Richard Stites

Utopian Vision and Experimental Life in the Russian Revolution

Revolutionary Dreams

Houghton Mifflin Company

Lindsey Hughes

Catherine Evtuhov

David Goldfrank

Peoples, Legends, Events, Forces

A History of Russia

The Four Horsemen narrates the history of revolution in Spain, Naples, Greece, and Russia in the 1820s, connecting the social movements and activities on the ground, in the inimitable voice of a renowned historian.

Riding to Liberty in Post-Napoleonic Europe

The Four Horsemen

Peter Kenez

Abbott Gleason

In the tumultuous years after the revolution of 1917, the traditional cutlure of Imperial Russia was both destroyed and preserved, as a new Soviet culture began to take shape. This book focuses on the interaction between the emerging political and cultural policies of the Soviet regime and the deeply held traditional values of the worker and peasant masses.

Experiment and Order in the Russian Revolution

Bolshevik Culture

Formerly Professor of History and International Affairs Richard Stites

"This book offers a brilliant treatment of many facets of its subject, but it also ends up being, for the reader, one of the finest general histories to be found, of these crucial years in Russian history. The source material is unbelievably detailed, and clearly cited on each page. Not only that, the writing is, at many points, the boldest, clearest I've almost ever found in the Academy. The author's opinions, summaries, insights easily spill out of the historical constructions. The presence of the author's psyche (he never hides behind his quotes) means the material is contoured. The reader gets, not only huge amounts of information, but an authorial presence, as company, that is often daring, bold, insightful, revelatory. And one stylistic point made me especially happy: when Stites uses metaphors to explain history, these are revelatory, and their internal implications are followed through in the prose." -- from www.goodreads.com (Feb. 2, 2011.)

Feminism, Nihilism, and Bolshevism, 1860-1930

The Women's Liberation Movement in Russia

In a series of revolts starting in 1820, four military officers rode forth on horseback from obscure European towns to bring political freedom and a constitution to Spain, Naples, and Russia; and national independence to the Greeks. The men who launched these exploits from Andalusia to the snowy fields of Ukraine--Colonel Rafael del Riego, General Guglielmo Pepe, General Alexandros Ypsilanti, and Colonel Sergei Muraviev-Apostol--all hoped to overturn the old order. Over the next six years, their revolutions ended in failure. The men who led them became martyrs. In The Four Horsemen, the late, eminent historian Richard Stites offers a compelling narrative history of these four revolutions. Stites sets the stories side by side, allowing him to compare events and movements and so illuminate such topics as the transfer of ideas and peoples across frontiers, the formation of an international community of revolutionaries, and the appropriation of Christian symbols and language for secular purposes. He shows how expressive behavior and artifacts of all kinds--art, popular festivities, propaganda, and religion--worked their way to various degrees into all the revolutionary movements and regimes. And he documents as well the corruption, abandonment of liberal values, and outright betrayal of the revolution that emerged in Spain and Naples; the clash of ambitions and ideas that wracked the unity of the Decembrists' cause; and civil war that erupted in the midst of the Greek struggle for independence. Richard Stites was one of the most imaginative and broad-ranging historians working in the United States. This book is his last work, a classic example of his dazzling knowledge and idiosyncratic yet accessible writing style. The culmination of an esteemed career, The Four Horsemen promises to enthrall anyone interested in nineteenth-century Europe and the history of revolutions.

James Von Geldern

Russian texts of the songs are included in the book.

Tales, Poems, Songs, Movies, Plays, and Folklore, 1917-1953

Mass Culture in Soviet Russia

Aviel Roshwald

A comparative study of European cultural and social history during the First World War.

The Arts, Entertainment and Propaganda, 1914-1918

European Culture in the Great War

Serf-era and provincial Russia heralded the spectacular turn in cultural history that began in the 1860s. Examining the role of arts and artists in society’s value system, Richard Stites explores this shift in a groundbreaking history of visual and performing arts in the last decades of serfdom. Provincial town and manor house engaged the culture of Moscow and St. Petersburg while thousands of serfs and ex-serfs created or performed. Mikhail Glinka raised Russian music to new levels and Anton Rubinstein struggled to found a conservatory. Long before the itinerants, painters explored town and country in genre scenes of everyday life. Serf actors on loan from their masters brought naturalistic acting from provincial theaters to the imperial stages. Stites’s richly detailed book offers new perspectives on the origins of Russia’s nineteenth-century artistic prowess.

The Pleasure and the Power

Serfdom, Society, and the Arts in Imperial Russia

This collection of "Stitesiana" includes 29 essays on Russian culture, representing the bulk of 20 years of scholarship, in addition to well-known monographs and diverse pieces in popular magazines.

Essays on Russian Culture

Passion and Perception

"This lively and often moving collection of essays is an important contribution to Western scholarship on Soviet society and culture during the Second World War.... [a] straightforward but lively description of cultural life, unhampered by excessive interpretation or cultural theory. For all those who love Russia's cultural heritage, these essays cast a welcome spotlight on some of the people and pockets of life from that tragic but compelling time." —Canadian Slavonic Papers "Enjoyable to read and accessible to the nonspecialist, Culture and Entertainment is not only an indispensable addition to any Soviet studies library but will prove valuable to anyone interested in or teaching courses on World War II, propaganda and popular culture, homefront politics, or the interacation between cultural creation and governmental power." —Journal of Modern History "This comprehensive recollection of articles goes beyond cultural history, and provides an original approach to the study of war. War, we learn, is fought on many fronts, and the cultural one should not be underestimated." —SAIS Review "... takes the reader to the heart of the patriotic struggle, to the cultural and spiritual imperatives that roused Russian resistance." —Canadian Military History "This collection... furthers knowledge of Soviet high and popular culture, and also demonstrates the extremely important role that cultural productions played in helping to maintain Soviet spirits in the midst of the Nazi onslaught." —Choice "This anthology of scholarly articles provides surprising insights into Soviet cultural propaganda during the Great Patriotic War." —War, Literature and the Arts "... the essays here provide much food for thought and constitute a valuable addition to a relatively neglected area of study." —The Slavonic Review World War II (The Great Patriotic War) had a pronounced cultural and emotional impact on the Russian people. The subjects of these essays range from the Moscow press to frontline correspondents, from entertainment brigades to amateur songs by fighting men and women, from symphonic compositions to revivals of literary classics, and from Moscow stages to folk ensembles on the battlefield—the cultural outpourings in the hearts and souls of ordinary Russians at war.

Culture and Entertainment in Wartime Russia

Offers an array of documents, short fiction, poems, songs, plays, movie scripts, and folklore to offer a look at the mass culture that was consumed by millions in Soviet Russia between 1917 and 1953. This work focuses on the entertainment genres that both shaped and reflected the social, political, and personal values of the regime and the masses.

Richard Stites views the struggle for liberation of Russian women in the context of both nineteenth-century European feminism and twentieth-century communism. The central personalities, their vigorous exchange of ideas, the social and political events that marked the emerging ideal of emancipation--all come to life in this absorbing and dramatic account. The author's history begins with the feminist, nihilist, and populist impulses of the 1860s and 1870s, and leads to the social mobilization campaigns of the early Soviet period.

Feminism, Nihilsm, and Bolshevism, 1860-1930 - Expanded Edition

Stites explores the ideals behind the revolution, including drawing parallels between philosophies of imperial Russia's intelligentsia class and how the Bolsheviks molded their ideas during the revolution.

A side of Russian life largely unknown to the West--the world of popular culture--is presented by surveying detective and science fiction, popular songs, jokes, box office movie hits, the stage, radio and television.

Entertainment and Society Since 1900

Russian Popular Culture

Alexander Rabinowitch

Sheila Fitzpatrick

Helmut Altrichter

" . . . a comprehensive look at an enigmatic era . . . " --Choice "This provocative collection of essays certainly takes some of the polish off Soviet socialism's golden age." --Journal of Interdisciplinary History "The authors and editors of this splendid volume deserve great praise. Their work moves the field of Soviet history several large steps forward." --Slavic Review Lenin's New Economic Policy of the 1920s, although a relatively free and open potential alternative to Soviet communism, was also a time of extreme tension, as Russian society and culture were rocked by the forces of resistance and change. These essays examine the social and cultural dimensions of NEP in urban and rural Russia in the years before Stalin and rapid industrialization.

Explorations in Soviet Society and Culture

Russia in the Era of NEP

The revolutionary ideals of equality, communal living, proletarian morality, and technology worship, rooted in Russian utopianism, generated a range of social experiments which found expression, in the first decade of the Russian revolution, in festival, symbol, science fiction, city planning, and the arts. In this study, historian Richard Stites offers a vivid portrayal of revolutionary life and the cultural factors--myth, ritual, cult, and symbol--that sustained it, and describes the principal forms of utopian thinking and experimental impulse. Analyzing the inevitable clash between the authoritarian elements in the Bolshevik's vision and the libertarian behavior and aspirations of large segments of the population, Stites interprets the pathos of utopian fantasy as the key to the emotional force of the Bolshevik revolution which gave way in the early 1930s to bureaucratic state centralism and a theology of Stalinism.

Richard Stites

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