Rob Kroes

The Dutch scholar Rob Kroes argues that American culture is "modular," continually fragmenting, disassembling, and reassembling itself--and in the process creating something new. In a series of topical essays that show why he is one of Europe's leading authorities on American culture, Kroes probes trends in American advertising, the image of the Vietnam war in American films, the implications of American vernacular culture as represented in rap music, and other topics.

Europeans and American Mass Culture

If You've Seen One, You've Seen the Mall

Nineteen Eighty-four and the Apocalyptic Imagination in America

Brian Lee

Heinz Ickstadt

Politics and Culture in a Time of Broken Dreams

The Thirties

A major voice in transnational American studies addresses politics and culture in post-9/11 America

American Paradoxes in Political Life and Popular Culture

Prison Area, Independence Valley

American Influences in the Netherlands Since 1945

Image and Impact

Robert W. Rydell

When it comes to the production and distribution of mass culture, no country in modern times has come close to rivaling the success of America. From blue jeans in central Europe to Elvis Presley's face on a Republic of Chad postage stamp, the reach of American mass culture extends into every corner of the globe. Most believe this is a twentieth-century phenomenon, but here Robert W. Rydell and Rob Kroes prove that its roots are far deeper. Buffalo Bill in Bologna reveals that the process of globalizing American mass culture began as early as the mid-nineteenth century. In fact, by the end of World War I, the United States already boasted an advanced network of culture industries that served to promote American values. Rydell and Kroes narrate how the circuses, amusement parks, vaudeville, mail-order catalogs, dime novels, and movies developed after the Civil War—tools central to hastening the reconstruction of the country—actually doubled as agents of American cultural diplomacy abroad. As symbols of America's version of the "good life," cultural products became a primary means for people around the world, especially in Europe, to reimagine both America and themselves in the context of America's growing global sphere of influence. Paying special attention to the role of the world's fairs, the exporting of Buffalo Bill's Wild West show to Europe, the release of The Birth of a Nation, and Woodrow Wilson's creation of the Committee on Public Information, Rydell and Kroes offer an absorbing tour through America's cultural expansion at the turn of the century. Buffalo Bill in Bologna is thus a tour de force that recasts what has been popularly understood about this period of American and global history.

The Americanization of the World, 1869-1922

Buffalo Bill in Bologna

Alessandro Portelli

the United States, 1910-1930

Social change and new modes of expression

Marc Chénetier

The American Fin de Siecle

Impressions of a Gilded Age

Rob Kroes

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