Robert Glück

In this classic of post-modern gay fiction, Glück explores the culture of the early 1980s through the exploration of his own life as fiction. "Robert Glück has found a new way of making fiction passionate. This novel is a strange, exhilarating love story rich with invention and observation."--Edmund White

Jack the Modernist

Based on fragments from the Christian mystic's autobiography written in the 1430s and the author's tale of unrequited gay love, offers a story of Margery's sexual obsession with visits from Jesus

Margery Kempe

The collected essays of the cofounder of the New Narrative movement, on theory, identity, poetry, and muses from Kathy Acker to Georges Bataille. I read and wrote to invoke what seemed impossible—relation itself—in order to take part in a world that ceaselessly makes itself up, to “wake up” to the world, to recognize the world, to be convinced that the world exists, to take revenge on the world for not existing. —from Communal Nude Since cofounding San Francisco's influential New Narrative circle in 1979, Robert Glück has been one of America's finest prose stylists of innovative fiction, bending narrative into the service of autobiography, politics, and gay writing. This collection brings together for the first time Glück's nonfiction, a revelatory body of work that anchors his writing practice. Glück's essays explore the ways that storytelling and selfhood are mutually embedded cultural forms, cohering a fractured social reality where generating narrative means generating identity means generating community. “I'd laugh at (make art from) any version of self,” Glück writes, “I write about these forms—that are myself—to dispense with them, to demonstrate how they disintegrate before the world, the body.” For any body—or text—to know itself, it must first see how it sees the world, and understand itself as writing. Glück's essays affirm this radical narratorial precept in rich spirals of reading, self-reflection, anecdote, escapade, and “metatext.” These texts span the author's career and his creative affinities—from lost manifestos theorizing the poetics of New Narrative; to encomia for literary and philosophic muses (Kathy Acker, the HOW(ever) poets, Frank O'Hara, Georges Bataille, and others); to narrative journalism, book reviews, criticism, and public talks. Many of the texts are culled from obscure little magazines and ephemeral online sources; others have never been published. As lucid as story, as lush as theory, and as irresistible as gossip, Glück's essays are the quintessence of New Narrative theory in practice.

Collected Essays

Communal Nude

Tetsuo Yokoyama

This book constitutes the refereed proceedings of the 4th International Workshop on Reversible Computation, RC 2012, held in Copenhagen, Denmark, in July 2012. The 19 contributions presented in this volume were carefully reviewed and selected from 46 submissions. The papers cover theoretical considerations, reversible software and reversible hardware, and physical realizations and applications in quantum computing.

4th International Workshop, RC 2012, Copenhagen, Denmark, July 2-3, 2012, Revised Papers

Reversible Computation

Fiction. LGBT Studies. This collection of stories by Robert Glück was originally published in 1982 in San Francisco by Four Seasons Foundation under the title ELEMENTS OF A COFFEE SERVICE. "Bob's fiction is actually quite friendly yet he cuts it with a knife. Bob's gift to the history of letters I think is the uncanniness of his flow. He pulls down the page like a shade, it's masterful what he does. His page is more filled with light than words, really. More filled with temperature too."—Eileen Myles, from the preface to ELEMENTS

Elements

Reader

Kathleen Fraser

Poetry. Art. Collaboration. About her collaboration with Robert Glück, Kathleen Fraser writes, "IN COMMEMORATION OF THE VISIT OF FOREIGN COMMERCIAL REPRESENTATIVES TO JAPAN, 1947 is a small picture book assembled as a memento of Japan's finest tourist sites, to be given to their new allies (and recent adversaries). I discovered the book when my friend Bob Glück sent me to an Asian antique store, where he thought I might find 'little things' for Christmas gifts. Seeing the book in the $1 box, I bought a copy and began to write a poem sequence based on each of the photos and their captions, not knowing that Bob had also bought this book and was writing his own version from the same collection of pictures." Featuring color reproductions of the entire postcard book.

In Commemoration of the Visit

Here are the haiku Jack Kerouac, Albert Saijo and Lew Welch jotted down on the road from San Francisco to New York in 1959. Albert recounts their November trip in Lew's Willys Jeepster, making the big city scene, visiting Jack's home in Northport on Long Island, and eventually the long drive back West. A section from Lew's unfinished novel describes the trip and the return, and his early 1960 letters to Jack continue a strong friendship.

Elements of a Coffee Service

Sarah Schulman

Robert Glück, Sarah Schulman

The stories in Denny Smith use events in the life of Robert Glück as a ground for the expansion of empathy and intellect.

Denny Smith

Michael Lowry

This book constitutes the refereed proceedings of the 4th International Conference on Generative Programming and Component Engineering, GPCE 2005, held in Tallinn, Estonia, in September/October 2005. The 25 revised full papers presented together with 2 tool demonstration papers were carefully selected from 86 initial submissions following a round of reviewing and improvement. The papers, which include three full invited papers, are organized in topical sections on aspect-oriented programming, component engineering and templates, demonstrations, domain-specific languages, generative techniques, generic programming, meta-programming and transformation, and multi-stage programming.

4th International Conference, GPCE 2005, Tallinn, Estonia, September 29 - October 1, 2005, Proceedings

Generative Programming and Component Engineering

Camille Roy

Gail Scott

What is the best way to tell a story? In this anthology, the first-ever collection of essays by innovative, cutting-edge writers on the theme of narration, forty of the continent's top experimental writers describe their engagement with language, storytelling and the world. The anthology includes renowned writers like Kathy Acker, Dennis Cooper, Nicole Brossard, Daphne Marlatt, Lydia Davis and Kevin Killian, writers who have spent years pondering the meaning of storytelling and how storytelling functions in our culture, as well as presenting a new generation of brilliant thinkers and writers, like Christian Bök, Corey Frost, Derek McCormack and Lisa Robertson. Contemporizing the friendly anecdotal style of Montaigne and written by daring writers of different ages, of different origins, from many different regions of the continent, from Mexico to Montreal, these essays run the gamut of mirth, prose poetry, tall tales and playful explorations of reader/writer dynamics. They discuss aesthetics founded on new explorations in the field of narrative, the mystery that is the body, questions of how representation may be torqued to deal with gender and sexuality, the experience of marginalized people, the negotiation between different orders of time, the 'performance' of outlaw subject matter. Brave, energetic and fresh, Biting the Error tells a whole new story about narrative. Biting the Error is edited by Mary Burger, Robert Glück, Camille Roy and Gail Scott, the co-founders of the Narrativity Website Magazine, based at the Poetry Center, San Francisco State University.

Robert Glück

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