Roald Nasgaard

Katharine Jordan Lochnan

Bogomila Welsh-Ovcharov

This richly illustrated volume explores mystical themes in European, Scandinavian, and North American landscape paintings from the late 1800s to the early 1900s. This book features works by Emily Carr, Marc Chagall, Arthur Dove, Paul Gauguin, Lawren Harris, Wassily Kandinsky, Gustav Klimt, Piet Mondrian, Claude Monet, Edvard Munch, Georgia O'Keeffe, Vincent van Gogh and James McNeill Whistler, among others. Common to their work is the expression of the spiritual crisis that arose in society and the arts in reaction to the disillusionments of the modern age, and against the malaise that resulted in the Great War. Many artists turned their backs on institutional religion, searching for truth in universal spiritual philosophies. This book includes essays investigating mystical landscape genres and their migration from Scandinavia to North America, with a focus upon the Group of Seven and their Canadian and American counterparts. Accompanying an exhibition at the Art Gallery of Ontario and the Musée d'Orsay, this book offers a penetrating look at the Symbolist influence on the landscape genre.

From Vincent Van Gogh to Emily Carr

Mystical Landscapes

Eli Bornstein

In celebration of his 100th birthday, Eli Bornstein, in collaboration with author and curator Roald Nasgaard, has published a stunning work of personal reflection on a most transformative time in his life and career. A Very Sacred Experience: Eli Bornstein's Arctic Journals, 1986 and 1987 is a tribute to the Canadian North, a meditation on artistic creation, and a window onto the ideological musings of Canada's greatest Structurist artist. Devoid of the mythologizing other artists have given their writing on the North, Bornstein's journals are introspective, insightful, and sometimes funny. Comprised of personal journal entries from two northern trips he took with photographer Hans Dommasch--along with watercolour studies, Structurist reliefs, and a personal collection of poems--Bornstein's work is a vital reminder of our outsized influence over the natural world and an invitation to recognize our need for nature in our life and in our art. Bornstein's publishing of A Very Sacred Experience is the culmination of a life's work on reconciling himself with nature and the understanding our very existence.

Eli Bornstein's Arctic Journals, 1986 And 1987

A Very Sacred Experience

Art Gallery of Ontario

Cincinnati Art Museum

Art gallery of Ontario (Toronto, Ont.).

Cincinnati art museum (Ohio).

Symbolist Landscape Painting in Northern Europe and North America, 1890-1940

The Mystic North

Art Gallery of Nova Scotia

After the overwhelming success of the original, this lavishly illustrated and superbly printed art book is now available in trade paper. From the sometimes eccentric but remarkable work, rooted in symbolism and theosophy, of pioneers such as Kathleen Munn, Bertram Brooker and Lawren Harris, to the Automatistes in Montreal, to the conceptual art movement in Halifax, the urge to abstraction in art is spread wide across Canada. Abstract Painting in Canada covers the movement throughout the twentieth century, including highlights from 1940s Montreal and the Clement Greenberg-influenced Prairies in the sixties and seventies. The book continues through the eighties and nineties, during which critics largely denounced painting, and concludes in the twenty-first century, with abstract painting alive and well again in the studios of Canada's young artists. A monumental tome containing 200 colour reproductions, it mines a rich vein of art history ripe for international discovery.

Abstract Painting in Canada

Roald Nasgaard

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