S. Clay Wilson

Originally published in Screw Magazine, these single panels by S. Clay Wilson show him at his most dirty and disreputable. The most extreme of the "Zap" cartoonists of the late 1960s, Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground and counterculture American art. In these comics, his twisted efforts are turned to the world of sex, with results that are hilarious, freaky, wildly imaginative, and unspeakably filthy. Introduction by Terry Southern. Pocket- sized.

Spots

R. Crumb

Robert Williams

Gilbert Shelton

Spain Rodriguez

Rick Griffin

Victor Moscoso

Paul Mavrides

The final, previously-only-available-in-a limited/collector's-edition issue of the the most important comic book series of all time! This blowout issue not only includes work by all eight Zap artists (plus a collaboration with cartoonist Aline Kominsky), but also three double-page jams by the group. Plus:Zap’s first-and-only color section, featuring comics by R. Crumb and Gilbert Shelton (his final Zap Wonder Wart-hog episode, no less). Paul Mavrides provides an alternately embellished version of Gilbert Shelton’s and his Fabulous Furry Freak Brothers episode, “Phineas Becomes a Suicide Bomber” (originally inked in the Complete Zap by Shelton).

Zap #16

The Gypsy Bandits Tangle with the Bike-freak Dykes

THE ART OF S. CLAY WILSON is the long-awaited career retrospective of the most extreme of the Zap cartoonists of the late 1960s. A self-described ""graphic agoraphobe,"" Wilson draws manically dense scenes of lurid mayhem that rank among the seminal works of underground, counterculture American art. It's all here, from the classic chronicles of the Checkered Demon to salacious stories about the pirates, prostitutes, and poets that inhabit Wilson's divinely depraved world.The definitive collection of the art of legendary Zap comic artist S. Clay Wilson.Features 200 full-color images, including new work and previously unpublished prints commissioned for private collections.Introduction by R. Crumb touts Wilson's role as one of the originators of underground comix."Wilson was the strongest, most original artist of my generation that I had yet met. . . . There was something very familiar about the drawings, yet something entirely new, never before seen! It looked like folk art, like old-time tattoos, like some high school hotrodder's notebook drawings. They were rough, crazy, coarse, deeply American."-from R. Crumb's introductionReviews"To hell with Capt. Jack Sparrow, when are they going to make a movie about Cap'n Pissgums and his Pervert Pirates?. . . Even the least of the prints throb with diabolical energy and are ornamented by the kind of hardboiled captions you wish could be turned into movie dialogue."-San Jose Metro". . . rather rude (but very welcome). . . it's mesmerizing work, and hugely influential as well."-PW Daily

The Art of S. Clay Wilson

Patrick Rosenkranz

The is the definitive account of the boldest and most audacious of the legendary underground cartoonists: the taboo busting, eyeball blistering S. Clay Wilson. This first volume contains all of his underground comic stories from Zap Comix, Snatch, Gothic Blimp Works, Bogeyman, Felch, Insect Fear, Pork, Tales of Sex and Death, and Arcade magazine as well as the many adventures of the Checkered Demon, Star-Eyed Stella, and Captain Pissgums, and even his earliest collaborations with William Burroughs. Also: selections from his teenaged and college years, both in comics and painting form. First person accounts from his peers, as well as Wilson’s own words, offer a revealing portrait of the artist who hid his shyness behind brash behavior and bluster. This first of a three-volume biography and retrospective gets to the heart and soul of an artist who lived his dreams and his nightmares.

The Mythology of S. Clay Wilson

Pirates in the Heartland

As the Age of Aquarius morphed into Discomania and Reaganomics, pioneering underground cartoonist S. Clay Wilson discovered a new generation of punks and misfits in America and abroad who appreciated his point of view. He found new outlets for his artwork in outré galleries and fringe publications, and continued to contribute to the surviving remnants of the underground, including the never-say-die classic anthology, Zap Comix. He made two tours of Europe, collaborated with William Burroughs and Ken Kesey, appeared on MTV, and had several highly acclaimed exhibitions in Seattle, Los Angeles, and New York. The Checkered Demon became ascendant among his creations ― the prolific headliner of a series of comic titles that followed his adventures around the earth and across the galaxies. This is the second of a three-volume series reprinting his best comics and chronicling his life in a series of prose chapters. Demons and Angels features his two solo comics, 2 and 22, strips fromCocaine Comix, Knockabout, Weird Smut, and all his stories from Zap Comix #6–11. Strips in obscure mags like Jump Start, Mondo Montana, Deadbeat, Too Fun Too Huge, Boiled Owl, Maggot-Zine, andWeird Smut are also included, as well as many never published privately commissioned watercolors and paintings produced for his discriminating art collectors.

Demons and Angels

This is a more-than-complete collection (it includes the unpublished 17th issue!) of the quintessential underground comic book.

The Complete Zap Set

The last of the Zap artists to be anthologized, Wilson has always been the most extreme. His wild stories of pirates, bikers, and deviants, centering around the character of the Checkered Demon, have kept their humor and philosophical bent while keeping their author far from mainstream comics publishing.

S. Clay Wilson

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