Michael Turner

Simon Thurley

Rufus Bird

The first modern history of St James's Palace, shedding light on a remarkable building at the heart of the history of the British monarchy that remains by far the least known of the royal residences In this first modern history of St James's Palace, the authors shed new light on a remarkable building that, despite serving as the official residence of the British monarchy from 1698 to 1837, is by far the least known of the royal residences. The book explores the role of the palace as home to the heir to the throne before 1714, its impact on the development of London and the West end during the late Stuart period, and how, following the fire at the palace of Whitehall, St James's became the principal seat of the British monarchy in 1698. The arrangement and display of the paintings and furnishings making up the Royal Collection at St James's is chronicled as the book follows the fortunes of the palace through the Victorian and Edwardian periods up to the present day. Specially commissioned maps, phased plans, and digital reconstructions of the palace at key moments in its development accompany a rich array of historical drawings, watercolors, photographs, and plans. The book includes a foreword by His Royal Highness The Prince of Wales. Published in association with Royal Collection Trust

From Leper Hospital to Royal Court

St James's Palace

Helen Jacobsen

Mia Jackson

Jean-Henri Riesener (1734-1806) was one of the greatest French cabinetmakers of all time. From humble beginnings as a German immigrant in Paris, he found fame through the delivery of a magnificent roll-top desk to Louis XV in 1769 and went on to become Marie-Antoinette's favourite cabinetmaker, supplying the queen and the court of Louis XVI with sumptuous furniture of superb quality. Renowned for his exquisite marquetry and refined designs, his pieces were ornamented with spectacular gilt-bronze mounts made by some of the greatest metalworkers in Paris. In the nineteenth century, Riesener's name became associated with the very best of Louis XVI-period French furniture; his pieces continue to be highly sought after and are found in major museums worldwide. This first major monograph on Riesener traces his life and career, bringing new insights into his business practice, his designs and construction techniques. Based on the extensive collections of Riesener furniture in the Wallace Collection, Waddesdon Manor and the Royal Collection, the authors examine the objects and their history, and highlight the changing tastes of the nineteenth-century collectors who acquired so many former French royal pieces. The new illustrations and visual glossary add another important resource for art historians, decorative arts enthusiasts and furniture lovers.

Cabinetmaker to Louis XVI and Marie Antoinette

Jean-Henri Riesener

In this first modern history of St James's Palace, authors Simon Thurley, Rufus Bird, and Michael Turner shed new light on a remarkable building that, despite serving as the official residence of the British monarchy from 1698 to 1837, is by far the least known of the royal residences. The book explores the role of the palace as home to the heir to the throne before 1714, its impact on the development of London and the West End during the late Stuart period, and how, following the fire at the palace of Whitehall, St James's became the principal seat of the British monarchy in 1698. The book also chronicles the arrangement and display of the paintings and furnishings making up the royal collection at St James's, following the fortunes of the palace through the Victorian, Edwardian, and Elizabethan periods up to the present day. Today, the Palace is still a royal residence and often used for charitable functions, state visits, and other important ceremonies. This book is enriched with a foreword by His Royal Highness The Prince of Wales, whose London residence is contained at St James's Palace. With over three hundred color images, including detailed maps and digital reconstructions of the structure, St James's Palace is an invaluable resource, illuminating the history of this royal residence.

Martin Clayton

The Restoration era of the British monarchy covers the reigns of Charles II (1660-85) and James II (1685-8). This publication focuses on the art and culture of the Restoration court at this time, including the development of an 'English baroque' and the use of court ritual and art (especially decorative art) by both monarchs. 0This sumptuously illustrated book showcases the replacement crown jewels made for the coronation of Charles II in 1661, his collection of Italian Old Master paintings, drawings by Leonardo da Vinci and the spectacular furnishings of the palaces of Whitehall and St James's. 00Exhibition: Queen's Gallery, Buckingham Palace, London, United Kingdom (08.12.2017-13.05.2018).

Rufus Bird

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