Mad Officials

Joe Allard

Changing the way that students think about literary history, this book rips up the rule book and brings Old English into the 21st Century.

A New Introduction to Old English, Old Icelandic, and Anglo-Norman Literatures

Beowulf & Other Stories

Since its publication in 2003, The Great Deception has taken on the role of the Eurosceptics' bible, with the third edition helping to fuel the debate during the 2016 EU Referendum. This fourth edition celebrates the moment when the UK broke away from the European Union, having been extensively re-edited to incorporate newly available archive material, and updated to include the tumultuous events of recent years. The Great Deception, therefore, tells for the first time the inside story of the most audacious political project of modern times, from its intellectual beginnings in the 1920s, when the blueprint for the European Union was first conceived by a British civil servant, right up to the point when the UK resumes its path at as an independent sovereign nation after 47 years of membership of the European project in its various guises. Drawing on a wealth of new evidence and existing sources, scarcely an episode of the story does not emerge in startling new light, from the real reasons why de Gaulle kept Britain out in the 1960s to the fall of Mrs Thatcher and the build-up to the referendum campaign which had its roots in the Maastricht Treaty. The book chillingly shows how Britain's politicians were consistently outplayed in a game the rules of which they never understood. It ends by evaluating the post referendum negotiations and asking whether this is the end of an episode or just a new beginning.

The True Story of Britain and the European Union

The Great Deception

Charlie Pye-Smith

Prosaic plea for a fundamental renewal of agriculture

Working the Land

From salmonella in eggs to BSE, from the Millennium Bug to bird ‘flu, from DDT to passive smoking, from asbestos to global warming, ‘scares' have become one of the most conspicuous and damaging features of our modern world. This book for the first time tells the inside story of each of the major scares of the past two decades, showing how they have followed a remarkably consistent pattern. It analyses the crucial role played in each case by scientists who have misread or manipulated the evidence; by the media and lobbyists who eagerly promote the scare without regard to the facts; and finally by the politicians and officials who come up with an absurdly disproportionate response, leaving us all to pay a colossal price, which may run into billions or even hundreds of billions of pounds. The book culminates in a chillingly detailed account of the story behind what it shows has become the greatest scare of them all: the belief that the world faces disaster through man-made global warming. In an epilogue the authors compare our credulity in falling for scares to mass-hysterias of previous ages such as the post-mediaeval ‘witch craze', describing our time as a ‘new age of superstition'.

From BSE to Global Warming: Why Scares are Costing Us the Earth

Scared to Death

This book tells the inside story of each of the major 'scares' of the past two decades, showing for the first time how they have followed a remarkably consistent pattern, and demonstrating how they left us completely unprepared for the most disruptive and dangerous event of all: COVID-19.

From BSE to Coronavirus: Why Scares are Costing Us the Earth

Patricia Gillies

The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures provides a scholarly and accessible introduction to the literature which was the inspiration for many of the heroes of modern popular culture, from The Lord of the Rings to The Chronicles of Narnia, and which set the foundations of the English language and its literature as we know it today. Edited, translated and annotated by the editors of Beowulf & Other Stories, the anthology introduces readers to the rich and varied literature of Britain, Scandinavia and France of the period in and around the Viking Age. Ranging from the Old English epic Beowulf through to the Anglo-Norman texts which heralded the transition Middle English, thematically organised chapters present elegies, eulogies, laments and followed by material on the Viking Wars in the Anglo-Saxon Chronicle, Vikings gods and Icelandic sagas, and a final chapter on early chivalry introduces the new themes and forms which led to Middle English literature, including Arthurian Romances and Chaucer's Canterbury Tales. Laying out in parallel text format selections from the most important Old English, Old Icelandic and Anglo-Norman works, this anthology presents translated and annotated texts with useful bibliographic references, prefaced by a headnote providing useful background and explanation.

Longman Anthology of Old English, Old Icelandic, and Anglo-Norman Literatures

An evolution of attitudes towards pre-Christian custom in , North-West Europe, as shown in early .medieval word-fields and texts in Old English and Old Icelandic literature, is represented in six variously focussed studies. The first three chapters, Pagan Words, form a network of research on pre-Christian concepts of mind and soul as they survived, still active, in Christianized heroic poetry. This was part of. the heathen matrix through which the first expressions of Christianity in Old English and Icelandic literature were possible. The second half of this book, Christian Meanings, shows .how the same Christian literature produced reinterpretations of paganism. The literary range stretches from the earliest epic formulae to the polished genealogical novels of thirteenth-century Iceland- An ancient tradition of augury is invoked by the poet of The Seafarerto illustrate a believer's passage to heaven. In Havamal, an artificially pagan creed of ritual teaching and responses is compiled in Iceland as an antiquarian entertainment, perhaps on a Christian model. The last chapter shows a variety of Christian interpretations of, paganism in four sagas of Icelanders from the early to late thirteenth century. Overall where paganism was concerned, the tendency was first to cast off a way of life, then later, when that life was lost forever, to reinvent it for the imagination.

Pagan Words and Christian Meanings

Alison Finlay

Erin Goeres

Anglo-Danish Empire is an interdisciplinary handbook for the Danish conquest of England in 1016 and the subsequent reign of King Cnut the Great. Bringing together scholars from the fields of history, literature, archaeology, and manuscript studies, the volume offers comprehensive analysis of England’s shift from Anglo-Saxon to Danish rule. It follows the history of this complicated transition, from the closing years of the reign of King Æthelred II and the Anglo-Danish wars, to Cnut’s accession to the throne of England and his consolidation of power at home and abroad. Ruling from 1016 to 1035, Cnut drew England into a Scandinavian empire that stretched from Ireland to the Baltic. His reign rewrote the place of Denmark and England within Europe, altering the political and cultural landscapes of both countries for decades to come.

A Companion to the Reign of King Cnut the Great

Anglo-Danish Empire

This book suggests that the Old English epic Beowulf was composed in the winter of 826-7 as a requiem for King Beornwulf of Mercia on behalf of Wiglaf, the ealdorman who succeeded him. The place of composition is given as the minster of Breedon on the Hill in Leicestershire (now Derbyshire) and the poet is named as the abbot, Eanmund. As well as pinpointing the poem's place and date of composition, Richard North raises some old questions relating to the poet's influences from Vergil and from living Danes. Norse analogues are discussed in order to identify how the poet changed his heroic sources while four episodes from Beowulf are shown to be reworked from passages in Vergil's Aeneid. One chapter assesses how the poem's Latin sources might correspond with what is known of Breedon's now-lost library while another seeks to explain Danish mythology in Beowulf by arguing that Breedon hosted a meeting with Danish Vikings in 809. This fascinating and challenging new study combines careful detective work with meticulous literary analysis to form a case that no future investigation will be able to ignore.

From Vergil to Wiglaf

The Origins of Beowulf

An evolution of attitudes towards pre-Christian custom in , North-West Europe, as shown in early .medieval word-fields and texts in Old English and Old Icelandic literature, is represented in six variously focussed studies. The first three chapters, Pagan Words, form a network of research on pre-Christian concepts of mind and soul as they survived, still active, in Christianized heroic poetry. This was part of. the heathen matrix through which the first expressions of Christianity in Old English and Icelandic literature were possible. The second half of this book, Christian Meanings, shows .how the same Christian literature produced reinterpretations of paganism. The literary range stretches from the earliest epic formulae to the polished genealogical novels of thirteenth-century Iceland- An ancient tradition of augury is invoked by the poet of The Seafarer to illustrate a believer's passage to heaven. In Havamal, an artificially pagan creed of ritual teaching and responses is compiled in Iceland as an antiquarian entertainment, perhaps on a Christian model. The last chapter shows a variety of Christian interpretations of, paganism in four sagas of Icelanders from the early to late thirteenth century. Overall where paganism was concerned, the tendency was first to cast off a way of life, then later, when that life was lost forever, to reinvent it for the imagination.

As the European Union moves next year towards adopting the constitution which will mark its final emergence as a "United States of Europe." The Great Deception shows how the most ambitious political project of our time has, for more than 50 years, been based on a colossal confidence trick--the systematic concealment from the peoples of Europe of what the aim of this project has always been since its inception in the late 1940s. As it reveals for the first time the true story behind the long-term plan to build a politically united Europe, the authors show how all previous attempts to reconstruct the history of this project--whether written by Europhiles of Eurosceptics--have got it wrong, at almost every step along the way. With all the suspense of a detective story, drawing on thousands of books, paper and official documents, many of which have only become publicly available in the past few years, the book traces how a handful of determined visionaries set out more than half a century ago to weld the countries of Europe into a single political state. The Great Deception should immediately become a standard reference work for all students of politics. Yet so disturbing is the picture that emerges that, at a time when Britain's future in the EU is a subject of national debate, it will also spark much wider concern.

A Secret History of the European Union

"Beowulf & Other Stories "was first conceived in the belief that the study of Old English - and its close cousins, Old Icelandic and Anglo-Norman - can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature. Now in a fully revised second edition, this collection of essays written by leading academics in the field is set to build upon its established reputation as the standard introduction to the literatures of the time. "Beowulf & Other Stories" captures the fire and bloodlust of the great epic, "Beowulf, "and the sophistication and eroticism of the Exeter Riddles. Fresh interpretations give new life to the spiritual ecstasy of "The Seafarer" and to the imaginative dexterity of "The Dream of the Rood, ""and "provide the student and general reader with all they might need to explore and enjoy this complex but rewarding field. The book sheds light, too, on the shadowy contexts of the period, with suggestive and highly readable essays on matters ranging from the dynamism of the Viking Age to Anglo-Saxon input into "The""Lord of the Rings, "from the great religious prose works to the transition from Old to Middle English. It also branches out into related traditions, with expert introductions to the Icelandic "Sagas," Viking Religion and Norse Mythology. Peter S. Baker provides an outstanding guide to taking your first steps in the Old English language, while David Crystal provides a crisp linguistic overview of the entire period. With a new chapter by Mike Bintley on Anglo-Saxon archaeology and a revised chapter by Stewart Brookes on the prose writers of the English Benedictine Reform, this updated second edition will be essential reading for students of the period. Richard North teaches Old and Middle English at University College London, and is author of "Heathen Gods in Old English Literature" (1997) and "The Origins of 'Beowulf'" (2006). Joe Allard teaches at the University of Essex. He translates and publishes contemporary Icelandic poetry and fiction, and has written extensively on medieval Icelandic prose and poetry.

A New Introduction to Old English, Old Icelandic and Anglo-Norman Literatures

Richard D. North

A Very Personal Defence of Mass Affluence

Rich is Beautiful

Immortalised in Churchill's often quoted assertion that never before "was so much owed by so many to so few", the top-down narrative of the Battle of Britain has been firmly established in British legend. Britain was saved from German invasion by the gallant band of Fighter Command Pilots in their Spitfires and Hurricanes, and the public owed them their freedom. Richard North's radical re-evaluation of the Battle of Britain dismantles this mythical retelling of events. Taking a wider perspective than the much-discussed air war, North takes a fresh look at the conflict as a whole to show that the civilian experience, far from being separate and distinct, was integral to the Battle. This recovery of the people's stolen history demonstrates that Hitler's aim was not the military conquest of England, and that his unattained target was the hearts and minds of British people.

The Stolen History of the Battle of Britain

The Many Not The Few

The Longman Anthology of Old English, Old Icelandic and Anglo-Norman Literatures provides a scholarly and accessible introduction to the literature which was the inspiration for many of the heroes of modern popular culture, from The Lord of the Rings to The Chronicles of Narnia, and which set the foundations of the English language and its literature as we know it today. Edited, translated and annotated by the editors of Beowulf and Other Stories, the anthology introduces readers to the rich and varied literature of Britain, Scandinavia and France of the period in and around the Viking Age. Ranging from the Old English epic Beowulf through to the Anglo-Norman texts which heralded the transition Middle English, thematically organised chapters present elegies, eulogies, laments and followed by material on the Viking Wars in the Anglo-Saxon Chronicle, Vikings gods and Icelandic sagas, and a final chapter on early chivalry introduces the new themes and forms which led to Middle English literature, including Arthurian Romances and Chaucer's Canterbury Tales. Laying out in parallel text format selections from the most important Old English, Old Icelandic and Anglo-Norman works, this anthology presents translated and annotated texts with useful bibliographic references, prefaced by a headnote providing useful background and explanation.

Fellow of Trinity College and University Lecturer in Anglo-Saxon History Simon Keynes

North Richard

A redefinition of Anglo-Saxon paganism as a natural religion with a heathen god, Ingui, at its heart.

Heathen Gods in Old English Literature

Beowulf & Other Stories was first conceived in the belief that the study of Old English – and its close cousins, Old Icelandic and Anglo-Norman – can be a genuine delight, covering a period as replete with wonder, creativity and magic as any other in literature. Now in a fully revised second edition, the collection of essays written by leading academics in the field is set to build upon its established reputation as the standard introduction to the literatures of the time. Beowulf & Other Stories captures the fire and bloodlust of the great epic, Beowulf, and the sophistication and eroticism of the Exeter Riddles. Fresh interpretations give new life to the spiritual ecstasy of The Seafarer and to the imaginative dexterity of The Dream of the Rood, andprovide the student and general reader with all they might need to explore and enjoy this complex but rewarding field. The book sheds light, too, on the shadowy contexts of the period, with suggestive and highly readable essays on matters ranging from the dynamism of the Viking Age to Anglo-Saxon input into The Lord of the Rings, from the great religious prose works to the transition from Old to Middle English. It also branches out into related traditions, with expert introductions to the Icelandic Sagas, Viking Religion and Norse Mythology. Peter S. Baker provides an outstanding guide to taking your first steps in the Old English language, while David Crystal provides a crisp linguistic overview of the entire period. With a new chapter by Mike Bintley on Anglo-Saxon archaeology and a revised chapter by Stewart Brookes on the prose writers of the English Benedictine Reform, this updated second edition will be essential reading for students of the period.

Richard North

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