Nathaniel Hawthorne

Robert S. Levine

An Authoritative Text, Contexts, Criticism

House of the Seven Gables

Robert Steven Levine

Robert Levine examines the American romance in a new historical context. His book offers a fresh reading of the genre, establishing its importance to American culture between the founding of the Republic and the Civil War. With convincing historical and literary detail, Levine shows that anxieties about foreign elements--French revolutionaries, secret societies, Catholic immigrants, African slaves--are central to the fictional worlds of Brockden Brown, Cooper, Hawthorne and Melville. Ormond, The Bravo, The Blithedale Romance, and Benito Cereno are persuasively explicated by Levine to demonstrate that the romance dramatized the same conflicts and ideals that gave rise to the American Republic. Americans conceived "America" as a historical romance, and their romances dramatize the historical conditions of the culture. The fear that reputed conspiracies would subvert the order and integrity of the new nation were recurrent and widespread; Levine illuminates the influence of such fears on the works of major romance writers during this period.

Studies in Brockden Brown, Cooper, Hawthorne, and Melville

Conspiracy and Romance

This book offers new perspectives on race and transnationalism in nineteenth-century American literary studies, and ranges widely in developing new approaches to canonical and non canonical authors. It will appeal to graduates and scholars working on nineteenth-century American literature, transnationalism, and African American literary studies.

Race, Transnationalism, and Nineteenth-Century American Literary Studies

Robert S. Levine foregrounds the viewpoints of Black Americans on Reconstruction in his absorbing account of the struggle between the great orator Frederick Douglass and President Andrew Johnson. When Andrew Johnson assumed the presidency after Abraham Lincoln’s assassination, the country was on the precipice of radical change. Johnson, seemingly more progressive than Lincoln, looked like the ideal person to lead the country. He had already cast himself as a “Moses” for the Black community, and African Americans were optimistic that he would pursue aggressive federal policies for Black equality. Despite this early promise, Frederick Douglass, the country’s most influential Black leader, soon grew disillusioned with Johnson’s policies and increasingly doubted the president was sincere in supporting Black citizenship. In a dramatic and pivotal meeting between Johnson and a Black delegation at the White House, the president and Douglass came to verbal blows over the course of Reconstruction. As he lectured across the country, Douglass continued to attack Johnson’s policies, while raising questions about the Radical Republicans’ hesitancy to grant African Americans the vote. Johnson meanwhile kept his eye on Douglass, eventually making a surprising effort to appoint him to a key position in his administration. Levine grippingly portrays the conflicts that brought Douglass and the wider Black community to reject Johnson and call for a guilty verdict in his impeachment trial. He brings fresh insight by turning to letters between Douglass and his sons, speeches by Douglass and other major Black figures like Frances E. W. Harper, and articles and letters in the Christian Recorder, the most important African American newspaper of the time. In counterpointing the lives and careers of Douglass and Johnson, Levine offers a distinctive vision of the lost promise and dire failure of Reconstruction, the effects of which still reverberate today.

Reconstruction, Frederick Douglass, and the Impeachment of Andrew Johnson

The Failed Promise

Jerome Klinkowitz

Philip F. Gura

Nina Baym

Wayne Franklin

Shorter

The Cambridge Companion to Herman Melville is intended to provide a critical introduction to Melville's work. The essays have been specially commissioned for this volume, and provide a comprehensive overview of Melville's career. All of Melville's key works, including Moby-Dick, Typee, White Jacket, The Tambourine in Glory and The Confidence Man, are examined, as well as most of his poetry and short fiction. Written at a level both challenging and accessible, the volume provides fresh perspectives on one of the most significant writers of nineteenth-century America whose work continues to fascinate readers and stimulate new study.

The Cambridge Companion to Herman Melville

Robert S. Levine

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