Michael Moorcock

Rick Berry

Journey into the future, where today's most horrific ecological predictions are reality. In the eighth book of this exciting series, Ryan is trapped aboard a spaceship fleeing from a ruined Earth to the terrifying depths of an interstellar abyss--and his most profound fears and fantasies.

Sailing to Utopia

Developing self-esteem, confidence and the determination to see projects through while teaching the world and your supervisor how you wish to be treated is the essence of this book.

Stepping Off the Mat

Katrina Joyner

It has been 10 months since the two evil doctors, Chickenman and Stine, tried to destroy the island of Sandal Pointe. They escaped from the Girth Brothers - Raz, O, and Buffalo - and have since been living under the marshlands on the island's north end. Now U.S. government surveyors have received permission to clear portions of the marshlands and have enlisted Buffalo as their guide. After stumbling upon a mysterious ship in the middle of the marshlands, the Girth Brothers realize that Chickenman and Stine have resurfaced with the intent on finishing what they started: the annihilation of Sandal Pointe and all its inhabitants! Can Raz, O, and Buffalo save the island again, or will the two sinister doctors prevail?

The Girth Brothers and the Secret of the Marshlands

Phil Hale

Phil Hale and Rick Berry met in 1980. Hale was sixteen and Berry twenty-seven. After founding the Newbury Studio (along with Tom Canty and Rick Salvucci) in Boston, they went on to illustrate the work of people who make up a veritable Who's Who of three major literary genres: William Gibson, Stephen King, Robert E. Howard, Frank Herbert, Peter Straub and the list goes on... Going well beyond the roles of illustrators, they are considered innovators and artistic pioneers -- Berry produced the first digital cover paintings (W. Gibson's Neuromancer, as seen in Time Magazine, 8 Feb. 1993) for trade fiction in the world. Hale's superb brush work garnered him so much attention, by age eighteen he was a pro in demand. Soon he was tapped for King's Drawing of the Three. Among their numerous awards is the 1989 World Con Best of Show for Dry Science by Berry. Berry's design and painting for Straub's Mrs. God was considered by Communication Arts as one of the year's best illustrated books. CA plus the Society of Illustrators annuals and Print magazine have published their works for music, literary and pop culture. Both have also contributed extensively to gaming cards and comic books. It is remarkable ... that somehow out of the discontinuities of the unexpected universe two of the most creative artists and best draftsmen I've ever seen should met at the right time. -- Jeff Jones

Rick Berry

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