Richard Wilbur

Two comedies in an acclaimed translation.

The School for Wives and The Learned Ladies, by Moliere

This comprehensive collection presents new and never published poems by Richard Wilbur, author of 17 poetry collections, four children's books, and numerous works in prose and translations.

Collected Poems 1943-2004

The Beautiful Changes and Other Poems

Spanning four decades of work and encompassing the poet's six previously published volumes of poetry, twenty-seven new poems, and a cantata, this volume represents the lifetime work of the man invested as Poet Laureate of the United States, October 1987

New and Collected Poems

Reissued to include seven additional poems and drawings about differences, this rollicking collection of light-hearted poems centers around words and their opposites.

Opposites, More Opposites, and a Few Differences

The Poems Of Richard Wilbur

New Poems

The Mind-reader

Andromache, by Racine

Phaedra

An anthology, first published as a limited edition in 1955, featuring more than fifty line drawings by the sculptor, accompanied by literary excerpts on animals of every type

A Bestiary

This book is the reintroduction of a timeless classic that was first published in 1955 as a signed, limited edition. This beautifully produced book is based on the original collaboration between Wilbur and Calder, for which Calder created more than 50 whimsical drawings and Wilbur chose excerpts from classic works of literature -- poetry, essays, novels, plays, stories -- to accompany them. One finds such unexpected combinations as Faulkner on the Dog, Machiavelli on the Centaur, Disraeli on the Ape, Sherwood Anderson on the Horse, T.E. Lawrence on the Camel, Thoreau on the Mouse, Plato on the Grasshopper, and Bertrand Russell on the Unicorn, etc.

Presents a collection of twenty-five new works as well as translations of works by Moliere and Dante.

New Poems and Translations

Mayflies

Poetry lovers and critics will rejoice at the news of this collection from Richard Wilbur, the legendary poet and translator who was called “a hero to a new generation of critics” by the New York Times Book Review, and whose work continues to be masterful, accomplished, whimsical, fresh, and important. A yellow-striped, green measuring worm opens Anterooms, a collection filled with poems that are classic Wilbur, that play with myth and form and examine the human condition through reflections on nature and love. Anterooms also features masterly translations from Mallarmé’s “The Tomb of Edgar Allan Poe,” a previously unpublished Verlaine poem, two poems by Joseph Brodsky, and thirty-seven of Symphosius’s clever Latin riddles. Whether he is considering a snow shovel and domestic life or playfully considering that “Inside homeowner is the word meow,” Wilbur’s new collection is sure to delight everyone from longtime devotees to casual poetry readers. Exploring the interplay between the everyday and the mythic, the sobering and the lighthearted, Anterooms is nothing less than an event in poetic history and a remarkable addition to a master’s oeuvre.

Anterooms

A new collection of poetry, translations, light verse, and riddles.

Responses: Prose Pieces, 1953- 1976 Expanded Edition Richard Wilbur In the minds of many, Richard Wilbur is the "godfather" of the New Formalist New Narrative poetries. In addition to his award-winning poetry, his superb translations of Moliere and others, Wilbur has for decades written some of the most generous, insightful, and truthful literary criticism of our time.

Prose Pieces, 1953-1976

Responses

The Beautiful Changes, and Other Poems

Walking to Sleep

Poems

Things of this World

Marta L. Werner

Carolyn Vega

The image is so well known it is practically iconic: The reclusive poet, feminine and fragile, weaving verse of beguiling complexity from the room in which she kept herself sequestered from the world. The Belle of Amherst, the distinctive American voice, the singer of the soul's mysteries: Emily Dickinson. Yet that image scarcely captures the fullness and vitality of Dickinson's life, most notably her many connections--to family, to friends, to correspondents, to the literary tastemakers of her day, even to the unnamed, and perhaps unknowable, "Master" to whom she addressed three of her most breathtaking works of prose. Through an exploration of a relatively small group of items from Dickinson's vast literary remains, this volume--an accompaniment to an exhibition on Dickinson mounted at The Morgan Library & Museum in New York--demonstrates the complex ways in which these often humble objects came into conversation with other people, places, and events in the poet's life. Seeing the network of connections and influences that shaped Dickinson's life presents us with a different understanding of this most enigmatic yet elegiac poet in American letters, and allows us more fully to appreciate both her uniqueness and her humanity. The materials collected here make clear that the story of Dickinson's manuscripts, her life, and her work is still unfolding. While the image of Dickinson as the reclusive poet dressed only in white remains a popular myth, details of Dickinson's life continue to emerge. Several items included both in the exhibit and in this volume were not known to exist until the present century. The scrap of biographical intelligence recorded by Sarah Tuthill in a Mount Holyoke catalogue, or the concern about Dickinson's salvation expressed by Abby Wood in a private letter to Abiah Root, were acquired by Amherst College in the last fifteen years. What additional pieces of evidence remain to be uncovered and identified in the attics and basements of New England? Published to accompany The Morgan Library & Museum's pathbreaking exhibit I'm Nobody! Who are You? The Life and Poetry of Emily Dickinson--part of a series of exhibits at the Morgan celebrating and exploring the creative lives of significant women authors--The Networked Recluse offers the reader an account of the exhibit itself, together with a series of contributions by curators, scholars of Dickinson, and poets whose own work her words have influenced.

The Connected World of Emily Dickinson

The Networked Recluse

A brilliant translation of one of the most influential works of French theater, Phaedra is rendered into movingly expressive verse by the Pulitzer Prize–winning translator Richard Wilbur. Jean Racine’s last and greatest tragedy is based on a legend that has intrigued dramatists as far back as Euripides and Seneca. Phaedra, the second wife of Theseus, the heroic king of Athens, is consumed with an illicit passion for Hippolytus, her stepson. Given word that her husband is dead, she confesses her love for Hippolytus and is rebuffed. When Theseus turns out to be alive after all, Phaedra connives in a lie to convince her husband that it was Hippolytus who attempted to seduce her. The stage is set for fury and grief, guilt and remorse. In his seventeenth-century interpretation, Racine replaced the ornate, stylized tragedy based on classic Greek form with human-scale characters and actions convincingly motivated by human emotions. Acclaimed translator Richard Wilbur describes in his lucid, informed introduction the method by which he remained faithful to Racine’s form and intention. The result is a triumph of translation, poetry, and theater.

Richard Wilbur

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