Ryan D. Giles

Steven Wagschal

Beyond Sight, edited by Ryan D. Giles and Steven Wagschal, explores the ways in which Iberian writers crafted images of both Old and New Worlds using the non-visual senses (hearing, smell, taste, and touch). The contributors argue that the uses of these senses are central to understanding Iberian authors and thinkers from the pre- and early modern periods. Medievalists delve into the poetic interiorizations of the sensorial plane to show how sacramental and purportedly miraculous sensory experiences were central to the effort of affirming faith and understanding indigenous peoples in the Americas. Renaissance and early modernist essays shed new light on experiences of pungent, bustling ports and city centres, and the exotic musical performances of empire. This insightful collection covers a wide array of approaches including literary and cultural history, philosophical aesthetics, affective and cognitive studies, and theories of embodiment. Beyond Sight expands the field of sensory studies to focus on the Iberian Peninsula and its colonies from historical, literary, and cultural perspectives.

Engaging the Senses in Iberian Literatures and Cultures, 12001750

Beyond Sight

José Manuel Hidalgo

"The New Companion to the Libro de buen amor provides a platform for exploring current, innovative approaches to this classic poem. It is designed for specialists and non-specialists from a variety of fields, who are interested in investigating different aspects of Juan Ruiz's poem and developing fruitful new paths for future research. Chapters in the volume show how the book engages with Christian, Jewish and Muslim cultures, and delve into its legacy in the twentieth and twenty-first centuries. Part One sheds light on intersecting cultural milieux, from the Christian court of Castile, to the experience of Jewish and Muslim communities. Part Two illustrates how the poem's meaning through time can be elucidated using an array of theoretical and interdisciplinary approaches. Contributors are Nora C. Benedict, Erik Ekman, Denise K. Filios, Ryan D. Giles, Michelle Hamilton, Carlos Heusch, José Manuel Hidalgo, Gregory S. Hutcheson, Veronica Menaldi, Simone Pinet, Michael R. Solomon"--

A New Companion to the Libro de Buen Amor

E. Michael Gerli

The Routledge Hispanic Studies Companion to Medieval Iberia: Unity in Diversity draws together the innovative work of renowned scholars as well as several thought-provoking essays from emergent academics, in order to provide broad-range, in-depth coverage of the major aspects of the Iberian medieval world. Exploring the social, political, cultural, religious, and economic history of the Iberian Peninsula, the volume includes 37 original essays grouped around fundamental themes such as Languages and Literatures, Spiritualities, and Visual Culture. This interdisciplinary volume is an excellent introduction and reference work for students and scholars in Iberian Studies and Medieval Studies. SERIES EDITOR: BRAD EPPS SPANISH LIST ADVISOR: JAVIER MUÑOZ-BASOLS

Unity in Diversity

The Routledge Hispanic Studies Companion to Medieval Iberia

Cover -- Copyright -- Contents -- List of Illustrations -- Acknowledgments -- Introduction: Literary Amulets -- 1 Amuletic Manuscripts -- 2 Naming God -- 3 Amuletic Voices -- 4 The Bawd's Amulet -- 5 Outlaw Prayers -- Postscript: Amuletic Afterlives -- Notes -- Works Cited -- Index

Amulets and Magic in Early Spanish Literature

Inscribed Power

The Laughter of the Saints examines this rich carnivalesque tradition of parodied holy men and women and traces their influence to the anti-heroes and picaresque roots of early modern novels such as Don Quixote.

Parodies of Holiness in Late Medieval and Renaissance Spain

The Laughter of the Saints

In Inscribed Power, Ryan D. Giles explores the function of amuletic prayers, divine names, and incantation formulas that were inscribed and printed on parchment, paper and other media, and at the same time inserted into classic literary works in Spain. Giles’ insightful analysis of the intersection between amulets and literary texts offers fresh and original interpretations of well-known texts such as the Poema de mío Cid, the Libro de Alexandre, the Libro de buen amor, Celestina, Lazarillo de Tormes, and the Buscón. Inscribed Power is a fascinating work that highlights specific amuletic texts that were used to heal, protect, or otherwise provide a blessing or curse to discover how their powers could influence fictional lives at different moments in the development of Spanish literature.

Ryan D. Giles

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