Rowan Moore

Kenneth Powell

Nicholas Grimshaw

The Work of Nicholas Grimshaw & Partners

Structure, Space and Skin

Buildings are driven by human emotions and desires; hope, power, money, sex, the idea of home. In Why We Build Rowan Moore explores the making of buildings from conception to inhabitation and reveals the paradoxical power of architecture: it looks fixed and solid, but is always changing in response to the lives around it. Moving across the globe and through history, through works of folly, beauty, spectacle, and subtlety, Moore gives a provocative and iconoclastic view of what makes architecture, why it matters, and why we find it fascinating. You will never look at a building in the same way again.

Why We Build

A provocative, brilliant and humane new book from 'one of our most intelligent architecture critics' (Daily Telegraph).London has become the global city above all others. Money from all over the world flows through it; its land and homes are tradable commodities; it is a nexus for the world's migrant populations, rich and poor. Versions of what is happening in London are happening elsewhere, but London has become the best place to understand the way the world's cities are changing.Some of the transformations London has undergone were creative, others were destructive; this is not new. London has always been a city of trade, exploitation and opportunity. But London has an equal history of public interventions, including the Clean Air Act, the invention of the green belt and council housing, and the innovation of the sewers and embankments that removed the threat of cholera. In each case the response was creative and unprecedented; they were also huge in scale and often controversial. The city must change, of course, but Moore explains why it should do so with a 'slow burn', through the interplay of private investment, public good and legislative action.Fiercely intelligent, thought-provoking, lucidly written and often outrageously and uncomfortably funny, Slow Burn City is packed with fascinating stories about the physical fabric of London in the twenty-first century. But by seeing this fabric as the theatre of social and cultural struggles, Moore connects the political and architectural decisions of London's enfeebled and reactive government with the built environment that affects its inhabitants' everyday lives. In this urgent and necessary book, Moore makes a passionate case for London to invent new ways to respond to the pressures of the present, from which other cities could learn.

London in the Twenty-First Century

Slow Burn City

In an era of brash, expensive, provocative new buildings, a prominent critic argues that emotions—such as hope, power, sex, and our changing relationship to the idea of home—are the most powerful force behind architecture, yesterday and (especially) today. We are living in the most dramatic period in architectural history in more than half a century: a time when cityscapes are being redrawn on a yearly basis, architects are testing the very idea of what a building is, and whole cities are being invented overnight in exotic locales or here in the United States. Now, in a bold and wide-ranging new work, Rowan Moore—former director of the Architecture Foundation, now the architecture critic for The Observer—explores the reasons behind these changes in our built environment, and how they in turn are changing the way we live in the world. Taking as his starting point dramatic examples such as the High Line in New York City and the outrageous island experiment of Dubai, Moore then reaches far and wide: back in time to explore the Covent Garden brothels of eighteenth-century London and the fetishistic minimalism of Adolf Loos; across the world to assess a software magnate’s grandiose mansion in Atlanta and Daniel Libeskind’s failed design for the World Trade Center site; and finally to the deeply naturalistic work of Lina Bo Bardi, whom he celebrates as the most underrated architect of the modern era.

Power and Desire in Architecture

With a new introduction for the paperback. London is a supreme achievement of civilization. It offers fulfilments of body and soul, encourages discovery and invention. It is a place of freedom, multiplicity and co-existence. It is a Liberal city, which means it stands for values now in peril. London has also become its own worst enemy, testing to destruction the idea that the free market alone can build a city, a fantastical wealth machine that denies too many of its citizens a decent home or living. In this thought-provoking, fearless, funny and subversive book, Rowan Moore shows how London’s strength depends on the creative and mutual interplay of three forces: people, business and state. To find responses to the challenges of the twenty-first century, London must rediscover its genius for popular action and bold public intervention. The global city above all others, London is the best place to understand the way the world’s cities are changing. It could also be, in the shape of a living, churning city of more than eight million people, the most powerful counter-argument to the extremist politics of the present.

Tate Gallery

Raymund Ryan

Standing on the south bank of the Thames opposite the dome of St. Paul's Cathedral, Sir Giles Gilbert Scott's vast brick edifice, with its tower of 325 feet, dominates the scenery and ranks among the most imposing structures of central London. Yet, after its closure in 1981, the Bankside Power Station was rendered invisible to the public eye by its redundancy and the frequent threat of demolition. The reopening of Bankside in May 2000 as London's first national gallery of modern and contemporary art restores the grandeur of Scott's design and regenerates a much neglected area of the city.The conversion to art gallery by the Swiss architects Herzog and de Meuron is marked by its extreme simplicity, at once enhancing the physical presence of the original architecture and completely transforming its derelict and impenetrable interior into an accessible, light-filled exhibition center. The tremendous affinity of contemporary art with ex-industrial settings has inspired a design that retains the monumental scale of the Turbine Hall and skillfully offers a range of spaces for widely differing types of art on the multiple floors of the Old Boiler House.This publication follows the story of the Bankside project and presents a stunning photographic account of every stage of its transformation. Including an interview with Jacques Herzog and Nicholas Serota, director of the Tate, it provides a detailed analysis of Herzog and de Meuron's design and redefines the Tate's role within contemporary culture.

Herzog & De Meuron

Building Tate Modern

A provocative, brilliant and humane new book from "one of our most intelligent architecture critics" (Daily Telegraph). London has become the global city above all others. Money from all over the world flows through it; its land and homes are tradable commodities; it is a nexus for the world's migrant populations, rich and poor. Versions of what is happening in London are happening elsewhere, but London has become the best place to understand the way the world's cities are changing. Some of the transformations London has undergone were creative, others were destructive; this is not new. London has always been a city of trade, exploitation and opportunity. But London has an equal history of public interventions, including the Clean Air Act, the invention of the green belt and council housing, and the innovation of the sewers and embankments that removed the threat of cholera. In each case the response was creative and unprecedented; they were also huge in scale and often controversial. The city must change, of course, but Moore explains why it should do so with a 'slow burn', through the interplay of private investment, public good and legislative action. Fiercely intelligent, thought-provoking, lucidly written and often outrageously and uncomfortably funny, Slow Burn City is packed with fascinating stories about the physical fabric of London in the twenty-first century. But by seeing this fabric as the theatre of social and cultural struggles, Moore connects the political and architectural decisions of London's enfeebled and reactive government with the built environment that affects its inhabitants' everyday lives. In this urgent and necessary book, Moore makes a passionate case for London to invent new ways to respond to the pressures of the present, from which other cities could learn. PRAISE FOR ROWAN MOORE "Moore decrypts the ideological narratives of buildings with the same fluency he brings to bear on materials, forms and spaces" Daily Telegraph "Moore writes with economy, clarity and wit" Will Wiles, Building Design "Devastatingly funny if deeply disturbing . . . No other newspaper architecture critic [is] as sharp an assessor of the built environment as Moore", New York Review of Books

Rowan Moore

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