Robert Lumley

&ltI>Entering the Frame is the first complete study of the cinema of Yervant Gianikian and Angela Ricci Lucchi, pioneers of archival and found-footage films that testify to war, genocide and colonialism in the twentieth century. It explores their early performance-based 'scented films' of the 1970s, before focusing on the historical films, such as &ltI>From the Pole to the Equator, for which they are best known. The book analyses how Gianikian and Ricci Lucchi manipulate rare footage through re-photographing, hand-tinting and altering film speeds, to produce work of an other-worldly quality.&ltBR> Retrospectives of the films of Gianikian and Ricci Lucchi at the Jeu de Paume in Paris (2006) and at MoMA in New York (2009) have signalled international recognition at the highest level, as have appraisals by leading scholars of cinema such as Scott MacDonald and Raymond Bellour. Their work is unusual in attracting different audiences, and in relating art practices to wider ethical, historical and political issues. Gianikian and Ricci Lucchi have transformed old documentary footage into works that resonate in debates about postcolonialism as well as about the documentary form, the corporeality of the viewing experience and the metamorphoses of cinema.&ltBR> The volume includes a preface by the cultural historian Ruth Ben-Ghiat, Professor of Italian and History at New York University.

Cinema and History in the Films of Yervant Gianikian and Angela Ricci Lucchi

Entering the Frame

David Forgacs

This is an up-to-date, illustrated introduction to the study of modern Italian culture containing nineteen chapters by specialists in the field of language, politics, religious, ethnic, and gender identities, the mass media, cultural policy, and stars. Adopting a unique and accessible interdisciplinary focus, Italian Cultural Studies: An Introduction presents a variety of new perspectives on modern Italian culture. Each of the four parts explore diverse aspects of culture in Italy. 'Geographies' questions received notions of the Italian nation, the family, the 'South' and corruption; it also looks at anthropological approaches to culture and at Italy's linguistic pluralism. 'Identities' examines gender,religion, politics, and ethnicity as a means with which people define themselves and others. 'Media' explores the press, literature, television, and cinema. 'Culture and Society' brings together historical analyses of cultural policy, stars and style, and popular music. Each part is followed bysample analyses of visual materials and includes guidance on further reading. A chronology of political and cultural events since 1900 is also provided. Drawing on the expertise of leading authorities Italian Cultural Studies will be essential reading for students and anyone else interested in modern Italy and its culture.

An Introduction

Italian Cultural Studies

Maurizio Cattelan

Pino Pascali

Jonathan Morris

This collection brings together the work of a new generation of revisionist historians who argue that the true history of Southern Italy has been reduced to that of a 'Southern problem' viewed through a Northern prism.

The Mezzogiorno Revisited

The New History of the Italian South

Cultures of Revolt in Italy from 1968 to 1978

States of Emergency

A provocative contribution to the current debate on museums, this collection of essays contains contributions from France, Britain, Australia, the USA and Canada.

Putting Cultures on Display

The Museum Time-machine

Lecturer in Italian Studies Robert Lumley

The term Arte Povera was coined in 1967 by the critic Germano Celant to decribe a group of Italian artists making work that used the simplest means to create poetic statements based on events of everyday life. Seen as a reaction against the commercialism of the art market and the dominance of American Minimalist and Pop art, the work demonstrated a keen hunger to explore new materials. In this fully illustrated survey, Robert Lumley provides a concise and highly readable interpretation of Arte Povera informed by extensive interviews with the artists themselves.

Movements in Modern Art

Arte Povera

The student protests of 1968, followed by the Hot Autumn factory strikes of 1969, shook the foundations of the Italian Republic. They also prepared the way for a whole decade of intense and widespread social conflict—a decade in which militant social movements arose with new aspirations, centered on protagonists such as women, young people and the unemployed. States of Emergency provides a vivid reconstruction of the events and movements of that period—from the students of 1968 to the Autonomists of 1977. The book's title evokes both the emergence of new social subjects and the crises they provoked in the social order. But Lumley also looks at the paradoxes and contradictions of the movements, their creative potential and ultimate failure. The political debates which they initiated soon became part of the agenda of the Left internationally. Drawing on the work of theorists such as Umberto Eco, Alberto Melucci, Norberto Bobbio and Antonio Negri, States of Emergency is a vital contribution not only to Italy's social history but to contemporary political discussion.

Robert Lumley

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