Roger White

Paper Monument (Organization)

Dushko Petrovich

This wide-ranging anthology features essays, drawings and assignments from more than 100 contributors including: John Baldessari, William Pope.L, Mira Schor, Rochelle Feinstein, Bob Nickas and Chris Kraus. Examining the complex and often unruly state of art education by focusing on its signature pedagogical form, the assignment, this book coalesces ideas about what art is, how it should be taught, and what larger purpose it might, or might not, serve. Original

The Art of the Art Assignment

Draw it with Your Eyes Closed

Offers an intimate look at the world of American contemporary art, looking at the schools, scenes, and artists through the eyes of a working artist.

Travels in the 21st-Century Art World

The Contemporaries

Post Colonial Anarchism

Tracing the history of cottages orn�s (ornamental cottages), this copiously illustrated volume offers an engaging survey of an often-overlooked architectural genre. An invention of mid-18th-century England, these cottages were designed to facilitate a more informal way of living and were built in different guises that range from royal and imperial cottages to the working-class lodges that still dot the English countryside. Analyzing cottage designs by some of the leading architects of late-Georgian England--including Robert Adam, John Soane, and John Nash--Roger White explores the aesthetic values that made the form so appealing. As he follows the development of cottages orn�s from the Celtic fringes to the Continent and the British colonies, White reveals the significant impact of the genre on social, cultural, and political history and examines the influence of cottage design on the architectural developments of the Victorian period and even the 20th century.

The Charms of the Simple Life

Cottages Ornés

In 1989, Kimberlé Crenshaw coined the term “intersectionality” to describe the interdependent and overlapping systems of discrimination and disadvantage that result from the interconnected nature of social categorizations. These categories include, but are not limited to, disability, gender identity, nationality, race, and socioeconomic class. In recent years, we have witnessed increased societal interest in the notion of equal economic, political, and social rights. This has commonly manifested in a desire for equality of opportunity (i.e., social justice). This book applies an intersectional approach to examine a specific facet of inequality – namely, the presence and magnitude of wage discrimination in the U.S. labor market. This book accomplishes several objectives. It introduces intersectional analysis for readers who are unfamiliar with the topic. The book identifies intersectional wage discrimination for a large number of worker groups that are defined by multiple intersecting identities (i.e., the personal characteristics of Hispanic ethnicity, nativity, race, and sex). It also documents variation in wage differentials both between worker groups (i.e., contemporaneously) and within groups (i.e., intertemporally). Finally, given the policy relevance of our topic, it is fitting that the final chapter is devoted to corresponding conclusions.

An Examination of the U.S. Labor Market

Intersectionality and Discrimination

"In light of recent political shifts across the globe, have you sensed a change in the position of the art institution vis-à-vis political activism? Can an art institution go from being an object of critique to a site for organizing? How? Should the art institution play this kind of role? What other roles can or should it play? What other institutions, curators, or publics do you look to in formulating your own institution's position? Recent controversies over curatorial choices have foregrounded the different ways in which institutions envision their audience(s). In your experience, is this process changing? How should it proceed? How can an institution address the dichotomy between art as cultural entertainment and art as political inquiry? What is the role of the curator in mediating this? How does this compare to the artist's role? How can art institutions be better?"--Back cover.

What Should Art Institutions Do Now?

As Radical, as Mother, as Salad, as Shelter

Nicholas Hawksmoor

Nicholas Hawksmoor and the Replanning of Oxford

A murder mystery set in Ottawa, Canada, where gothic Parliament buildings dominate a landscape riddled with backstabbers and cocaine sniffers. Conn Anderson, a former public servant, has turned a passion for old English sports cars into owning a shop, Britfit, that repairs them. All he wants to do is run his business -- that and get to know his landlady's niece a whole lot better. Everything is going swimmingly until a mysterious government-leased Jaguar is destroyed on the premises by an arsonist, the shop's resident mouse catcher is kicked nearly to death, and someone tries to run Anderson off the road. As the body count mounts, Anderson is drawn deeper and deeper into the dealings of a government document production ring that feeds on the most vulnerable members of Canadian society.

A Capital Crime

Tight Corner

Lessons of Truancy

Absent with Cause

For over thirty years, the Oxford C. S. Lewis Society has met weekly in the medieval colleges of the University of Oxford. During that time, it has hosted as speakers nearly all those still living who were associated with the Inklings-the Oxford literary circle led by C. S. Lewis--as well as authors and thinkers of a prominence that nears Lewis's own. C. S. Lewis and His Circle offers the reader a chance to join this unique group. Roger White has worked with Society past presidents Brendan and Judith Wolfe to select the most important talks, which are here made available to the wider public for the first time. They exemplify the best of traditional academic essays, thoughtful memoirs, and informal reminiscences about C. S. Lewis and his circle. The reader will reimagine Lewis's Cosmic Trilogy with former Archbishop of Canterbury Rowan Williams, read philosopher Elizabeth Anscombe's final word on Lewis's arguments for Christianity, hear the Reverend Peter Bide's memories of marrying Lewis and Joy Davidman in an Oxford hospital, and learn about Lewis's Narnia Chronicles from his former secretary. Representing the finest of both personal and scholarly engagement with C. S. Lewis and the Inklings, the talks collected here set a new tone for engagement with this iconic Oxford literary circle--a tone close to Lewis's own Oxford--bred sharpness and wryness, seasoned with good humor and genuine affection for C. S. Lewis and his circle.

Essays and Memoirs from the Oxford C.S. Lewis Society

C.S. Lewis and His Circle

Inge Uljee

Guy Engelen

The theory and practice of modeling cities and regions as complex, self-organizing systems, presenting widely used cellular automata-based models, theoretical discussions, and applications.

Roger White

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