Robert Gordon

The Life and Times of Muddy Waters

Can't Be Satisfied

Claude Monet

Andrew Forge

In more than 125 color and 250 duotone reproductions, the art of Monet is freshly examined. Scores of new images, gathered from private collections, expose the painting problems that Monet confronted throughout his life. Text includes Monet's unpublished documents, personal letters and architectural plans.

Monet

The Last Flowers of Manet

This boxed set includes a CD of interviews and other recordings of Elvis's thoughts. Also included are facsimiles of some of his most personal documents, including his high school diploma, his contract with Sun Records, and a hand-written letter sent to his girlfriend.

The Elvis Treasures

Exploring interwoven threads of personality, coincidence, progress, and taste--all essentially unrelated to music--a veteran journalist explains how popular culture and business intersected in Memphis to set the stage for rock and roll well before Elvis arrived. Reprint.

It Came From Memphis

Helen Tilley

African research played a major role in transforming the discipline of anthropology in the twentieth century. Ethnographic studies, in turn, had significant effects on the way imperial powers in Africa approached subject peoples. Ordering Africa provides the first comparative history of these processes. With essays exploring metropolitan research institutes, Africans as ethnographers, the transnational features of knowledge production, and the relationship between anthropology and colonial administration, this volume both consolidates and extends a range of new research questions focusing on the politics of imperial knowledge. Specific chapters examine French West Africa, the Belgian and French Congo, the Anglo-Egyptian Sudan, Italian Northeast Africa, Kenya, and Equatorial Africa (Gabon) as well as developments in Britain, France, Germany, Italy, and Switzerland. A major collection of essays that will be welcomed by scholars interested in imperial history and the history of Africa.

Anthropology, European imperialism and the politics of knowledge

Ordering Africa

Elizabeth Elliott

This book addresses a number of key themes and developments in restorative justice, and is based on papers originally presented at the 6th International Conference on Restorative Justice in Vancouver. It is concerned with several new areas of practice within restorative justice, with sections on restorative justice and youth, aboriginal justice and restorative justice, victimization and restorative justice, and evaluating restorative justice. Contributors to the book are drawn from leading experts in the field from the UK, US, Europe, Canada, Australia and New Zealand.

New Directions in Restorative Justice

Rosencrantz and Guildenstern are Dead, Jumpers, and The Real Thing

Olaf Jubin

The stage musical constitutes a major industry not only in the US and the UK, but in many regions of the world. Over the last four decades many countries have developed their own musical theatre industries, not only by importing hit shows from Broadway and London but also by establishing or reviving local traditions of musical theatre. In response to the rapid growth of musical theatre as a global phenomenon, The Oxford Handbook of the Global Stage Musical presents new scholarly approaches to issues arising from these new international markets. The volume examines the stage musical from theoretical and empirical perspectives including concepts of globalization and consumer culture, performance and musicological analysis, historical and cultural studies, media studies, notions of interculturalism and hybridity, gender studies, and international politics. The thirty-three essays investigate major aspects of the global musical, such as the dominance of Western colonialism in its early production and dissemination, racism and sexism--both in representation and in the industry itself--as well as current conflicts between global and local interests in postmodern cultures. Featuring contributors from seventeen countries, the essays offer informed insider perspectives that reflect the diversity of the subject and offer in-depth examinations of specific cultural and economic systems. Together, they conduct penetrating comparative analysis of musical theatre in different contexts as well as a survey of the transcultural spread of musicals.

The Oxford Handbook of the Global Stage Musical

"Blues, being the wellspring of all American music for over a century, is always worth studying. Robert does it right." --Keith Richards "An emotional map of musical Memphis. If you don't know these characters, let Robert Gordon introduce you." --Elvis Costello "Robert Gordon's book is proof that Southern heritage is American heritage, and all sorts of people--black and white, familiar and strange, dead and alive--are what it is." --Greil Marcus Profiles and stories of Southern music from the acclaimed author of Respect Yourself: Stax Records and the Soul Explosion. The fabled city of Memphis has been essential to American music--home of the blues, the birthplace of rock and roll, a soul music capital. We know the greatest hits, but celebrated author Robert Gordon takes us to the people and places history has yet to record. A Memphis native, he whiles away time in a crumbling duplex with blues legend Furry Lewis, stays up late with barrelhouse piano player Mose Vinson, and sips homemade whiskey at Junior Kimbrough's churning house parties. A passionate listener, he hears modern times deep in the grooves of old records by Lead Belly and Robert Johnson. The interconnected profiles and stories in Memphis Rent Party convey more than a region. Like mint seeping into bourbon, Gordon gets into the wider world. He beholds the beauty of mistakes with producer Jim Dickinson (Replacements, Rolling Stones), charts the stars with Alex Chilton (Box Tops, Big Star), and mulls the tragedy of Jeff Buckley's fatal swim. Gordon's Memphis inspires Cat Power, attracts Townes Van Zandt, and finds James Carr always singing at the dark end of the street. A rent party is when friends come together to hear music, dance, and help a pal through hard times; it's a celebration in the face of looming tragedy, an optimism when the wolf is at the door. Robert Gordon finds mystery in the mundane, inspiration in the bleakness, and revels in the individualism that connects these diverse encounters.

The Blues, Rock & Soul in Music's Hometown

Memphis Rent Party

Stabilizing and Destabilizing Functions of History in Legal Argument

The Past as Authority and as Social Critic

Sydney Eddison

Now readers can enjoy the fruits of Monet's labors at Giverny and learn how they came to be. In this richly illustrated and revelatory volume, rare photographs are juxtaposed with reproductions of the artist's paintings, demonstrating his masterful application of color and design both on the canvas and in the garden.

Monet the Gardener

Ami Gordon

Why don’t you have time to read this book? Only you can answer this poignant question. We hope this provocative inquiry will cause you to think about it. The Authors also hope that the ideas presented in this book will assist you in searching for answers that are meaningful for you. If you control your time, you can control your life. Your answers can change your perception of the reality of your life. When your perception of reality is changed, you can change your understanding and behavior in a positive way. This opens the door to your becoming a happier, more fulfilled, caring and accomplished person.

Why You Don't Have Time to Read This Book

The ultimate reference book for any Phillie phanatic, this book provides a behind-the-scenes peek into the private world of the players, managers, broadcasters, and executives, taking readers into the clubhouse and onto the field. Author Robert Gordon takes fans inside the 1993 Philadelphia Phillies run to the World Series, when first baseman John Kruk once told a fan, I ain t an athlete, lady, I m a baseball player; back to 1980, when Mike Schmidt, Steve Carlton, and Larry Bowa delivered the team's first World Series title; and to 2008, when a new generation experienced the ecstasy of a World Series win. Written for every fan who follows the Phillies, this unique book captures the memories and great stories from more than a century of the team s history."

The Greatest Phillies Stories Ever Told

Then Bowa Said to Schmidt...

Esther M. Friesner

As a member of a secret organization monitoring alien activity on Earth, Agent J needs the help of the former Agent K, and so he is sent to find Agent K and restore his memory.

Men in Black II

Millie Taylor

This critical introduction to British musical theatre since 1950 is the first book to discuss its post-war developments from the perspective of British – as opposed to American – popular culture. The genre is situated within the historical context of post-war British society in order to explore the range of forms through which significant sociocultural moments are represented. Introductory chapters analyse the way British musicals have responded to social change, the forms of popular theatre and music from which they have developed and their originality in elaborating new narrative strategies since the seventies. A key feature of the book is its close readings of twelve key works, from Salad Days (1954) and Oliver! (1960) to global smash hits such as Les Misérables (1985) and The Phantom of the Opera (1986) and beyond, including the latest critical and box-office success Matilda (2011). Also analysed are British favourites (Blood Brothers, 1983), cult shows (The Rocky Horror Show, 1975) and musicals with a pre-existing fan-base, such as Mamma Mia! (1999).

British Musical Theatre Since 1950

The revised, updated version of this book includes an analysis of the sweeping political changes in South Africa since its original publcation in 1992. Other new material covers more theoretical issues and contemporary developments in scholarship, including a reconsideration of the film ?The Gods Must Be Crazy?; a discussion of ?exposthnography? and its attendant political/moral positioning; and an examination of the political situation in Namibia, with a close study of the near collapse of the Nyae Nyae Development Foundation.

The Making Of A Namibian Underclass

The Bushman Myth

Bicycle Thieves (Ladri di biciclette) Vittorio de Sica, 1948 is unarguably one of the fundamental films in the history of cinema. It is also one of the most beguiling, moving and (apparently) simple pieces of narrative cinema ever made. The film tells the story of one man and his son, as they search fruitlessly through the streets of Rome for his stolen bicycle; the bicycle which had finally freed him from the poverty and humiliation of longterm unemployment. One of a cluster of extraordinary films to come out of post-war, post-Fascist Italy after 1945 – loosely labelled ‘neo-realist’ – Bicycle Thieves won an Oscar in 1949, topped the first Sight and Sound poll of the best films of all time in 1952 and has been hugely influential throughout world cinema ever since. It remains a necessary point of reference for any cinematic engagement with the labyrinthine experience of the modern city, the travails of poverty in the contemporary world, the complex bond between fathers and sons, and the capacity of the camera to capture something like the essence of all of these. Robert S. C. Gordon’s BFI Film Classics volume shows how Bicycle Thieves is ripe for re-viewing, for rescuing from its worthy status as a neo-realist ‘classic’. It looks at the film’s drawn-out planning and production history, the vibrant and riven context in which it was made, and the dynamic geography, geometry and sociology of the film that resulted.

Bicycle Thieves (Ladri Di Biciclette)

The Oxford Handbook of Sondheim Studies offers a series of cutting-edge essays on the most important and compelling topics in the growing field of Sondheim Studies. Focusing on broad groups of issues relating to the music and the production of Sondheim works, rather than on biographical questions about the composer himself, the handbook represents a cross-disciplinary introduction to comprehending Sondheim in musicological, theatrical, and socio-cultural terms. This collection of never-before published essays addresses issues of artistic method and musico-dramaturgical form, while at the same time offering close readings of individual shows from a variety of analytical perspectives. The handbook is arranged into six broad sections: issues of intertextuality and authorship; Sondheim's pioneering work in developing the non-linear form of the concept musical; the production history of Sondheim's work; his writing for film and television; his exploitation and deployment of a wide range of musical genres; and how interpretation through key critical lenses (including sociology, history, and feminist and queer theory) establishes his position in a broader cultural context.

Robert Gordon

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