Robert Edric

Haworth, West Yorkshire, 1848. Branwell BrontÃ« - unexhibited artist, unacknowledged writer, sacked railwayman, disgraced tutor and spurned lover - finds himself unhappily back in Haworth Parsonage, to face the disappointment of his father and his three sisters, the scale of whose own pseudonymous successes is only just becoming apparent. With his health failing rapidly, his aspirations abandoned and his once loyal circle of friends shrinking fast, Branwell resorts to a world of secrets, conspiracies and endlessly imagined betrayals. But his spiral of self-destruction only accelerates the sense of his destiny to be a bystander looking across at greatness, and the madness which that realisation will bringâe¦

Sanctuary

My Own Worst Enemy

The Devil's Beat

Hallowed Ground

It is 1847, northern England, and Charles Weightman has been given the unenviable task of overseeing the flooding of the Forge Valley and evicting its lingering inhabitants. Weightman is heartily resented by these locals, and he himself is increasingly unconvinced both of the wisdom of his appointment and of the integrity and motives of the company men who posted him there. He finds some solace, however, in his enigmatic neighbour, Mary Latimer. Caring for her mad sister, Mary is also an outsider, and a companionship develops between the two of them which offers them both some comfort and support in their mutual isolation. As winter closes steadily in and as the waters begin to rise in the Forge Valley, it becomes increasingly evident that the man-made deluge cannot be avoided; not by the locals desperate to save their homes, nor by the reluctant agent of their destruction, Weightman himself. In a masterful new novel, Edric captures powerful human emotions with grace and precision. The hauntingly resonant backdrop to this story of David and Goliath marks Edric's dramatic return to historical literary fiction.

Gathering The Water

The story of a woman's struggle to come to terms with her husband's death.

A Lunar Eclipse

Krimi um einen Privatdetektiv, der die Wahrheit über den Tod einer spurlos Verschwundenen herausfindet.

Roman

Die Tote im Meer

A New Ice Age

An Imprisoned Paedophile And Child Murderer Unexpectedly Appeals His Conviction. In Return For A Reduced Sentence, He Offers To Implicate Those Involved In The Crimes Who Were Never Caught; To Provide Evidence Of Police Corruption At The Time Of The Original Investigation; And, Most Importantly, To Reveal Where The Corpses Of Several Long-Sought, But Never Found Teenage Girls Are Buried.Unhappy At What May Be About To Happen, But At The Same Time Desperate To Locate The Body Of His Own Missing Daughter, The Father Of One Of These Girls Approaches Private Investigator Leo Rivers With A Plea For Help.Rivers' Enquiries Stir Cold And Bitter Memories. Long-Dead Enmities Flare Suddenly Into Violence And A Succession Of New Killings. Everyone Involved, Then And Now, And On Both Sides Of The Law, Is Unprepared For The Suddenness And Ferocity With Which These Old Embers Are Fanned Back Into Life. As The Investigation Progresses, It Gathers Momentum, And Now Must Speed Inexorably To The Even Greater Violence And Sadness Of Its Conclusion.The First Of A Trilogy Of Contemporary Crime Novels Set In The City Of Hull, Robert Edric'S New Novel Is Reminiscent Of Chandler And Mosley, And Yet Remains Uniquely British. Against The Backdrop Of Internet Pornography, Police Corruption And Child Murder, This Dark And Intense Novel Reads Like A Game Of Chess Where Each Piece Is Invested With A Deceptive Significance.

Cradle Song

'A small masterpiece' The Spectator My Own Worst Enemy is a wry and moving memoir of a working-class childhood in 1960s Sheffield, and the relationship between a touchy, tragicomic bully of a father and a son whose acceptance to grammar school puts him on another track entirely. With a novelist's eye, Robert Edric vividly depicts a now-vanished era: of working-men’s clubs; of tight-knit communities in factory towns; and of a time when a woman’s place was in the home. And he brings to colourful life his family, both close and extended – though over all of it hovers the vanity and barely-suppressed anger of his own father. My Own Worst Enemy is a brilliantly specific portrait both of particular time and place – the Sheffield of half a century ago – and a universal story of childhood and family, and the ways they can go right or wrong.

Scenes of a Childhood

It is surely a simple case of hysteria. Four young women allegedly witness a terrifying apparition while walking in the woods. Has the devil really revealed himself to them? Are they genuine victims of demonic possession? Or, as most suspect, is their purpose in claiming all of this considerably more prosaic? The eyes of the country turn to a small Nottinghamshire town, where an inquiry is to be held. Everyone there is living through hard, uncertain times. The king is recently dead. It is a new century -- a new world looking to the future. But here, in the ancient heart of England, an old beast stirs. Four men must examine the substance of the girls' tales and decide their fate: a minister, a doctor, a magistrate, and Merritt, an investigator -- a seemingly perfect blend of the rational, the sacred and the judicial. And yet, as the feverish excitement all around them grows ever more widespread and infectious, there is both doubt and conflict among the members of this panel.

When the luxury yacht Helen Brooks was last seen on is found abandoned amid the treacherous marshlands of the Humber Estuary, foul play is suspected. However, in the absence of a body, nothing can be proven. The owner of the yacht, ambitious businessman Simon Fowler, seems unprepared even to offer any sort of explanation as to what Helen was doing on board. A year later, Hull private investigator Leo Rivers is approached by Alison Brooks, Helen's mother, to investigate both the background to this disappearance and Fowler. Rivers is drawn through a long, hot summer into a world of human trafficking and governmental corruption at every turn. In the stifling heat there are many questions and few people prepared to offer adequate answers. Each unravelled piece of the mystery moves Rivers further from the vanished girl and deeper into a web of exploitation, greed, temptation, revenge and violence, from which even he is unable to extricate himself without unforeseen and tragic consequences...

Siren Song

In een badplaatsje waar zij in de winter optreden probeert een aantal derderangs artisten het leven met zijn tekortkomingen te accepteren.

Winter Garden

Through a maze of connecting stories moves Mitchell, failed impresario, ruined club-owner, embezzler, in search of his lost mother, former girl assistant to the magicians, escapologists and knife-throwers. As his search continues, Mitchell, circling the sword cabinet with his blades, is drawn further and further into the disintegrating worlds of show business and illusion - where the distinction between fact and fantasy is willingly lost and confused.

The Sword Cabinet

1897. In an isolated station in the Belgian Congo, an Englishman awaits trial for the murder of a native child. Imprisoned in a makeshift gaol, Nicholas Frere awaits the arrival of the Company's official investigator, while his friend, James Frasier, attempts to determine the circumstances which surround the charge. The world around them is rapidly changing: the horrors of the Belgian Congo are becoming known and the flow of its once-fabulous wealth is drying up. Unrest flares unstoppably into violence. Frere's coming trial will seek to determine considerably more than the killing of a child. But at the heart of this conflict lies a secret so dark, so unimaginable, that one man must be willingly destroyed by his possession of it, and the other must both sanction and participate in that destruction. 'More disturbing even than Conrad in his depiction of the heart of darkness . . . it will be surprising if this year sees a more disturbing or haunting novel' Peter Kemp, Sunday Times 'Relentless . . . an impressive and disturbing work of art' Robert Nye, Literary Review 'Edric describes a compelling plot in fine, spare prose' David Isaacson, Daily Telegraph

The Book Of The Heathen

Germany, spring 1946. The Nuremberg Trials are underway. Three hundred miles north, in the Rehstadt Institute, a British "Assessment and Evaluation" centre, Alex Foster interrogates a succession of lesser war criminals, exploring their pasts and their crimes, and deciding their futures in the soon-to-be-reborn Germany. But Rehstadt, a town largely untouched by the war, is a place of old hostilities and burnished hatreds; a place still not entirely at peace; a place where the certainties of the past are still weighed favourably against the deprivations of the present and the vague, uncertain promises of the future. As spring progresses, and as events in the wider world quicken to their own closely observed conclusion, Alex Foster finds himself at the centre of a conflict involving British, American and German interests; and for the first time in his career he also finds himself compromised - forced into subterfuge and deceit as he struggles to weigh personal convictions and loyalties against the greater political and military good...

The Kingdom of Ashes

An imprisoned paedophile and child murderer unexpectedly appeals his conviction. In return for a reduced sentence, he offers to implicate those involved in the crimes who were never caught; to provide evidence of Police corruption at the time of the original investigation; and, most importantly, to reveal where the corpses of several long-sought, but never found teenage girls are buried. Unhappy at what may be about to happen, but at the same time desperate to locate the body of his own missing daughter, the father of one of these girls approaches Private Investigator Leo Rivers with a plea for help. Rivers' enquiries stir cold and bitter memories. Long-dead enmities flare suddenly into violence and a succession of new killings. Everyone involved, then and now, and on both sides of the law, is unprepared for the suddenness and ferocity with which these old embers are fanned back into life. As the investigation progresses, it gathers momentum, and now must speed inexorably to the even greater violence and sadness of its conclusion. The first of a trilogy of contemporary crime novels set in the city of Hull, Robert Edric's new novel is reminiscent of Chandler and Mosley, and yet remains uniquely British. Against the backdrop of Internet pornography, Police corruption and child murder, this dark and intense novel reads like a game of chess where each piece is invested with a deceptive significance.

Germany, spring 1946. The Nuremberg Trials are underway. Three hundred miles north, in the Rehstadt Institute, a British "Assessment and Evaluation" centre, Alex Foster interrogates a succession of lesser war criminals, exploring their pasts and their crimes, and deciding their futures in the soon-to-be-reborn Germany.But Rehstadt, a town largely untouched by the war, is a place of old hostilities and burnished hatreds; a place still not entirely at peace; a place where the certainties of the past are still weighed favourably against the deprivations of the present and the vague, uncertain promises of the future.As spring progresses, and as events in the wider world quicken to their own closely observed conclusion, Alex Foster finds himself at the centre of a conflict involving British, American and German interests; and for the first time in his career he also finds himself compromised - forced into subterfuge and deceit as he struggles to weigh personal convictions and loyalties against the greater political and military good...

Robert Edric

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