S. P. Cerasano

Contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama. This work addressed topics ranging from local drama in the Shrewsbury borough records to the Cornish Mermaid in the Ordinalia.

Medieval and Renaissance Drama in England

Mary Bly

Heather Anne Hirschfeld

Medieval and Renaissance Drama in England is an international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes eleven new articles and reviews of twelve books.

Marion Wynne-Davies

Ten feminist-materialist explorations of the oppression of women in England from the early Renaissance to the 1650s, draw on women's place in courtesy books, royal office, drama, and other social, political, and literary arenas. Annotation copyrighted by Book News, Inc., Portland, OR

Women, Public and Private, in the English Renaissance

Gloriana's Face

Readings in Renaissance Women's Drama is the most complete sourcebook for the study of this growing area of inquiry. It brings together, for the first time, a collection of the key critical commentaries and historical essays - both classic and contemporary - on Renaissance women's drama. Specifically designed to provide a comprehensive overview for students, teachers and scholars, this collection combines: * this century's key critical essays on drama by early modern women by early critics such as Virginia Woolf and T.S. Eliot * specially-commissioned new essays by some of today's important feminist critics * a preface and introduction explaining this selection and contexts of the materials * a bibliography of secondary sources Playwrights covered include Joanna Lumley, Elizabeth Cary, Mary Sidney, Mary Wroth and the Cavendish sisters.

Criticism, History, and Performance 1594-1998

Readings in Renaissance Women's Drama

An international journal committed to the publication of essays and reviews relevant to drama and theatre history to 1642. This issue includes nine new articles and reviews of three books.

Medieval and Renaissance Drama in England, vol. 27

This student friendly book draws together text, context, criticism and performance history to provide an integrated view of one of the most dazzling works of the early modern theatre.

A Routledge Literary Sourcebook on William Shakespeare's The Merchant of Venice

Medieval and Renaissance Drama in England is an international volume published annually. Each volume contains essays and studies by critics and cultural historians from both hemispheres as well as substantial reviews of books and essays dealing with medieval and early modern English drama before 1642. Volume 18 reflects a variety of scholarly interests. These are presented in essays addressing the conditions of theatrical ownership and dramatic competition to those exploring stage movement and theatrical space. Another piece offers a new critical engagement with the Protestant context of George Peele's Old Wives Tale. Two further articles, concentrating on medieval drama, probe issues relating to maternal mourning in the Corpus Christi plays and the mapping of the world in the Digby Mary Magdalen. The collection opens with a symposium of three papers (revised for this volume) that were originally presented in a session on Christopher Marlowe that was aired at the Marlowe Society conference at Cambridge University in July 2003. S. P. Cerasano is the Edgar W. B. Fairchild Professor of Literature at Colgate University.

S. P. Cerasano

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