Robert Kolker

The heartrending story of a midcentury American family with twelve children, six of them diagnosed with schizophrenia, that became science's great hope in the quest to understand the disease. Don and Mimi Galvin seemed to be living the American dream. After World War II, Don's work with the Air Force brought them to Colorado, where their twelve children perfectly spanned the baby boom: the oldest born in 1945, the youngest in 1965. In those years, there was an established script for a family like the Galvins--aspiration, hard work, upward mobility, domestic harmony--and they worked hard to play their parts. But behind the scenes was a different story: psychological breakdown, sudden shocking violence, hidden abuse. By the mid-1970s, six of the ten Galvin boys, one after the other, were diagnosed as schizophrenic. How could all this happen to one family? What took place inside the house on Hidden Valley Road was so extraordinary that the Galvins became one of the first families to be studied by the National Institutes of Mental Health. Their story offers a shadow history of the science of schizophrenia, from the era of institutionalization, lobotomy, and the schizophrenogenic mother, to the search for genetic markers for the disease, always amidst profound disagreements about the nature of the illness itself. And unbeknownst to the Galvins, samples of their DNA informed decades of genetic research that continues today, offering paths to treatment, prediction, and even eradication of the disease for future generations. With clarity and compassion, bestselling and award-winning author Robert Kolker uncovers one family's unforgettable legacy of suffering, love and hope.

Inside the Mind of an American Family

Hidden Valley Road

"A literary account of the lives and presumed serial killings of five "Craigslist" prostitutes, whose bodies were found on the same Long Island beach in 2010. Based on the New York Magazine cover story"--

An Unsolved American Mystery

Lost Girls

W ciemnej dolinie. Rodzinna tragedia i tajemnica schizofrenii

Robert Phillip Kolker

In this 20th anniversary edition, Kolker continues and expands his inquiry into the phenomenon of cinematic representation of culture by updating and revising the chapters on Kubrick, Scorsese, Altman and Spielberg.

Penn, Stone, Kubrick, Scorsese, Spielberg, Altman

A Cinema of Loneliness

An updated and expanded version of this classic study of contemporary American film, the new edition of A Cinema of Loneliness reassesses the landscape of American cinema over the past decade, incorporating discussions of directors like Judd Apatow and David Fincher while offering assessments of the recent, and in some cases final, work from the filmmakers--Penn, Scorsese, Stone, Altman, Kubrick--at the book's core.

Ο Ντον και η Μίμι Γκάλβιν φαίνονταν ζευγάρι-πρότυπο. Εκείνος διακεκριμένος στρατιωτικός, εκείνη καλλιεργημένη, αφοσιωμένη σύζυγος-μητέρα, ενσάρκωναν τον λαμπρό αμερικανικό αιώνα. Ο κόσμος τους έδειχνε τέλειος. Όμως μερικά χρόνια αργότερα, έχοντας αποκτήσει δώδεκα παιδιά, η εικόνα άρχισε να ξεθωριάζει. Ήταν όντως τόσο ταιριαστοί, τόσο ευτυχισμένοι; Πράγματι ανέθρεφαν τόσο πειθαρχημένα παιδιά; Τι κρυβόταν στο παρελθόν του Ντον, στην οικογενειακή ιστορία της Μίμι; Ύστερα ήρθε η σφοδρή ανατροπή: Έξι γιοι της οικογένειας Γκάλβιν, ο ένας μετά τον άλλον, παρουσιάζουν ψυχωσική, βίαιη συμπεριφορά. Οι γονείς, τρομοκρατημένοι, αγνοούν την πραγματικότητα. Μέχρι που η τραγωδία, μια διπλή ανθρωποκτονία, τους αναγκάζει να δουν. Η σχιζοφρένεια χτυπά και σπάει την πόρτα του ειδυλλιακού σπιτιού τους. Τίποτα πια δεν θα είναι το ίδιο. Εν μέρει οικογενειακή εποποιία, εν μέρει ιστορία της πιο μυστήριας μέχρι και σήμερα ψυχικής νόσου, αυτή η αληθινή ιστορία, η γραμμένη με αφοπλιστική ειλικρίνεια και κατανόηση, είναι κάτι περισσότερο από μια συναρπαστική διπλή αφήγηση με λογοτεχνικές αρετές. Ειπωμένη από την οπτική γωνία τριών γυναικών –της Μίμι και των θυγατέρων της Μάργκαρετ και Μέρι–, που άντεξαν καταστάσεις πέρα από τις ανθρώπινες αντοχές, επιβεβαιώνει την αξιοθαύμαστη ψυχική δύναμη και τη γενναιότητα του θεωρούμενου «αδύναμου και ευάλωτου φύλου». Είναι ακόμη μια χωρίς παρωπίδες υμνητική εξιστόρηση του πραγματικού νοήματος της οικογένειας: πόσα μας προσφέρει, αλλά και πόσο δυσβάσταχτο κόστος απαιτεί συχνά να πληρώνουμε.

Η οικογένεια που έζησε 50 χρόνια σχιζοφρένειας και άλλαξε ό,τι γνωρίζουμε γι' αυτή

Οι γυναίκες που επιβίωσαν

Media Studies is a comprehensive text for introductory and advanced courses in the growing field of media studies, integrating history with close textual analysis in a concise, readable style. Explores the growing synergies between print and online journalism, and the growth of independent journalism through blogging Discusses the ways advertising is connected to print and screen, economically and from the perspective of the reader Gives students the analytical skills they need in a presentation that is readable without sacrificing complexity Allows students to move within the media they know while increasing comprehension

An Introduction

Media Studies

Film, Form, and Culture (4th edition) offers a lively introduction to both the formal and cultural aspects of film. With extensive analysis of films past and present, this textbook explores film from part to whole; from the smallest unit of the shot to the way shots are edited together to create narrative. It then examines those narratives (both fiction and non-fiction) as stories and genres that speak to the culture of their time and our perceptions of them today. Composition, editing, genres (such as the gangster film, the Western, science fiction, and melodrama) are analyzed alongside numerous images to illustrate the discussion. Chapters on the individuals who make films - the production designer, cinematographer, editor, composer, producer, director, and actor - illustrate the collaborative nature of filmmaking. This new edition includes: An expanded discussion of the digital 'revolution" in filmmaking: exploring the movement from celluloid to digital recording and editing of images, as well as the use of CGI A new chapter on international cinema that covers filmmaking from Italy to Mumbai offering students a broader understanding of cinema on a worldwide scale A new chapter on film acting that uses images to create a small catalogue of gestures and expressions that are recognizable in film after film Expanded content coverage and in-depth analysis throughout, including a visual analysis of a scene from Christopher Nolan’s The Dark Knight An expanded chapter on the cultural contexts of film summarizes the theories of cultural and media studies, concluding with a comparative analysis of Alfred Hitchcock’s Vertigo and Judd Apatow’s This is 40 Over 260 images, many in color, that create a visual index to and illustration of the discussion of films and filmmaking Each chapter ends with updated suggestions for further reading and viewing, and there is an expanded glossary of terms. Additional resources for students and teachers can also be found on the companion website (www.routledge.com/cw/kolker), which includes additional case studies, discussion questions and links to useful websites. This textbook is an invaluable and exciting resource for students beginning film studies at undergraduate level.

Fourth Edition

Film, Form, and Culture

Almost all students have seen 2001, but virtually none understand its inheritance, its complexities, and certainly not its ironies. The essays in this collection, commissioned from a wide variety of scholars, examine in detail various possible readings of the film and its historical context. They also examine the film as a genre piece--as the summa of science fiction that simultaneously looks back on the science fiction conventions of the past (Kubrick began thinking of making a science fiction film during the genre's heyday in the fifties), rethinks the convention in light of the time of the film's creation, and in turn changes the look and meaning of the genre that it revived--which now remains as prominent as it was almost four decades ago. Constructed out of its director's particular intellectual curiosity, his visual style, and his particular notions of the place of human agency in the world and, in this case, the universe, 2001 is, like all of his films, more than it appears, and it keeps revealing more the more it is seen. Though their backgrounds and disciplines differ, the authors of this essay collection are united by a talent for vigorous yet incisive writing that cleaves closely to the text--to the film itself, with its contextual and intrinsic complexities--granting readers privileged access to Kubrick's formidable, intricate classic work of science fiction.

Robert Kolker

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