Martin McKenna

Rob Alexander

Offers an introduction to the basics of art and the elements of landscape, shows how to create fantasy realms, and showcases the work of several prominent fantasy artists.

Create Your Own Mythical Cities, Planets, and Lost Worlds

Drawing & Painting Fantasy Landscapes & Cityscapes

"From ancient citadels and gothic castles to subterranean palaces and floating fortresses"--Cover.

How to Draw and Paint Fantasy Architecture

Create Your Own Mythical Cities, Planets and Lost Worlds

Painting Fantasy Landscapes & Cityscapes

This my second book is a gathering of all my dreams and also The Trial of the Devil. I’m pretty sure I was able to scrape every last shred of it off of the webpage. Here in its condensed form should make for pretty good reading. I hope you enjoy it as I have taken on the challenge of writing the impossible. Yet our society is changing as it realizes that this war on drugs has taken its toll on us and is slowly swinging back to a more open stance.. one of tolerance and understanding. All these people who we shun could rejoin society again and hold their heads high instead of being labelled a criminal. People who have found pot to be a relief to their migraines and backaches. These same people walk in a life of shadow.. sons and daughters relegated to the streets and phobias of the global mind. We should be doing better than this. Defuse this trait, decue its importance and maybe we fi nd utopia by accident. Portugal has already done this and the success rate has been phenomenal. What will it take for everyone to come on board with this mindset?

Dreams, Drugs & Gods

i’ve got peter gabriel’s “I Don’t Remember” going thru my head this morning . . . and most of yesturday, and the day before. it seems important to some part of my soul which sits with signs and applause everytime it goes thru my head. they like the drive of the artist’s expression of frustration and anxiety which comes thru in a manic crazyness. the song is an example of something that flashes us spiritually . . . maybe unlike a man in a trenchcoat . . . wearing shorts with a tee-shirt . . . flashing us briefly (ow!) as we walk by. the words “believe in god” embelished on his shirt echo on the canvas of the imagination. it doesn’t matter if we turn around, run after him and chide him in his actions. it doesn’t matter if by doing this it puts him in the same alagory as a pervert . . . and by action, god as well. ultimately tho, the tired, worn out god, quietly sitting in a courner, desperatly trying to believe in himself . . . probably wondering how valid this whole soap opera is, and whether or not spiritual flashers help or hurt his cause. now i got one of the songs from “the last temptation of christ” going thru my head . . . soundtrack ala peter gabriel as well. another spiritual flasher . . . who, jesus or peter gabriel? both an arrow pointing at a path to be walked . . . or a voice to listen to . . . or a feeling to behold. the hardest part is opening your heart up to the option. the option to be open. ( . . . maybe it’s god that’s trying to get into a working relationship with us and it’s us that flinch and put it back up on a pedistal.) . . . why pursue it then? the path. you might accidently get superpowers or something . . . start levitating, healing the sick, curing the blind. become an issue . . . to be delt with by turkeys that can’t fly. walk around, wonder when thanksgiving is. wonder if you look like a turkey. if you are a turkey walking around with turkeys talking turkey talk about how great it is to be a turkey . . . waiting for other turkeys to come over and watch turkey friends on turkey tv. and each turkey has the same turkey right to talk turkey to any turkey it wants in a frantic pace with a frantic face . . . then it’s a good turkey day to be a turkey. gobble it up the daily rut. question your life avoid the knife. be not a turkey entwined behind the line of commonality to turkey HQ. after awhile, you fall into the style. you are accepted, people talk to you. and you find flaws in the turkey tune.

Rob Alexander

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