Ross Cole

Paul Petersen

Did Matthew twist the Scriptures? Where did Satan come from? My Reading? Your Reading? Author (-ity) and Postmodern Hermeneutics. Paul and Moses: Hermeneutics from the Top Down. Learning from Ellen Whites Perception and Use of Scripture: Toward An Adventist Hermeneutic For The Twenty-First Century. Questions and issues like these are presented in this selection of papers and presentations from a Bible conference at Avondale College on the broad topic of intertextuality. More than 100 scholars and administrators convened and shared their research as well as their personal perspectives on how to read and apply holy Scripture in the 21st century. This anthology contains a representative sample of their studies and reflections.

Hermeneutics, Intertextuality and the Contemporary Meaning of Scripture

Who are "the folk" in folk music? This book traces the musical culture of these elusive figures in Britain and the US during a crucial period of industrialization from 1870 to 1930, and beyond to the contemporary alt-right. Drawing on a broad, interdisciplinary range of scholarship, The Folk examines the political dimensions of a recurrent longing for folk culture and how it was called upon for radical and reactionary ends at the apex of empire. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, nationality, the poetics of nostalgia, and the pre-history of European fascism. Deeply researched and beautifully written, Ross Cole provides us with a biography of a people who exist only as a symptom of the modern imagination, and the archaeology of a landscape directing flows of global populism to this day.

Music, Modernity, and the Political Imagination

The Folk

Eric Clarke

Ananay Aguilar

Matthew Pritchard

Where is the academic study of music today, and what paths should it take into the future? Should we be looking at how music relates to society and constructs meaning through it, rather than how it transcends the social? Can we ‘remix’ our discipline and attempt to address all musics on an equal basis, without splitting ourselves in advance into subgroups of ‘musicologists’, ‘theorists’, and ‘ethnomusicologists’? These are some of the crucial issues that Nicholas Cook has raised since he emerged in the 1990s as one of the UK’s leading and most widely read voices in critical musicology. In this book, collaborators and former students of Cook pursue these questions and others raised by his work—from notation, historiography, and performance to the place of music in multimedia forms such as virtual reality and video games, analysing both how it can bring people together and the ways in which it has failed to do so.

Essays in Honour of Nicholas Cook

Remixing Music Studies

"Who were 'the folk'? This question has haunted generations of radicals and reactionaries alike. The Folk traces the musical culture of these elusive figures in Britain and the US during a crucial period from 1870 to 1930, and beyond to the contemporary alt-right. It follows an insistent set of disputes surrounding the practice of collecting, ideas of racial belonging, the poetics of nostalgia, and the pre-history of European fascism. It is the biography of a people who exist only as a symptom of the modern imagination and the archaeology of a landscape directing the flow of global politics today"--

Ross Cole

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