Rob Wilson

Cognitive Behavioral Therapy for Dummies

Waking in Seoul

IBM Redbooks

Karen Orlando

Eva Balogh

Randi Galron

Jose Roberto Mosqueda Mejia

This IBM® Redbooks® publication describes the IBM solution for data deduplication, the IBM System Storage® TS7650G IBM ProtecTIER® Deduplication Gateway, and the IBM TS7620 ProtecTIER Deduplication Appliance Express. This solution consists of the IBM System Storage ProtecTIER Enterprise Edition V3.3 software and the IBM System Storage TS7600 family of products. They are designed to address the disk-based data protection needs of enterprise data centers. We describe the components that make up IBM System Storage TS7600 with ProtecTIER and provide extensive planning and sizing guidance that enables you to determine your requirements and the correct configuration for your environment. We then guide you through the basic setup steps on the system and on the host. We also describe all operational tasks that are required during normal day-to-day operation or when upgrading your TS7600 products. All available models of the ProtecTIER deduplication system can now be ordered in a configuration to operate in one of the following modes for which we provide setup, configuration and usage guidelines for your business needs: The Virtual Tape Library (VTL) interface is the foundation of ProtecTIER and emulates traditional automated tape libraries. The Symantec NetBackup OpenStorage (OST) API can be integrated with Symantec NetBackup to provide backup-to-disk without having to emulate traditional tape libraries. The newly available File System Interface (FSI) supports Common Internet File System (CIFS) and Network File System (NFS) as a backup target. This publication is intended for system programmers, storage administrators, hardware and software planners, and other IT personnel that are involved in planning, implementing, and the use of the IBM deduplication solution. It also is intended for anyone seeking detailed technical information about the IBM System Storage TS7600 with ProtecTIER.

IBM System Storage TS7600 with ProtecTIER Version 3.3

Sophie Lovell

George Kafka

Fiona Shipwright

Florian Heilmeyer

This volume focus in particular is on the cutting-edge thinking and wider theoretical questions and themes that underpin the series, from reflections upon what our ideas of “future” really mean to the changing role of the architecture profession as a whole. Comprising speculative visions, essays and texts, this volume serves as a theoretical backdrop for the practical approaches seen in Volume 3: The Site. This volume comprises speculative visions, essays and texts from contributors including: Ana Jeinic, Miloš Kosec, Clément Blanchet, Amateur Cities, Liam Young, Something Fantastic, Merve Bedir, Tomaž Pipan, Davide Tommaso Ferrando, Tiago Torres-Campos and Reinier de Graaf. Designed by Diana Portela with Janar Siniloo and Lena Giovanazzi.

The Studio

Christopher Leigh Connery

Globalization discourse now presumes that the “world space” is entirely at the mercy of market norms and forms promulgated by reactionary U.S. policies. An academic but accessible set of studies, this wide range of essays by noted scholars challenges this paradigm with diverse and strong arguments. Taking on topics that range from the medieval Mediterranean to contemporary Jamaican music, from Hong Kong martial arts cinema to Taiwanese politics, writers such as David Palumbo-Liu, Meaghan Morris, James Clifford, and others use innovative cultural studies to challenge the globalization narrative with a new and trenchant tactic called “worlding.” The book posits that world literature, cultural studies, and disciplinary practices must be “worlded” into expressions from disparate critical angles of vision, multiple frameworks, and field practices as yet emerging or unidentified. This opens up a major rethinking of historical “givens” from Rob Wilson’s reinvention of “The White Surfer Dude” to Sharon Kinoshita’s “Deprovincializing the Middle Ages.” Building on the work of cultural critics like Edward Said, Gayatri Spivak, and Kenneth Burke, The Worlding Project is an important manifesto that aims to redefine the aesthetics and politics of postcolonial globalization withalternative forms and frames of global becoming.

Doing Cultural Studies in the Era of Globalization

The Worlding Project

Robert Stam

Karen Kelsky

Jonathan Beller

Ella Shohat

Hamid Naficy

Wimal Dissanayake

Adjunct Fellow East-West Center Hawaii Scholar in Residence Wimal Dissanayake

Christopher Connery

This groundbreaking collection focuses on what may be, for cultural studies, the most intriguing aspect of contemporary globalization—the ways in which the postnational restructuring of the world in an era of transnational capitalism has altered how we must think about cultural production. Mapping a "new world space" that is simultaneously more globalized and localized than before, these essays examine the dynamic between the movement of capital, images, and technologies without regard to national borders and the tendency toward fragmentation of the world into increasingly contentious enclaves of difference, ethnicity, and resistance. Ranging across issues involving film, literature, and theory, as well as history, politics, economics, sociology, and anthropology, these deeply interdisciplinary essays explore the interwoven forces of globalism and localism in a variety of cultural settings, with a particular emphasis on the Asia-Pacific region. Powerful readings of the new image culture, transnational film genre, and the politics of spectacle are offered as is a critique of globalization as the latest guise of colonization. Articles that unravel the complex links between the global and local in terms of the unfolding narrative of capital are joined by work that illuminates phenomena as diverse as "yellow cab" interracial sex in Japan, machinic desire in Robocop movies, and the Pacific Rim city. An interview with Fredric Jameson by Paik Nak-Chung on globalization and Pacific Rim responses is also featured, as is a critical afterword by Paul Bové. Positioned at the crossroads of an altered global terrain, this volume, the first of its kind, analyzes the evolving transnational imaginary—the full scope of contemporary cultural production by which national identities of political allegiance and economic regulation are being undone, and in which imagined communities are being reshaped at both the global and local levels of everyday existence.

Cultural Production and the Transnational Imaginary

Global/Local

Ian P. McLoughlin

Karin Garrety

Electronic health records are widely regarded as the 'connective tissue' of any modern healthcare system. For some they represent a 'dangerous enthusiasm' and for others a key enabler of 'disruptive innovation'. Many governments have made major policy and financial investments in digitalizing health records but their implementation has frequently run into opposition from doctors, had lukewarm responses from patients, and raised considerable concerns for privacy advocates and others worried by the security of sensitive health data and the risks of national data-bases. This book draws upon the concept of 'orders of worth' to reveal the moral dimensions of the medical division of labour and to delve deeper into understanding why electronic records have been so difficult to implement and the sources of opposition to them. The authors argue that digitalization disrupts the moral orders which define rights and responsibilities for the sharing and exchanging of patient medical data. This is illustrated through longitudinal studies of two of the most controversial attempts to introduce national systems - a patient controlled electronic record in Australia and a national summary care record that was part of the ill-fated NHS national program for IT in England. The authors conclude by using the lessons from these national experiences and insights from two regional projects in each country to suggest how the idea of electronic records might be re-thought. It is a must read for anyone concerned about health information and the implications of how it is shared and exchanged in a digital world.

Electronic Records and the Disruption of Moral Orders

The Digitalization of Healthcare

This book is the first part of a three-volume field guide to the future of architecture. The collection maps contemporary architectural practice and urban planning, presented through the words and ideas of some of its key players and change-makers. From institutions, activists, thinkers, curators and architects to urban bloggers, polemicists, critics and publishers, Archifutures presents the people shaping tomorrow’s architecture and cities – and thereby helping to shape our societies of the future as well. This first volume of Archifutures, The Museum includes thought pieces, essays, interviews, and discussions – in both words and pictures – between members of Future Architecture platform. Steering the dialogue on the contemporary role of these institutional bodies are current practitioners and thinkersin the architecture and design field. Designed by Diana Portela with Janar Siniloo and Lena Giovanazzi.

The Museum

Archifutures

Arif Dirlik

The Pacific, long a source of fantasies for EuroAmerican consumption and a testing ground for the development of EuroAmerican production, is often misrepresented by the West as one-dimensional, culturally monolithic. Although the Asia/Pacific region occupies a prominent place in geopolitical thinking, little is available to readers outside the region concerning the resistant communities and cultures of Pacific and Asian peoples. Asia/Pacific as Space of Cultural Production fills that gap by documenting the efforts of diverse indigenous cultures to claim and reimagine Asia/Pacific as a space for their own cultural production. From New Zealand to Japan, Taiwan to Hawaii, this innovative volume presents essays, poems, and memoirs by prominent Asia/Pacific writers that resist appropriation by transnational capitalism through the articulation of autonomous local identities and counter-histories of place and community. In addition, cultural critics spanning several locations and disciplines deconstruct representations--particularly those on film and in novels--that perpetuate Asia/Pacific as a realm of EuroAmerican fantasy. This collection, a much expanded edition of boundary 2, offers a new perception of the Asia/Pacific region by presenting the Pacific not as a paradise or vast emptiness, but as a place where living, struggling peoples have constructed contemporary identities out of a long history of hegemony and resistance. Asia/Pacific as Space of Cultural Production will prove stimulating to readers with an interest in the Asia/Pacific region, and to scholars in the fields of Asian, American, Pacific, postcolonial, and cultural studies. Contributors. Joseph P. Balaz, Chris Bongie, William A. Callahan, Thomas Carmichael, Leo Ching, Chiu Yen Liang (Fred), Chungmoo Choi, Christopher L. Connery, Arif Dirlik, John Fielder, Miriam Fuchs, Epeli Hau`ofa, Lawson Fusao Inada, M. Consuelo León W., Katharyne Mitchell, Masao Miyoshi, Steve Olive, Theophil Saret Reuney, Peter Schwenger, Subramani, Terese Svoboda, Jeffrey Tobin, Haunani-Kay Trask, John Whittier Treat, Tsushima Yuko, Albert Wendt, Rob Wilson

Asia/Pacific as Space of Cultural Production

Wilson's reconceptualization of the American project of conversion begins with the story of Henry 'Ōpūkaha'ia, the first Hawaiian convert to Christianity, torn from his Native Pacific homeland and transplanted to New England. Wilson argues that 'Ōpūkaha'ia's conversion is both remarkable and prototypically American.

An American Poetics

Be Always Converting, be Always Converted

Professor of Information Systems Management and Director of the Centre for Knowledge Innovation Technology and Enterprise (Kite) Rob Wilson

The Digitalization of Health Care

Vilsoni Hereniko

In a time of dynamism and contradiction in Pacific cultural production, a time of 'turning things over' and 'writing from the inside out, ' this far-reaching volume provides a comprehensive set of essays and interviews on the emergent literatures of the New Pacific. With its dynamic combination of important position papers, polemics, and decolonizing critiques by noted authors and of analysis by new and established post-colonial scholars, this volume exposes 'the maze and mix of literatures and cultural identities breaking down and building up across the Pacific Ocean.' This pioneering work will be the definitive resource for anyone researching or teaching Pacific literature and will be invaluable for bringing Pacific culture to readers outside the region

Literature, Cultural Politics, and Identity in the New Pacific

Inside Out

In this compelling critique Rob Wilson explores the creation of the “Pacific Rim” in the American imagination and how the concept has been variously adapted and resisted in Hawai'i, the Pacific Islands, New Zealand, and Australia. Reimagining the American Pacific ranges from the nineteenth century to the present and draws on theories of postmodernism, transnationality, and post-Marxist geography to contribute to the ongoing discussion of what constitutes “global” and “local.” Wilson begins by tracing the arrival of American commerce and culture in the Pacific through missionary and imperial forces in the nineteenth century and the parallel development of Asia/Pacific as an idea. Using an impressive range of texts—from works by Herman Melville, James Michener, Maori and Western Samoan novelists, and Bamboo Ridge poets to Baywatch, films and musicals such as South Pacific and Blue Hawaii, and native Hawaiian shark god poetry—Wilson illustrates what it means for a space to be “regionalized.” Claiming that such places become more open to transnational flows of information, labor, finance, media, and global commodities, he explains how they then become isolated, their borders simultaneously crossed and fixed. In the case of Hawai'i, Wilson argues that culturally innovative, risky forms of symbol making and a broader—more global—vision of local plight are needed to counterbalance the racism and increasing imbalance of cultural capital and goods in the emerging postplantation and tourist-centered economy. Reimagining the American Pacific leaves the reader with a new understanding of the complex interactions of global and local economies and cultures in a region that, since the 1970s, has been a leading trading partner of the United States. It is an engaging and provocative contribution to the fields of Asian and American studies, as well as those of cultural studies and theory, literary criticism, and popular culture.

From South Pacific to Bamboo Ridge and Beyond

Reimagining the American Pacific

Spin

Rob Wilson

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