Ruth Brandon

Examines the history of the governess in nineteenth-century England, using the papers of governesses including Anna Leonowens and the Bronte sisters.

The Lives and Times of the Real Jane Eyres

Governess

Brandon follows the lives of the Surrealists--such as Andre Breton, Marcel Duchamp, Salvador Dali and Man Ray--through the movement, which culminated at the end of World War II. 24 pages of photos.

The Surrealists, 1917-1945

Surreal Lives

The Passion for the Occult in the Nineteenth and Twentieth Centuries

The Spiritualists

The Life and Many Deaths of Harry Houdini

Joseph Wechsberg

Takes an evocative look at the great spas of Europe and America, past and present, exploring their histories and telling the stories of the famous people.

The Lost World of the Great Spas

The gripping story of Helena Rubinstein, EugÈne Schueller, and the dark side of the beauty business they helped to create Helena Rubinstein and L'OrÉal's EugÈne Schueller both started out in the beauty business during the first years of the twentieth century, and, by the time World War II broke out, had come to dominate it. However, their motivations could not have been more different. Rubinstein, a Polish Jew, claimed the world of paid work for women, and working women's enthusiasm for her products made her the first self-made female millionaire. Schueller, a French conservative in the Henry Ford mold, thought women belonged in the home, and during the Nazi Occupation he used his company as a source of cash to buy economic and political influence. Schueller eventually won the long fight for supremacy: in 1988 his company swallowed Rubinstein's. But the victory cost him his reputation when, in the wake of the takeover, he was exposed as a Nazi collaborator. Deepening the scandal, his wartime activities were shown to have been abetted and condoned by a cadre of young men who, by the time the news broke, had scaled the peaks of wealth and power in postwar France. By then Schueller and Rubinstein were both long dead. But cultural historian and biographer Ruth Brandon argues that the battle they began continues to this day. She examines their conflict to ask important contemporary questions about beauty standards and the often murky intersection of individual political aims and the role of business. Filled with remarkable twists, turns, and larger-than-life characters, Ugly Beauty is a riveting true story about what lies beneath the flawless exterior of the cosmetics industry.

Ugly Beauty

The Anti-nuclear Movement Since 1945

The Burning Question

Thanks to a combination of business savvy, breathtaking chutzpah, and lucky timing, Helena Rubinstein managed to transform herself from a poor Polish emigrant to the world's first self-made female tycoon. She went from selling homemade "Crème Valaze" out of her house in Australia to becoming an international cosmetics magnate. Tiny and plump, wearing extravagant jewels and spiked heels, she was a fixture of upper-crust New York for many years. She was larger than life, and never took no for an answer: when she was refused from a New York City apartment on the grounds that she was Jewish, she went ahead and bought the whole building and promptly moved in. The story of Eugène Schueller and L'Oréal begins in 1907, in a dingy working-class part of Paris, where a young Schueller sat at his family's kitchen table trying to develop the first harmless artificial hair dye. The tale of how L'Oréal went from that point to the world's largest cosmetics company is fascinating and full of intrigue, with a little of everything: fascist assassins, bitter unmaskings, political scandals. In 1988, although Schueller and Rubinstein had long since passed away, their worlds collided when L'Oréal bought Rubinstein's company — leading to a series of scandals that threw a new and sinister light on L'Oréal. For starters, Rubinstein was Jewish, but Schueller and many other top L'Oréal executives had been active Nazi collaborators. What came to light threatened the reputations of some of France's most powerful men - up to and including its president. This is a powerful, dramatic, and largely untold story about the ugly truth behind a beauty empire.

Helena Rubinstein, L'Oreal and the Blemished History of Looking Good

In 1913 Marcel Duchamp's Nude Descending a Staircase exploded through the American art world. This is the story of how he followed the painting to New York two years later, enchanted the Arensberg salon, and—almost incidentally—changed art forever. In 1915, a group of French artists fled war-torn Europe for New York. In the few months between their arrival—and America’s entry into the war in April 1917—they pushed back the boundaries of the possible, in both life and art. The vortex of this transformation was the apartment at 33 West 67th Street, owned by Walter and Louise Arensberg, where artists and poets met nightly to talk, eat, drink, discuss each others’ work, play chess, plan balls, organise magazines and exhibitions, and fall in and out of love. At the center of all this activity stood the mysterious figure of Marcel Duchamp, always approachable, always unreadable. His exhibit of a urinal, which he called Fountain, briefly shocked the New York art world before falling, like its perpetrator, into obscurity. Many people (of both sexes) were in love with Duchamp. Henri-Pierre Roché and Beatrice Wood were among them; they were also, briefly, and (for her) life-changingly, in love with each other. Both kept daily diaries, which give an intimate picture of the events of those years. Or rather two pictures—for the views they offer, including of their own love affair, are stunningly divergent. Spellbound by Marcel follows Duchamp, Roché, and Beatrice as they traverse the twentieth century. Roché became the author of Jules and Jim, made into a classic film by François Truffaut. Beatrice became a celebrated ceramicist. Duchamp fell into chess-playing obscurity until, decades later, he became famous for a second time—as Fountain was elected the twentieth century’s most influential artwork.

Duchamp, Love, and Art

Spellbound by Marcel

Historien om Helena Rubinstein og L'Oreal's Eugene Schueller, der var hinandens modsætninger. Helena Rubinstein var polsk jøde og havde den indstilling, at kvinder skulle have løn for deres arbejde, mens Eugene Schueller mente at kvinders plads var i hjemmet. Omkring 2. verdenskrig var de to firmaer altdominerende inden for skønhedsindustrien, men i 1988 blev Helena Rubinstein overtaget af L'Oreal, og efter overtagelsen blev Eugene Schueller afsløret som nazikollaboratør. En medrivende skildring af virkeligheden bag selskabernes pletfri ydre

Wstydliwa historia piekna Jak Helena Rubinstein i L'Oreal stworzyli kobiete

Dr Reggie Lee, newly arrived at the National Gallery, is putting together a small exhibition around three Caravaggios depicting 'St Cecilia and the Angel.' One is at the Getty, one at the Louvre, and she hopes it won't be too hard to track down the third. But a series of inexplicable obstacles keep getting in her way - and then, unexpectedly, a fourth Caravaggio turns up. One of them must be a fake. But which? When people start to die, it seems clear that someone doesn't want Reggie's show to go ahead. Why, she can't imagine. But her career is at stake, and she'd damned if she'll let herself be intimidated and bullied by these unseen forces. So Reggie investigates and her research takes her from Surrealist suicides to shady Italian art dealers, from seventeenth-century painting techniques to modern French politics in a viciously-fought Presidential election year. By the end it seems as though nobody in the opaque and ill-defined world of art can really stay incorruptible - perhaps not even Reggie herself.

Caravaggio's Angel

An intriguing, intimate study of the world's most famous magician and escape artist examines Houdini's obsession with death, his death-defying illusions, his relationship with his wife, his secretive personal life, and his death. Reprint. 15,000 first printing

Thanks to a combination of business savvy, breathtaking chutzpah, and lucky timing, Helena Rubinstein managed to transform herself from a poor Polish emigrant to the world's first self-made female tycoon. She went from selling homemade "Cr�me Valaze" out of her house in Australia to becoming an international cosmetics magnate. Tiny and plump, wearing extravagant jewels and spiked heels, she was a fixture of upper-crust New York for many years. She was larger than life, and never took no for an answer: when she was refused from a New York City apartment on the grounds that she was Jewish, she went ahead and bought the whole building and promptly moved in. The story of Eug�ne Schueller and L'Or�al begins in 1907, in a dingy working-class part of Paris, where a young Schueller sat at his family's kitchen table trying to develop the first harmless artificial hair dye. The tale of how L'Or�al went from that point to the world's largest cosmetics company is fascinating and full of intrigue, with a little of everything: fascist assassins, bitter unmaskings, political scandals. In 1988, although Schueller and Rubinstein had long since passed away, their worlds collided when L'Or�al bought Rubinstein's company -- leading to a series of scandals that threw a new and sinister light on L'Or�al. For starters, Rubinstein was Jewish, but Schueller and many other top L'Or�al executives had been active Nazi collaborators. What came to light threatened the reputations of some of France's most powerful men - up to and including its president. This is a powerful, dramatic, and largely untold story about the ugly truth behind a beauty empire.

Helena Rubinstein, L'Oreal, and the Blemished History of Looking Good

From acclaimed novelist and cultural historian Ruth Brandon comes a captivating dual biography of the legendary founders of the cosmetics industry, Helena Rubinstein and Eugène Schueller, creator of L’Oréal. Brandon’s gripping and sometimes disturbing story of gender, power, and politics stretches back from the darkest days of World War II, to the emergence of the modern fashion and makeup industries, with magazines such as Vogue and Cosmopolitan and game-changing product lines such as Avon and Mary Kay. Ugly Beauty resonates as well with its implications for modern culture, as we enter an era when haute couture and cosmetology exert an ever more powerful influence upon society at large.

Ruth Brandon

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