Robin Muir

story teller

Tim Walker

Cecil Beaton

Cecil Beaton's Bright Young Things

Josephine Ross

A chronicle of the British royal family, told through the photographs that have appeared in British Vogue magazine from the early twentieth century to the present day, published to commemorate the Platinum Jubilee of Elizabeth II, Britain's longest-serving monarch. British Vogue has borne witness to a century of royal history. Its first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen’s sister and returned as Lord Snowdon. The Queen’s cousin, Vogue’s Lord Lichfield, proved an insightful photographer of royal style along with many of Vogue’s fashion photographers, including Horst, Norman Parkinson, and David Bailey. With visual treasures from Vogue’s unrivaled archive and contributions from the most perceptive of commentators—from Evelyn Waugh to Zadie Smith—The Crown in Vogue is the definitive, authoritative portrait of royalty in the modern age.

The Crown in Vogue

Robin Derrick

Inventive, glamorous, gorgeous - since the beginning VOGUE has set the platinum standard for fashion magazines the world over and has become an icon in its own right. VOGUE's covers sum up the superlative visual ideals of the whole magazine. For the first time, this book brings together in one volume nearly a century of covers both illustrated and photographic. Over two hundred stunning images have been selected from an archive of more than fifteen hundred. What sets VOGUE's covers apart is that each is so bold, so beautiful and so emphatically different. They mark the course of history, chart changing fashions and ideas of beauty and hold up a mirror to the cultural and social revolutions of the twentieth century. Since 1916 VOGUE's covers have celebrated the most striking women of our age, captured by the century's leading photographers, the greatest artists and the most inventive fashion. Brilliant, captivating and full of life, this is the face of the world's most influential magazine and the original style bible.

On Fashion's Front Page

Vogue Covers

Terence Pepper

Twiggy

Melvin Sokolsky

'Over my career I've had the privilege of working with many great photographers, and I've learned to understand the importance of the relationship with the person behind the camera. I'm constantly amazed at the different aspects of my character they choose to reveal.' This stunning collection of photographs explores Twiggy's extraordinary life in front of the camera. Launched with a famous haircut by Leonard and photographs by Barry Lategan in 1966, Twiggy was the world's first supermodel. For the next four years she helped define 'Swinging London' and she remains today an internationally recognised name and face. In her own words, Twiggy describes the distinguished photographers with whom she has collaborated-including Richard Avedon, Cecil Beaton, Douglas Kirkland, Annie Leibovitz, Steven Meisel, Norman Parkinson, Melvin Sokolsky, Bert Stern, Bryan Adams and many others-and her memories of working with them. Published to celebrate her 60th birthday, this beautiful book documents her life through photographs. With over 100 illustrations, including works from the National Portrait Gallery, London and many private collections, it also features Twiggy's personal selection of photographs, snapshots and memorabilia. An illustrated chronology traces highlights in her career, including her starring role in Ken Russell's film The Boy Friend (1971), for which she was awarded two Golden Globes, and her Tony-award-nominated appearance in the Broadway musical My One and Only (1983-4).

A Life in Photographs

John Deakin

Photographs

Diana Donovan and David Hillman

'Flawless' — New York Journal of Books 'Superb' — Observer 'Stylish' — Sunday Telegraph, 'Favourite Books of the Year' 'The story of fashion photography in the UK' — Herald Terence Donovan was one of the foremost photographers of his generation – among the greatest Britain has ever produced. He came to prominence in London as part of a postwar renaissance in art, fashion, graphic design and photography. His working-class background and outlook helped change the face of British fashion photography and made him a major figure of London's Swinging Sixties. A star in his own right, he was equally at home with celebrities and royalty as well as the ordinary girl on the street, whose mannerisms informed his photographs. Gifted with an unerring eye for the iconic image, Donovan was also master of his craft, a technical genius who strove to push the limits of what was possible. And yet despite his fame and status, there has never been a publication devoted solely to his fashion work. Terence Donovan Fashion is the first time his fashion pictures have been collected together in book form. Arranged chronologically, from the gritty monochromatic 1960s and 1970s to the vibrant and colourful 1980s and 1990s, the book reveals how constant invention and experimentation set Donovan apart from his contemporaries and influenced generations to come. The pictures have been selected by his wife Diana Donovan and the former art director of Nova magazine and Pentagram partner David Hillman, who worked closely with Donovan for over a decade. With a text by the photographic historian Robin Muir, and a foreword by Grace Coddington, creative director of American Vogue, Terence Donovan Fashion is a landmark in the history of fashion photography.

Terence Donovan Fashion

A lavishly illustrated celebration of the 70-year reign of Queen Elizabeth II and the British Royal Family from the unrivalled archive of British Vogue. 'Vogue, like the royal family, has been through many evolutions of its own, and to view Her Majesty's life though the record of our pages is truly a document of history.' - Edward Enninful, Editor-in-Chief of British Vogue Four monarchs (crowned and uncrowned); one abdication; one royal investiture; a jewel box of jubilees and many, many royal marriages... British Vogue has borne witness to a century of royal history. The Crown in Vogue is the magazine's 'special royal salute' to our longest serving monarch and her 'assured and unwavering' presence in the lives of a nation. Vogue's first star photographer, Cecil Beaton, was entranced by the House of Windsor and the admiration was mutual. A younger star photographer, Antony Armstrong Jones, left Vogue to marry the Queen's sister and returned as Lord Snowdon. The Queen's cousin, Vogue's Lord Lichfield proved an insightful photographer of royal style along with many of Vogue's fashion photographers including Horst, Norman Parkinson and David Bailey. With visual treasures from Vogue's unrivalled archive and contributions through the decades from the most perceptive of royal commentators - from Evelyn Waugh to Zadie Smith - The Crown in Vogue is the definitive, authoritative portrait of Queen Elizabeth II's magnificent reign - and of royalty in the modern age.

Vogue's 'special royal salute' to Queen Elizabeth II and the House of Windsor

National Portrait Gallery (Great Britain)

Museum of Fine Arts, Boston

Horst

Collects 170 of the twentieth-century photographer's portraits of actors, artists, models, royalties, and socialites, in a volume complemented by extensive notes on both the subjects and sittings and a complete chronology.

60 Years of Style

Horst Portraits

Ruth Ansel

Story Teller

In more than 2,000 issues, British Vogue magazine has acted as a cultural barometer, putting fashion in the context of the larger world in which we live - how we dress, how we entertain, what we eat, listen to, watch, who leads us, excites us and inspires us. The century's most talented photographers, illustrators and a rtists have contributed to it. In Lee Miller it had, unexpectedly, its own war photographer; in Norman Parkinson, Cecil Beaton, David Bailey, Snowdon and Mario Testino the greatest portrait and fashion photographers of their generation; and in Beaton and Irving Penn two giants of twentieth - century photography. From 1892, American Vogue chronicled the life of beautiful people - their clothes, parties, houses and habits - and the magazine was exported for intrigued British readers. In 1916, when the First Wo rld War made trans atlantic shipments impossible, its proprietor, Cond� Nast, authorised a British edition. It was an immediate success, and over the following ten decades of uninterrupted publication continued to mirror its times - the austerity and optimi sm that followed two world wars, the 'Swinging London' scene of the sixties, the radical seventies, the image - conscious eighties - and in its second century remains at the cutting edge of photography and design. Decade by decade, Vogue 100 : A Century of St yle celebrates the greatest moments in fashion, beauty and portrait photography. Illustrated throughout with well - known images, as well as th e less familiar and recently rediscovered, the book focuses on the faces that shaped the cultural landscape: from Matisse to Bacon, Freud and Hirst, from Dietrich to Paltrow, from Fred Astaire to David Beckham, from Lady Diana Cooper to Lady Diana Spencer. It features the fashion designers who defined the century - Dior , Galliano , Balenciaga, Saint Laurent, McQueen - and explores more broadly the changing form of the twentieth - century woman.

A Century of Style

Vogue 100

* Vogue covers throughout the magazine's history - the epitome of elegance and sophisticated glamour

Terence Donovan (1936-1996) was one of the foremost photographers of his generation, with a career spanning almost 40 years. He came to prominence in London as part of a post-war renaissance in art, design and music, representing a new force in fashion and, later, advertising and portrait photography. He operated at the heart of London's Swinging Sixties, both as participant in, and observer of, the world he so brilliantly and incisively captured with his camera. Born into a working-class family in East London, Donovan was fascinated by photography and printmaking from an early age. He opened his own studio in 1959 at the age of twenty-two and was immediately sought after by a range of clients, including leading advertising agencies and fashion and lifestyle magazines of the time, including Vogue, Harper's Bazaar and Elle. Terence Donovan: 100 Fashion Photos brings together the very best of his fashion photography, from his ground-breaking work in the sixties to the superlative glamour of the supermodels of the nineties. Gifted with an unerring eye for the iconic as well as the transformative, Donovan was a master of his craft, a technical genius who pushed the limits of what was possible with a camera. This stylish book contains some of his most famous shots, as well as previously unseen images, and is a perfect gift for lovers of both fashion and photography.

Terence Donovan: 100 Fashion Photos

Drawn from the archives of "Vogue" magazine this survey of fashion photography aims to go beyond the cliches and "greatest hits" to tell a new story. It features the first attempts of many now famous photographers, pictures by forgotten masters, and out-takes from famous shoots.

The Secret History of Fashion Photography

Unseen Vogue

Amber Butchard

Lee Miller?s photography of British fashion for Vogue during World War 2 was prolific yet few are aware of the full extent of this body of her work.00Many know Lee Miller?s name in connection to her inspirational World War 2 reportage. Few are aware of the volume of her British fashion images that were published on British Vogue?s pages from 1939 to 1944. This beautiful book of her wartime fashion work addresses Lee Miller?s contribution to the fashion industry in these years and her significant service to the survival of British Vogue magazine.00?she [Lee Miller] has borne the whole weight of our studio production through the most difficult period in Brogue?s [British Vogue?s] history?. Wrote Audrey Withers, Lee Miller?s editor at British Vogue, in 194100Containing over 130 images, with the majority printed full page this book also contains accompanying text by Lee Miller?s granddaughter, Ami Bouhassane, Co-Director of the Lee Miller Archives, who provides insights into Lee Miller?s work process. In two additional essays, fashion historian Amber Butchart writes on the fashion of the period and Robin Muir, contributing editor to British Vogue, discusses Lee Miller?s work for Vogue.00Exhibition: Farleys House & Gallery, Chiddingly , UK (20.05.-08.08.2021).

Fashion in Wartime Britain

Lee Miller

The World's Most Photographed explores the photographic image of ten of the best-known faces of modern history. By unearthing photographs that have previously been lost or suppressed, author Robin Muir demonstrates not only how the public image of each subject was manipulated, but he also gives fresh insights into their personalities and lives. The ten selected personalities range from a crowned head of state to a world-beating boxer, from film stars to a fascist dictator. Illustrated with over 180 photographs, the book creates a compelling new perspective on the history of celebrity, notoriety and the nature of iconography.

The World's Most Photographed

Special edition in presentation box with limited-edition print

Tim Walker's exceptionallywell-illustrated, -designed,and -produced overview of hiswildly original and highlyaccomplished career.

Throughout history, fashion models have occupied a curious position: while their faces were instantly familiar, virtually nothing else was known about them. But their impression upon Vogue's readership has always been considerable -- they reflect and represent the ever-changing ideal of beauty. It was models such as Barbara Goalen and Fiona-Campbell Walter in Britain and Lisa Fonssagrives and Dorien Leigh in the US, in the 1950s, who were the first to become household names and to achieve the glamour and prestige that came with world fame. The supermodels of the 1990s turned the profession into a billion-dollar industry, and today models like Kate Moss, Claudia Schiffer and Gisele Bundchen are brand names. Our fascination with these sublime creatures never seems to wane. Shining a light on these women's lives, Vogue Model uses photographs and illustrations from more than ninety years of Vogue's history to tell the fascinating story of the real faces of fashion.

The Faces of Fashion

Vogue Model

Claire Wilcox

Philippe Garner

A lifetime of style / Anna Wintour -- Introduction / Susanna Brown -- I. Paris style: 1930s Paris - fashion, art, elegance and imagination / Philippe Garner. Electric beauty / Susanna Brown -- II. Couture fashion in the 1930s: The aura of glamour : couture fashion / Claire Wilcox. Mainbocher corset / Susanna Brown -- III. Stage and screen: From limelight to starlight : portraits of stage and screen stars / Terence Pepper. Marlene Dietrich / Susanna Brown -- IV. Horst and Britain: An English interlude / Robin Muir. Royal still lifes / Susanna Brown -- V. Fashion in colour: Horst's world in colour / Shawn Waldron -- Vogue covers -- VI. Nature: Patterns from nature / Martin Barnes. Kodak negative album / Susanna Brown -- VII. Travel: Middle-Eastern diaries / Horst P. Horst and Valentine Lawford. Persepolis Bull / Susanna Brown -- VIII. The male nude: Hard bodies : male nudes / Oliver Winchester. The classical torso / Susanna Brown -- IX. Living in style: Conversation pieces : interiors of Horst and Lawford / Glenn Adamson. The house that Horst grew / Susanna Brown -- X. Carmen : an interview / Susanna Brown.

Rudolph Wurlitzer

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