Robert Gibbs

Worthies of Buckinghamshire and Men of Note of that County ...

A Series of Concise and Interesting Articles Illustrative of the History, Topography and Archaeology of the County of Buckinghamshire

The Buckinghamshire Miscellany

An ideal introduction to Gibbs’ poetic world, The Essential Robert Gibbs collects some of the finest, most thought-provoking works from throughout his career. Sometimes compared to Gerard Manley Hopkins and Margaret Avison, he has been called a ‘gourmet of the minimal’ who ‘devotes himself to asserting the value of the ordinary’ (M. Travis Lane) and his work demonstrates both a sophisticated grasp of the human mind and a warm familiarity of voice. Gibbs’ poems mix sensuous dreamscapes and grounded realities. In his poems landscapes are evoked in all their ripeness, a father’s quiet nobility is celebrated, writer’s block becomes a force of nature, and a mind can become a home.

The Essential Robert Gibbs

The precision, originality, and playfulness of Robert Gibbs' poems have captivated readers for over half a century. Mixing the cerebral and the heartfelt, Gibbs' poems investigate and celebrate family, history, and nature with decisive imagery, idiomatic immediacy, punning wordplay, and breadth of imagination.

Robert Gibbs radically revises standard interpretations of the two key figures of modern Jewish philosophy--Franz Rosenzweig, author of the monumental Star of Redemption, and Emmanuel Levinas, a major voice in contemporary intellectual life, who has inspired such thinkers as Derrida, Lyotard, Irigaray, and Blanchot. Rosenzweig and Levinas thought in relation to different philosophical schools and wrote in disparate styles. Their personal relations to Judaism and Christianity were markedly dissimilar. To Gibbs, however, the two thinkers possess basic affinities with each other. The book offers important insights into how philosophy is continually being altered by its encounter with other traditions.

Correlations in Rosenzweig and Levinas

Elliot R. Wolfson

In a diverse and innovative selection of new essays by cutting-edge theologians and philosophers, Suffering Religion examines one of the most primitive but challenging questions to define human experience - why do we suffer? As a theme uniting very different religious and cultural traditions, the problem of suffering addresses issues of passivity, the vulnerability of embodiment, the generosity of love and the complexity of gendered desire. Interdisciplinary studies bring different kinds of interpretations to meet and enrich each other. Can the notion of goodness retain meaning in the face of real affliction, or is pain itself in conflict with meaning? Themes covered include: *philosophy's own failure to treat suffering seriously, with special reference to the Jewish tradition *Martin Buber's celebrated interpretations of scriptural suffering *suffering in Kristevan psychoanalysis, focusing on the Christian theology of the cross *the pain of childbirth in a home setting as a religiously significant choice *Gods primal suffering in the kabbalistic tradition *Incarnation as a gracious willingness to suffer.

Suffering Religion

Louise Bourdua

These studies explore aspects of Julian Gardner’s wide range of interests and approaches, ranging from Parisian metalwork to the Wilton diptych, Franciscan iconography, the tomb of a leading theologian and several studies of the art of Rome and Northern Italy.

Studies in 13th- and 14th-Century European Art Presented to Julian Gardner

A Wider Trecento

Robert Gibbs presents here an ambitious new theory of ethics. Drawing on a striking combination of intellectual traditions, including Jewish thought, continental philosophy, and American pragmatism, Gibbs argues that ethics is primarily concerned with responsibility and is not--as philosophers have often assumed--principally a matter of thinking about the right thing to do and acting in accordance with the abstract dictates of reason or will. More specifically, ethics is concerned with attending to others' questions and bearing responsibility for what they do. Gibbs builds this innovative case by exploring the implicit responsibilities in a broad range of human interactions, paying especially close attention to the signs that people give and receive as they relate to each other. Why Ethics? starts by examining the simple actions of listening and speaking, reading and writing, and by focusing on the different responsibilities that each action entails. The author discusses what he describes as the mutual responsibilities implicit in the actions of reasoning, mediating, and judging. He assesses the relationships among ethics, pragmatics, and Jewish philosophy. The book concludes by looking at the relation of memory and the immemorial, emphasizing the need to respond for past actions by confessing, seeking forgiveness, and making reconciliations. In format, Gibbs adopts a Talmudic approach, interweaving brief citations from primary texts with his commentary. He draws these texts from diverse thinkers and sources, including Levinas, Derrida, Habermas, Rosenzweig, Luhmann, Peirce, James, Royce, Benjamin, Maimonides, the Bible, and the Talmud. Ranging over philosophy, literary theory, social theory, and historiography, this is an ambitious and provocative work that holds profound lessons for how we think about ethics and how we seek to live responsibly.

Robert Gibbs

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