Saikat Majumdar

For ten-year-old Ori, his mother’s life as a theatre actor holds as much fascination as it does fear. Approaching adolescence in an unstable home, he is haunted by her nightly stage appearances, and the suspicion and resentment her profession evokes in people around her, at home and among their neighbours. Increasingly consumed by an obsessive hatred of the stage, Ori is irrevocably drawn into a pattern of behaviour that can only have catastrophic consequences. Political bullies, actor, hairdressers, set boys and backstage crew make up the world of The Firebird, a visceral exploration of a young boy stumbling into adulthood, far ahead of his years.

The Firebird

In an elite all-boys’ boarding school run by a Hindu monastic order in late-twentieth century India, things aren’t what they look like on the surface… Anirvan, a young student, is fascinated by the music and silence of spiritual life. He dreams of becoming a monk. But as he seeks his dream, he finds himself drawn to a fellow student, and they come together to form an intimate and unspeakable relationship. The boys sweat at cricket and football, crack science and mathematics in pursuit of golden careers, and meditate to the aroma of incense and flowers. It’s a world of ruthless discipline shaped by monks in flowing saffron. A sceptical teacher mentors Anirvan and reveals his suspicion of this vigilant atmosphere. Does the beating of the boys reveal urges that cannot be named? What is the meaning of monastic celibacy? What, indeed, holds the brotherhood together? Against himself, Anirvan gets sucked into a whirl of events outside the walls of the monastery, in the midst of prostitutes, scheming politicians and the impoverished Muslims of the villages surrounding the school. When the love of his life returns to him, the boys’ desire for each other push them towards a wild course of action. But will that give them a life together in a world that does not recognize their kind of love?

The Scent of God

Aarthi Vadde

Can the criticism of literature and culture really be professionalized? Does criticism retain an amateur impulse even as it evolves into a highly specialized activity enshrined in the university? The Critic as Amateur crystallizes the debates and desires around amateurism, which have begun to stir afresh in literary studies. While the “amateur impulse” has always been in play in the literary arena beyond the academy – in the journalistic world of magazines, reviewing, radio and TV discussions of literature – the nature and meaning of that impulse remain to be explained. This volume, the first on the critic as amateur, weds currents of thought in heretofore distinct conversations about the future of literary studies, the public humanities, university labor, and new media. The Critic as Amateur takes criticism out of the university and onto the airwaves, into the burgeoning culture of cinema, into the small independent press, and into the unregulated expanse of social media. It is a vital book for readers invested in the disciplinary history and future of literary studies. It is also a crucial resource for those who wish to understand how criticism becomes a public discourse and how it exemplifies the role of the humanities in the 20th and 21st centuries.

The Critic as Amateur

Everyday life in the far outposts of empire can be static, empty of the excitement of progress. A pervading sense of banality and boredom are, therefore, common elements of the daily experience for people living on the colonial periphery. Saikat Majumdar suggests that this impoverished affective experience of colonial modernity significantly shapes the innovative aesthetics of modernist fiction. Prose of the World explores the global life of this narrative aesthetic, from late-colonial modernism to the present day, focusing on a writer each from Ireland, New Zealand, South Africa, and India. Ranging from James Joyce's deflated epiphanies to Amit Chaudhuri's disavowal of the grand spectacle of postcolonial national allegories, Majumdar foregrounds the banal as a key instinct of modern and contemporary fiction—one that nevertheless remains submerged because of its antithetical relation to literature's intuitive function to engage or excite. Majumdar asks us to rethink the assumption that banality merely indicates an aesthetic failure. If narrative is traditionally enabled by the tremor, velocity, and excitement of the event, the historical and affective lack implied by the banal produces a narrative force that is radically new precisely because it suspends the conventional impulses of narration.

Modernism and the Banality of Empire

Prose of the World

Never afraid of taking risks, Saikat Majumdar has taken his place as one the most striking novelists writing today. – SHASHI DESHPANDE In prose of spare elegance and understated precision, Saikat Majumdar explores an ethical conflict around mentorship, as well as a welter of questions around creative compromise, cultural privilege and entitlement, including the insidious pressures on poets to be ‘snarky and snappy’. Here is a storyteller whose language is writerly yet beautifully unmannered, supple enough to combine irony with gentleness, finely-modulated observation with axiomatic ease. – ARUNDHATHI SUBRAMANIUM A novel of love and friendship, pleasure, pain and jealousy. – R. RAJ RAO What are the ethical boundaries of friendship and intimacy between a student and a teacher? Megha, a young writing lecturer in New Jersey struggles to finish her thesis and find full-time employment even as she begins to find underground fame as a poet. Restless and disenchanted, she lets her professor and friends persuade her to take up a position at a new university in Delhi. Moving continents, resettling in the city she knew as a teenager, she discovers that the university is an island of wealth and privilege, and that her mandate is to teach and train some of the key members of India’s ruling class. But her life as a teacher is disrupted as she makes a new friend who unsettles her and asks for unexpected support. In sharp and lyrical prose, The Middle Finger tells the story of a poet grappling with questions about mentorship and belonging, disrupting boundaries set by society and the hierarchies hidden in the world of education.

Saikat Majumdar

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