Roland Barthes

"[Mythologies] illustrates the beautiful generosity of Barthes's progressive interest in the meaning (his word is signification) of practically everything around him, not only the books and paintings of high art, but also the slogans, trivia, toys, food, and popular rituals (cruises, striptease, eating, wrestling matches) of contemporary life . . . For Barthes, words and objects have in common the organized capacity to say something; at the same time, since they are signs, words and objects have the bad faith always to appear natural to their consumer, as if what they say is eternal, true, necessary, instead of arbitrary, made, contingent. Mythologies finds Barthes revealing the fashioned systems of ideas that make it possible, for example, for 'Einstein's brain' to stand for, be the myth of, 'a genius so lacking in magic that one speaks about his thought as a functional labor analogous to the mechanical making of sausages.' Each of the little essays in this book wrenches a definition out of a common but constructed object, making the object speak its hidden, but ever-so-present, reservoir of manufactured sense."--Edward W. Said

Mythologies

"Examining the themes of presence and absence, the relationship between photography and theatre, history and death, these 'reflections on photography' begin as an investigation into the nature of photographs. Then, as Barthes contemplates a photograph of his mother as a child, the book becomes an exposition of his own mind."--Alibris.

Reflections on Photography

Camera Lucida

A major discovery: The lost diary of a great mind—and an intimate, deeply moving study of grief The day after his mother’s death in October 1977, the influential philosopher Roland Barthes began a diary of mourning. Taking notes on index cards as was his habit, he reflected on a new solitude, on the ebb and flow of sadness, and on modern society’s dismissal of grief. These 330 cards, published here for the first time, prove a skeleton key to the themes he tackled throughout his work. Behind the unflagging mind, “the most consistently intelligent, important, and useful literary critic to have emerged anywhere” (Susan Sontag), lay a deeply sensitive man who cherished his mother with a devotion unknown even to his closest friends.

Mourning Diary

Mary Dove

The Death of the Author

What is it that we do when we enjoy a text? What is the pleasure of reading? The French critic and theorist Roland Barthes’s answers to these questions constitute "perhaps for the first time in the history of criticism . . . not only a poetics of reading . . . but a much more difficult achievement, an erotics of reading . . . . Like filings which gather to form a figure in a magnetic field, the parts and pieces here do come together, determined to affirm the pleasure we must take in our reading as against the indifference of (mere) knowledge." --Richard Howard

The Pleasure of the Text

Semantic study of Balzac's novella 'Sarrasine', of which the text (in English) is included on pages 221-254.

An Essay

These essays, as selected and translated by Stephen Heath, are among the finest writings Barthes ever published on film and photography, and on the phenomena of sound and image. The classic pieces "Introduction to the Structural Analysis of Narrative" and "The Death of the Author" are also included.

Image, Music, Text

Here, Barthes addresses the language of love, a language of solitude, of mythology, of what he calls an 'image repertoire'. It is aimed at those who have been in love, and those who've not. A range of examples are included, from Nietzsche to Zen.

Fragments

A Lover's Discourse

An analysis of the culture of Japan includes discussions of haiku, cooking, Zen Buddhism, the custom of bowing, and the layout of cities

Empire of Signs

"In his Course in General Linguistics, first published in 1916, Saussure postulated the existence of a general science of signs, or Semiology, of which linguistics would form only one part. Semiology, therefore aims to take in any system of signs, whatever their substance and limits; images, gestures, musical sounds, objects, and the complex associations of all these, which form the content of ritual, convention or public entertainment: these constitute, if not languages, at least systems of signification . . . The Elements here presented have as their sole aim the extraction from linguistics of analytical concepts which we think a priori to be sufficiently general to start semiological research on its way. In assembling them, it is not presupposed that they will remain intact during the course of research; nor that semiology will always be forced to follow the linguistic model closely. We are merely suggesting and elucidating a terminology in the hope that it may enable an initial (albeit provisional) order to be introduced into the heterogeneous mass of significant facts. In fact what we purport to do is furnish a principle of classification of the questions. These elements of semiology will therefore be grouped under four main headings borrowed from structural linguistics: I. Language and Speech; II. Signified and Signifier; III. Syntagm and System; IV. Denotation and Connotation."--Roland Barthes, from his Introduction

Elements of Semiology

Defines the nature of writing, as well as the historical, political and personal forces responsbile for the formal changes in writing from the classical period to the present. Ranging far beyond the confines of most literary criticism, this is an incisive analysis of language and speech, tone and style.

Writing Degree Zero

The Fashion System

Richard Howard

Annette Lavers

"This new edition of MYTHOLOGIES is the first complete, authoritative English version of the French classic, Roland Barthes's most emblematic work"--

The Complete Edition, in a New Translation

The late French literary and social critic's intimate journal, first published after his death and translated into English here for the first time, and three other autobiographical texts in which he explores his homosexuality are combined in one volume. Original.

Incidents

"Barthes par Barthes is a genuinely post-modern autobiography, an innovation in the art of autobiography comparable in its theoretical implications for our understanding of autobiography to Sartre's The Words."—Hayden White, University of California

Bir aşk söyleminden parçalar

Fragmentos de un discurso amoroso

Katrine Pilcher Keuneman

Roland Barthes (1915-1980) was a major French writer, literary theorist and critic of French culture and society. His classic works include Mythologies and Camera Lucida. Criticism and Truth is a brilliant discussion of the language of literary criticism and a key work in the Barthes canon. It is a cultural, linguistic and intellectual challenge to those who believe in the clarity, flexibility and neutrality of language, couched in Barthes' own inimitable and provocative style.

Roland Barthes

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