Ronald Bogue

This volume is a comprehensive collection of critical essays on The Taming of the Shrew, and includes extensive discussions of the play's various printed versions and its theatrical productions. Aspinall has included only those essays that offer the most influential and controversial arguments surrounding the play. The issues discussed include gender, authority, female autonomy and unruliness, courtship and marriage, language and speech, and performance and theatricality.

Deleuze and Guattari

First published in 2002. Routledge is an imprint of Taylor & Francis, an informa company.

Addressing the essential question of the relationship between ethics and aesthetics in Deleuze's philosophy this book provides clear indications of the practical implications of Deleuze's approach to the arts through detailed analyses of the ethical dimension of artistic activity in literature, music, and film. Bogue examines Deleuze's "transverse way" of interrelating the ethical and the aesthetic, the transverse way being both a mode of thought and a practice of living. Among the issues examined are those of the relationship of music to literature, the political vocation of the arts, violence in popular music, the ethics and aesthetics of education, the use of music and sound in film, the role of the visual in literary invention, the function of the arts in cross cultural interactions, and the future of Deleuzian analysis as a means of forming an open, reciprocally self-constituting, transcultural global culture.

Essays in Transverse Ethics and Aesthetics

Deleuze's Way

This comprehensive introduction to Deleuze's work on literature provides thorough treatments of his early book on Proust and his seminal volume on Kafka and minor literature.

Deleuze on Literature

First published in 2003. Routledge is an imprint of Taylor & Francis, an informa company.

Deleuze on Cinema

Marcel Cornis-Pope

Marcel Pop-Corni?

This collection of essays addresses two major issues of contemporary culture: the problem of violence in relation to notions of "difference" and power; and the role of mediation in making possible non-conflictive play of cultural differences.

Violence and Mediation in Contemporary Culture

Ten essays explore violence in relation to notions of difference, representation, and power; and the role of mediation in providing communal space in which cultural differences can interplay without conflict. Among the topics are the semiotics of windows and television screens, gender relations in contemporary film, and the image of Mormons in popular literature. The fiction of Kafka, Lu Xun, Conrad Aiken, Toni Morrison, and Ronald Sukenick is also examined. Annotation c. by Book News, Inc., Portland, Or.

This text provides a systematic overview and introduction to Deleuze's writings on music and painting, and an assessment of their position within his aesthetics as a whole.

Deleuze on Music, Painting, and the Arts

Hanping Chiu

Yu-lin Lee

Interest in the French philosopher Gilles Deleuze has grown exponentially over the last two decades, and, in recent years, Asian scholars have come to see rich possibilities for developing his thought within an Asian context. In this, the first collection devoted to Deleuze and Asia, several Asian and Western scholars explore Deleuzian themes and concepts in areas ranging from philosophy and religion to new media studies, cultural studies, theater, architecture, painting, film, and literature. Topics addressed include: onto-aesthetics in Deleuze and Taoism; Deleuzian univocity of being and the Original Enlightenment Thought of Mahāyāna Buddhism; Leibnizian and Bergsonian influences in Deleuze and the Japanese philosopher Nishida; Deleuze’s theater of philosophy and its parallels in Beijing Opera, Kathikali Dance Drama and Nō Theater; Deleuze’s concept of the fold and sonic space in Asian architecture; the fold and visual space in Hokusai’s “Thirty Six Views of Mount Fuji”; the Walkman, contemporary Japanese anomie and Deleuzian nomadism; Deleuzian “faciality” and the cultural politics of facial images in Korean beauty pageants; the 2011 Taiwanese film Warriors of the Rainbow: Seediq Bale and the Deleuzian concepts of the minor and the people to come; Deleuzian haecceities, affects and fragmented spaces in the films of Lou Ye and Wong Kar-wai; the Nu Shu writing system – the only writing system developed exclusively by women – and the formation of a female people to come; and Deleuzian minor literature and its relationship to globalization, nationalism and regionalism in Asian literature. These essays map new directions in East-West research that promise to invigorate Asian studies and disclose hitherto unrecognized dimensions of Deleuze’s thought.

Deleuze and Asia

The concept of fabulation makes a late appearance in Deleuze's career and in only limited detail, but by tracing its connections to other concepts and situating them within Deleuze's general aesthetics, Ronald Bogue develops a theory of fabulation which he proposes as the guiding principle of a Deleuzian approach to literary narrative.Fabulation, he argues, entails becoming-other, experimenting on the real, legending, and inventing a people to come, as well as an understanding of time informed by Deleuze's Chronos/Aion distinction and his theory of the three passive syntheses of time. In close readings of contemporary novels by Zakes Mda, Arundhati Roy, Roberto Bolano, Assia Djebar and Richard Flanagan, he demonstrates the usefulness of fabulation as a critical tool, while exploring the problematic relationship between history and story-telling which all five novelists adopt as a central thematic concern.This is an original and exciting project by a highly respected specialist in the field.

Deleuzian Fabulation and the Scars of History

This is the first comprehensive introduction to Deleuze's work on literature. It provides thorough treatments of Deleuze's early book on Proust and his seminal volume on Kafka and minor literature. Deleuze on Literature situates those studies and many other scattered writings within a general project that extends throughout Deleuze's career-that of conceiving of literature as a form of health and the writer as a cultural physician.

Mihai I. Spariosu

This interdisciplinary study explores the relationship between play and mimesis in the constitution and dissolution of the individual and social self. The volume is divided into three sections, the first of which focuses on the mimetic-ludic foundations of mind, memory, and desire; the second on the social and psychological self as agent of playful performance and product of cultural codes; and the third on the interplay of psyche, image, and power in literary and artistic representations of the self. The subjects of the individual studies vary widely, from the interrelation of power and play in Orlando Furioso to the ludic foundations of cognition to the concept of the self in Foucault and Deleuze.

The Play of the Self

The essays collected in this volume focus on the interrelated themes of mimesis, semiosis and power, each study exploring some facet of the problem of representation and its relation to strategies of power in the use of verbal and visual signs. Topics discussed include mimesis and power in Plato's Ion, rhetoric and erotics in Petrarch's thought; the limits of visual and verbal representation in Renaissance paintings of the Annunciation; binary thought and Peirce's triadic semiotics; the cinematic semiotics of Gilles Deleuze; fascist iconography in the paintings of Anselm Kiefer; oppositional strategies in postmodern fiction; visual and verbal representations of the body in mass culture; and the semiotics of violence in postmodern popular culture.

Ronald Bogue

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