Klaus Schneider

Klaus Klemp

Roland Meyer

Matthias Wagner K

Heiner Boehncke

Sandra Danicke

Renate Flagmeier

Cosima Schneider

Visitors were forewarned, a hand-written sign announcing: "The museum testifies to the thousand year history, work and labour of our ancestors. The exhibition extends for over 5000 m2." From the outset, it was a utopian undertaking. Not without reason does the lama monastery Shangri-La from James Hilton's novel Lost Horizon serve as namesake to this museum. Pietro Benzi (1931 - 2014) maintained the project from 1965 onwards. He collected what they no longer wanted, what had become antiquated or gone out of fashion: 2.7 million everyday objects, many of which were household effects, religious kitsch, knick-knacks, shoes and plastic toys. This photographic essay takes the viewer on a journey inside his unsystematic collection.

The Museum Beyond the Bridge

Shangri-La

CHEZ LES PERSONNES NARCISSIQUES, LA CONSCIENCE S'ALIENE DANS LE MOI. ELLE SE PREND POUR LE MOI ET SE PERD EN TANT QUE CONSCIENCE. C'EST LA LE POUVOIR DE LA FASCINATION, MOMENT DE L'IDENTIFICATION, MOMENT DE JOUISSANCE, OU LE SUJET S'ABIME DANS SA PROPRE IMAGE. MOMENT ORIGINAIRE, ELLE EST AU FONDEMENT DE L'ETAT AMOUREUX ET COMBINE EN UN SEUL ET MEME MOUVEMENT LE VERBE VOIR ET LE VERBE AIMER. ELLE EST UN PHENOMENE QUI SE PASSE AU NIVEAU DE L'IMAGINAIRE ET QUI PROVOQUE UNE SORTE D'ANNULATION DU SYMBOLIQUE, UNE SORTE DE PERTURBATION DE LA FONCTION DE L'IDEAL DU MOI. C'EST CE QUI EXPLIQUE LE FAIT QUE LORSQU'ON EST AMOUREUX, ON EST FOU COMME LE DIT LE LANGAGE POPULAIRE ; FOU OU PASSIONNE. LA FASCINATION EST CET ETAT QUI MONTRE LE MIEUX QUE L'ATTACHEMENT AMOUREUX EST FONDAMENTALEMENT MORTEL ; EN CE SENS QUE C'EST SON PROPRE MOI QUE LE SUJET AIME, SON PROPRE MOI REALISE AU NIVEAU IMAGINAIRE.

essai psychanalytique

La fascination

Stefan Sudhoff

Denisa Lenertova

Sandra Pappert

Petra Augurzky

Ina Mleinek

Nicole Richter

Johannes Schließer

This book contains a collection of cutting-edge papers on methodological aspects of prosody research. Current approaches to the gathering, treatment, and interpretation of prosodic data are discussed by experts in the field, illustrated by their own empirical research. Contributions focus on the choice and measurement of prosodic parameters, the establishment of prosodic categories, annotation structures for spoken-language data, and experimental methods for production and perception studies (including the construction of materials, modes of presentation, online vs. offline tasks, judgement scales, data processing, and statistical evaluation). The volume will serve as a handbook linking data collection and interpretation, allowing researchers in linguistics and related fields to make more informed decisions concerning their empirical work in prosody.

Methods in Empirical Prosody Research

Denisa Lenertová

Radek Šimík

Luka Szucsich

Advances in Formal Slavic Linguistics 2016 initiates a new series of collective volumes on formal Slavic linguistics. It presents a selection of high quality papers authored by young and senior linguists from around the world and contains both empirically oriented work, underpinned by up-to-date experimental methods, as well as more theoretically grounded contributions. The volume covers all major linguistic areas, including morphosyntax, semantics, pragmatics, phonology, and their mutual interfaces. The particular topics discussed include argument structure, word order, case, agreement, tense, aspect, clausal left periphery, or segmental phonology. The topical breadth and analytical depth of the contributions reflect the vitality of the field of formal Slavic linguistics and prove its relevance to the global linguistic endeavour. Early versions of the papers included in this volume were presented at the conference on Formal Description of Slavic Languages 12 or at the satellite Workshop on Formal and Experimental Semantics and Pragmatics, which were held on December 7-10, 2016 in Berlin.

Advances in formal Slavic linguistics 2016

Roland Meyer

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