Rick Stewart

Dallas artists covered include Jerry Bywaters, Otis Dozier, Charles Bowling, William Lester, Everett Spruce, Alexandre Hogue, John Douglass, Lloyd Goff and Perry Nichols.

The Dallas Nine and Their Circle, 1928-1945

Lone Star Regionalism

High school defenses face very different offensive attacks week in and week out. The challenge is not changing your defense every week in order to defend pass-happy formations and smashmouth running attacks. The answer is to combine the strengths of a 4-man front with the PASS strengths of two safety coverages, that can be ran with the players walking the high school hallway. And due to low football IQ and limited film study time, the high school defense must be easy to learn. The strength of the 4-2-5 is the conversion of traditional OLBs to SAFETIES because you have 5 DBs to adjust to all the formation and motion changes in today's high school football. HEAD UP ALIGNMENTS: by a 0-tech NG and a 4-tech DT who slants weak, putts them in the same position as traditional 1 and 3-techniques once the ball is snapped. Blockers don't know which gap they are going to slant in, easy transition from 4 man to 3 man front, and uncovered guards give clean run/pass reads. DIVORCED FRONT and SPLIT FIELD: separates run & pass strengths allowing multiple looks while being simple to learn. Splitting formations in half reduces every offensive formation to 8 alignments. Split Field narrows teaching 4 coverages vs only 8 alignments and follows the "+1" rule. EVERY DAY DRILLS (EDDs): for every position. RUN FIT DEFENSE: forces the RB into a narrow "alley" outnumbered him 3 to 1. Everyone's job remains the same in both the 3-4 & 4-2 fronts. ILB read uncovered guards for clean reads and aggressive reactions. DL keeps the offensive lineman off the linebackers. Secondary provides the force, alley, and contain players.GAME PLANNING and SCOUTINGEDITABLE DROP BOX FILESEditable playsheets, wristbands, scouting reports, practice schedules drills, and Powerpoints.

Multiple Front Defensive Playbook

Read and React 425

John Rohrbach

Amon Carter Museum of Western Art

Patricia A. Junker

Barbara McCandless

Will Gillham

Jane Myers

"Amon G. Carter (1879-1955) is one of the legendary men of Texas history. Born in a log cabin, he was self-made, becoming Fort Worth's leading citizen and champion. He developed an interest in the art of Frederic Remington and Charles M. Russell through his friendship with Will Rogers. Carter's will provided for the establishment of a museum in Fort Worth devoted to the art of the American West. While the museum holds the most significant collection anywhere of works by Remington and Russell and is a pioneer in the field of western studies, it has evolved into one of the great museums of American art as a whole, focusing on artists working on successive frontiers, aesthetic as well as geographic. Its photography collection alone has grown to nearly one-quarter of a million objects." "The museum, designed by noted architect Philip Johnson, opened to the public in 1961. On the occasion of its fortieth anniversary, a substantially expanded building, also designed by Mr. Johnson, was inaugurated. This volume relates the museum's history and presents color and duotone illustrations of 125 of its masterworks dating from 1822 to 1998 (paintings, sculpture, prints, watercolors, pastels, drawings, and photographs), with an essay about each and a biography of each artist. It includes a number of landmark works recently added to the collection and unveiled here for the first time: paintings by John Singer Sargent, Stuart Davis, and Marsden Hartley; sculpture by Alexander Calder and Louise Nevelson; a daguerreotype by Southworth and Hawes; and photographs by Alfred Stieglitz, David Smith, Robert Adams, and Linda Connor."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

Rick Stewart

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