Robert van Gulik

On a wooded hill in the Lan-fang district, a phantom stalks in a century-old Buddhist temple and three mysteries unfold - the vanishing of a wealthy merchant's daughter, the disappearance of twenty bars of gold, and the discovery of a decapitated corpse. In The Phantom of the Temple, the clever Judge Dee pieces together these strange occurrences to reveal one complex and gruesome plot.

A Judge Dee Mystery

The Phantom of the Temple

Çin Gölü Cinayetleri

Judge Dee has been appointed emergency governor of the plague- and drought-ridden Imperial City. As his guards help the city fend off a popular uprising, an aristocrat from one of the oldest families in China suffers an "accident" in a deserted mansion. In The Willow Pattern, the illustrious judge uses his trademark expertise to unravel the mysteries of the nobleman, a shattered vase, and a dead bondmaid. Along the way he encounters a woman who fights with loaded sleeves, a nearly drowned courtesan, and an elaborate trap set for a murderer. Packed with suspense, violence, and romance, The Willow Pattern won’t disappoint Judge Dee’s legions of loyal fans. "The China of old, in Mr. van Gulik’s skilled hands, comes vividly alive again."—Allen J. Hubin, New York Times Book Review

The Willow Pattern

It all begins on the night of the Poo-yang dragonboat races in 699 A.D.: a drummer in the leading boat collapses, and the body of a beautiful young woman turns up in a deserted country mansion. There, Judge Dee—tribunal magistrate, inquisitor, and public avenger—steps in to investigate the murders and return order to the Tang Dynasty. In The Emperor’s Pearl, the judge discovers that these two deaths are connected by an ancient tragedy involving a near-legendary treasure stolen from the Imperial Harem one hundred years earlier. The terrifying figure of the White Lady, a river goddess enshrined on a bloodstained altar, looms in the background of the investigation. Clues are few and elusive, but under the expert hand of Robert van Gulik, this mythic jigsaw puzzle assembles itself into a taut mystery. “If you have not yet discovered Judge Dee and his faithful Sgt. Hoong, I envy you that initial pleasure which comes from the discovery of a great detective story. For the magistrate of Poo-yang belongs in that select group of fictional detectives headed by the renowned Sherlock Holmes.”—Robert Kirsch, Los Angeles Times “The title of this book and the book itself have much in common. Each is a jewel, a rare and precious find.”—Atlanta Times

The Emperor's Pearl

"The Abbot Jade Mirror is dead after delivering an ecstatic sermon. The monks call it a supernatural experience, but Judge Dee calls it murder. Somewhere hidden in the tangled corridors of the monastery is the killer"--Page 4 of cover.

The Haunted Monastery

Robert Hans van Gulik

Judge Dee and his helpers investigate a series of murders despite pressure to solve them quickly.

The Chinese Nail Murders

In his attempts to solve three perplexing murders, Judge Dee uncovers a plot to take over key positions in the Tang government.

Murder in Canton

Robert van Gulik baseerde zijn beroemde personage rechter Tie op de historische magistraat Di Renjie, die in de T’ang-dynastie van het oude China leefde (630-700 na Chr.). Als magistraat was hij niet alleen rechter, maar tegelijkertijd ook stadsbestuurder en hoofd van de politie. In deze positie loste hij als meester-detective een aantal ingewikkelde moordzaken op scherpzinnige wijze op. Mien-yuan is een oud stadje, ten westen van de keizerlijke hoofdstad. Dit bergoord, dat altijd min of meer geïsoleerd is gebleven, ligt aan een geheimzinnig meer, waarover sinds oude tijden vreemde verhalen worden verteld. De lijken van degenen die daar verdronken werden nooit gevonden, maar soms zag men hun geest onder de levenden rondwaren. Het is op deze plek, te midden van een achterdochtige en gesloten burgerij, dat rechter Tie de moord op een danseres moet oplossen. Nauwelijks is hij met het onderzoek begonnen, of twee nieuwe, ingewikkelde raadsels vragen zijn aandacht...

Rechter Tie -

Meer van Mien-yuan

Master detective Judge Dee sets out to solve a puzzling double murder and discovers that complicated passions lurk beneath the seemingly tranquil landscape of academic life. A student has been murdered; a beautiful poetess is accused of whipping her maidservant to death; and further mysteries lie in the shadows of the Shrine of the Black Fox.

Poets and Murder

Nieopodal wąskich ulic tętniącego życiem miasteczka przy zachodniej granicy kraju sędzia Di prowadzi kolejne śledztwo. Tym razem zbrodnie miały miejsce w buddyjskim klasztorze, w którym pojawia się tajemnicza zjawa. Na tym nie koniec złowrogich wydarzeń. Kolejne łączą się z kradzieżą złota i zaginięciem młodej kobiety. Autor powieści historyczno-detektywistycznych, sinolog i dyplomata. W połowie lat 30. XX wieku rozpoczął pracę dyplomaty w Japonii, następnie pracował także w Chinach, Indiach, Libanie oraz Malezji. Autor wielu prac naukowych oraz szesnastu powieści detektywistycznych. Na motywach utworów przygotował także cykl komiksów udostępnionych czytelnikom w prasie holenderskiej.

Sędzia Di i zjawa

The eight short stories in Judge Dee at Work cover a decade during which the judge served in four different provinces of the T’ang Empire. From the suspected treason of a general in the Chinese army to the murder of a lonely poet in his garden pavilion, the cases here are among the most memorable in the Judge Dee series.

Eight Chinese Detective Stories

Judge Dee at Work

Robert van Gulik baseerde zijn beroemde personage rechter Tie op de historische magistraat Di Renjie, die in de T’ang-dynastie van het oude China leefde (630-700 na Chr.). Als magistraat was hij niet alleen rechter, maar tegelijkertijd ook stadsbestuurder en hoofd van de politie. In deze positie loste hij als meester-detective een aantal ingewikkelde moordzaken op scherpzinnige wijze op. Rechter Tie en zijn luitenant Ma Joeng zijn op doorreis en brengen de nacht door op het Paradijseiland, een lustoord met gokpaleizen en luxueuze bordelen. Tie ontmoet hier zijn oude vriend, de magistraat Lo, die erg veel haast schijnt te hebben om weg te komen. Op diens verzoek neemt Tie een zelfmoordzaak over, volgens Lo een routineklus. Totdat enkele uren na Tie’s aankomst een beroemde prostituee dood wordt aangetroffen…

Het rode paviljoen

Robert van Gulik baseerde zijn beroemde personage rechter Tie op de historische magistraat Di Renjie, die in de T’ang-dynastie van het oude China leefde (630-700 na Chr.). Als magistraat was hij niet alleen rechter, maar tegelijkertijd ook stadsbestuurder en hoofd van de politie. In deze positie loste hij als meester-detective een aantal ingewikkelde moordzaken op scherpzinnige wijze op. Foe-lai, een havenstad in de provincie Shantoeng, is een sombere plaats vol mist en nevel waarover vreemde verhalen de ronde doen. Bij aankomst in de stad wordt rechter Tie op zijn eerste post als magistraat geconfronteerd met een wereld die beheerst wordt door mysterieuze krachten. Daar moet hij de dood van zijn voorganger onderzoeken, die op raadselachtige wijze op zijn werkkamer is vergiftigd.

Rechter Tie - deel 6

Fantoom in Foe-lai

Robert van Gulik baseerde zijn beroemde personage rechter Tie op de historische magistraat Di Renjie, die in de T’ang-dynastie van het oude China leefde (630-700 na Chr.). Als magistraat was hij niet alleen rechter, maar tegelijkertijd ook stadsbestuurder en hoofd van de politie. In deze positie loste hij als meester-detective een aantal ingewikkelde moordzaken op scherpzinnige wijze op. Nauwelijks is rechter Tie benoemd of de eerste misdaad dient zich aan: twee rondtrekkende kooplieden worden beroofd en vermoord. Kort daarop wordt Tie geconfronteerd met nog twee moorden, waarvan er één een crime passionel zou zijn.

De vergiftigde bruid

Brought back into print in the 1990s to wide acclaim, re-designed new editions of Robert van Gulik's Judge Dee Mysteries are now available. Written by a Dutch diplomat and scholar during the 1950s and 1960s, these lively and historically accurate mysteries have entertained a devoted following for decades. Set during the T'ang dynasty, they feature Judge Dee, a brilliant and cultured Confucian magistrate disdainful of personal luxury and corruption, who cleverly selects allies to help him navigate the royal courts, politics, and ethnic tensions in imperial China. Robert van Gulik modeled Judge Dee on a magistrate of that name who lived in the seventh century, and he drew on stories and literary conventions of Chinese mystery writing dating back to the Sung dynasty to construct his ingenious plots. Necklace and Calabash finds Judge Dee returning to his district of Poo-yang, where the peaceful town of Riverton promises a few days' fishing and relaxation. Yet a chance meeting with a Taoist recluse, a gruesome body fished out of the river, strange guests at the Kingfisher Inn, and a princess in distress thrust the judge into one of the most intricate and baffling mysteries of his career. An expert on the art and erotica as well as the literature, religion, and politics of China, van Gulik also provides charming illustrations to accompany his engaging and entertaining mysteries.

A Chinese Detective Story

Necklace and Calabash

Judge Dee, the master detective of seventh-century China, sets out to solve a puzzling double murder and discovers complex passions lurking beneath the placid surface of academic life. A mild-mannered student is rumored to have been slain by a fox-demon, while a young dancer meets her death as she dresses to perform for the magistrate's illustrious dinner guests—an obese Zen monk revered for his calligraphy, a beautiful poetess accused of murder, and the past president of the imperial academy. To connect the present crimes with betrayals and adulteries from decades past, the clever judge must visit a high-class brothel and the haunted shrine of the Black Fox. From the moment the young scholar is found dead on the eve of the Autumn Festival, the pace never lets up. "The China of old, in Mr. van Gulik's skilled hands, comes vividly alive again."—Allen J. Hubin, New York Times Book Review "If you have not yet discovered Judge Dee, I envy you that initial pleasure. . . . For the magistrate of Poo-yang belongs in that select group headed by Sherlock Holmes."—Robert Kirsch, Los Angeles Times

A chance encounter with Autumn Moon, the most powerful courtesan on Paradise Island, leads Judge Dee to investigate three deaths. Although he finally teases the true story from a tangled history of passion and betrayal, Dee is saddened by the perversion, corruption, and waste of the world "of flowers and willows" that thrives on prostitution.

The Red Pavilion

Judge Dee and his entourage, seeking refuge from a mountain storm, become trapped in a Taoist monastery, where the Abbott Jade mysteriously dies after delivering an ecstatic sermon. The monks call it a supernatural experience, but the judge calls it murder. Recalling the allegedly accidental deaths of three young women in the same monastery, Judge Dee seeks clues in the eyes of a cat to solve cases of impersonation and murder. A painting by one of the victims reveals the truth about the killings, propelling the judge on a quest for justice and revenge. "Entertaining, instructive, and impressive."—Times Literary Supplement

Early in his career, Judge Dee visits a senior magistrate who shows him a beautiful lacquer screen on which a scene of lovers has been mysteriously altered to show the man stabbing his lover. The magistrate fears he is losing his mind and will murder his own wife. Meanwhile, a banker has inexplicably killed himself, and a lovely lady has allowed Dee's lieutenant, Chiao Tai, to believe she is a courtesan. Dee and Chiao Tai go incognito among a gang of robbers to solve this mystery, and find the leader of the robbers is more honorable than the magistrate. "One of the most satisfyingly devious of the Judge Dee novels, with unusual historical richness in its portrayal of the China of the T'ang dynasty."---New York Times Book Review "Even Judge Dee is baffled by Robert van Gulik's new mysteries in The Lacquer Screen. Disguised as a petty crook, he spends a couple of precarious days in the headquarters of the underworld, hobnobbing with the robber king. Dee's lively thieving friends furnish some vital clues to this strange and fascinating jigsaw."---The Spectator "So scrupulously in the classic Chinese manner yet so nicely equipped with everything to satisfy the modern reader."---New York Times Robert Van Gulik (1910-67) was a Dutch diplomat and an authority on Chinese history and culture. He drew his plots from the whole body of Chinese literature, especially from the popular detective novels that first appeared in the seventeenth century.

The Lacquer Screen

Judge Dee—Confucian Imperial magistrate, inquisitor, and public avenger, based on a famous statesman—was Dutch diplomat and Chinese cultural historian Robert van Gulik’s (1910–67) lasting invention. A welcome addition to the elite canon of fictional detectives, the Judge steps in to investigate homicide, theft, and treason and restores order to the golden age of the Tang Dynasty. In Murder in Ancient China’s first story, we watch as Judge Dee attempts to solve the mystery of an elderly poet murdered by moonlight in his garden pavilion; in the second, set on the eve of the Chinese New Year, the Judge makes two rare mistakes—will peril result?

Robert van Gulik

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