Jennifer Guglielmo

Salvatore Salerno

When Italian immigrants landed on American shores they were outsiders: dark in complexion, culturally different and unable to speak English. Over time the vibrant community assimilated and moved from being ethnically suspect to being racially privileged as America divided into black and white. This collection of original essays from some of the countries' leading thinkers asks the question are Italians white?. Each piece explores how, when and why whiteness became important to Italian Americans, and the significance of gender, class and nation to racial identity. From tales of immigration to the stormy relationship between Italians and blacks, the volume presents an insightful look at integration, community identity, radicalism, urban politics and creative expression. The authors also explore critical moments in community conflict from the murder of Yusef Hawkins in Bensonhurst to Frank Sinatra's visit to Italian Harlem in the 1940s.

How Race is Made in America

Are Italians White?

Red November, Black November is a study of the culture of the I. W. W. movement at the turn of the twentieth century. It analyzes the Wobblies use of cultural expressions such as songs, poems, and cartoons as a means of educating and unifying workers, and as weapons in the struggle against the repressive social conditions of industrial development. The book emphasizes the important role played by immigrant activists, Wobbly artists, and intellectuals, offering a fascinating portrait of the complexity of pre-World War I labor radicalism.

Culture and Community in the Industrial Workers of the World

Red November, Black November

This dazzling collection of original essays from some of the country's leading thinkers asks the rather intriguing question - Are Italians White? Each piece carefully explores how, when and why whiteness became important to Italian Americans, and the significance of gender, class and nation to racial identity.

Franklin Rosemont

Archie Green

David Roediger

In 1905, representatives from dozens of radical labor groups came together in Chicago to form One Big Union—the Industrial Workers of the World (IWW), known as the Wobblies. The union was a big presence in the labor movement, leading strikes, walkouts, and rallies across the nation. And everywhere its members went, they sang. Their songs were sung in mining camps and textile mills, hobo jungles and flop houses, and anywhere workers might be recruited to the Wobblies’ cause. The songs were published in a pocketsize tome called the Little Red Songbook, which was so successful that it’s been published continuously since 1909. In The Big Red Songbook, the editors have gathered songs from over three dozen editions, plus additional songs, rare artwork, personal recollections, discographies, and more into one big all-embracing book. IWW poets/composers strove to nurture revolutionary consciousness. Each piece, whether topical, hortatory, elegiac, or comic served to educate, agitate, and emancipate workers. A handful of Wobbly numbers have become classics, still sung by labor groups and folk singers. They include Joe Hill’s sardonic “The Preacher and the Slave” (sometimes known by its famous phrase “Pie in the Sky”) and Ralph Chaplin’s “Solidarity Forever.” Songs lost or found, sacred or irreverent, touted or neglected, serious or zany, singable or not, are here. The Wobblies and their friends have been singing for a century. May this comprehensive gathering simultaneously celebrate past battles and chart future goals. In addition to the 250+ songs, writings are included from Archie Green, Franklin Rosemont, David Roediger, Salvatore Salerno, Judy Branfman, Richard Brazier, James Connell, Carlos Cortez, Bill Friedland, Virginia Martin, Harry McClintock, Fred Thompson, Adam Machado, and many more.

Salvatore Salerno

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