Ashley Capes

Demelza Carlton

Sam Ferguson

Patty Jansen

Vincent Trigili

Victoria Goddard

Elizabeth Baxter

Kyra Halland

Eight complete epic fantasy novels in one set. All the magic, dragons, castles and quests you will ever need! Innocence Lost by Patty Jansen Beneath The Canyons by Kyra Halland The Last Priestess by Elizabeth Baxter Book Of Never by Ashley Capes Stargazy Pie by Victoria Goddard The Dragon’s Champion by Sam Ferguson Float: The Enchanted Horse by Demelza Carlton The Silverleaf Chronicles by Vincent Trigili

A free box set of epic fantasy books

Sword & Magic

In the middle of his arduous training in Kuldiga Academy, Erik Lokton discovers that he is destined to become more than a mere knight. His inexperienced eyes are forced open as demons and evil creatures that had previously only haunted his nightmares awaken, and old feuds boil to the surface once more. However, Erik lacks the discipline of a seasoned knight and despite his growing knowledge of the dark forces at work in his world his curiosity and headstrong ways get him into trouble. With the help of a master swordsman and a few friends, he must learn to balance his duty to family with his destiny and responsibility to his kingdom. Yet, not all friends are true, and old debts are coming due. Erik must choose between rescuing his family, and extinguishing the crimson tide of darkness that threatens to swallow the whole realm.

The Dragon's Champion

The Disappeared tells the extraordinary saga of Argentina’s attempt to right the wrongs of an unspeakably dark past. Using a recent human rights trial as his lens, Sam Ferguson addresses two central questions of our age: How is mass atrocity possible, and What should be done in its wake? From 1976 to 1983 thousands of people were the victims of state terrorism during Argentina’s so-called Dirty War. Ferguson recounts a twenty-two-month trial of the most notorious perpetrators of this atrocity, who ran a secret prison from the Naval Mechanics School in Buenos Aires. The navy executed as many as five thousand political “subversives,” most of whom were sedated and thrown alive out of airplanes into the South Atlantic. The victims of these secret death flights and others who went missing during the regime are known as los desaparecidos—“the disappeared.” Ferguson explores Argentina’s novel response to mass atrocity: the country’s remarkable and controversial decisions in 2003 to repeal a series of amnesty laws passed in the 1980s and to prosecute anew the perpetrators of the Dirty War a generation after the collapse of the country's last dictatorship. As of 2022 more than one thousand aging military officers have been indicted for their involvement in the Dirty War and hundreds of trials have commenced in the country’s civilian courts. Among the many facets of the book, Ferguson takes an in-depth look at allegations that Father Jorge Mario Bergoglio, now Pope Francis, was involved in the disappearance of two Jesuit priests under his supervision in 1976. Bergoglio was called to testify in a closed-chambers session. Ferguson reviewed those secret proceedings and uses them as a springboard to explore the Argentine Catholic Church and its broader role in the Dirty War. The lingering but acute trauma of the victims who testified at the trial underscores the moral urgency of accountability. When a state strips its citizens of all their rights, the only response that approximates reparation is to restore the rule of law and punish the perpetrators. Yet the trial also revealed the limits of using criminal law to respond to mass atrocity. Justice demands a laser-like focus on evidence relevant to a crime, but atrocity begs for social understanding. Can the law ever bring full justice?

Remnants of a Dirty War

The Disappeared

This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diaries—a supposedly private form of writing —would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, André Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'André Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.

Diaries Real and Fictional in Twentieth-Century French Writing

Ascension

For centuries, humans, dwarves, and elves have hunted the orcs. Seen as cursed by the gods, the orcs have been massacred and driven from their homelands, but times are about to change. The orcs have grown in strength, and one in particular is about to shake the very pillars of hell.Torgath, the ruthless demon slayer, has been fighting his way to the gates of Hammenfein, on a quest to overturn centuries of defeat, and restore glory to the banished god who created the orcs. But Torgath has a secret, one that could destroy not only his clan, but threatens to shift the balance of power for all inhabitants of Terramyr. As Torgath hunts the most powerful demons to ever ravage the land, his every action will tip the scales of fate, and the world will be forever changed.

The Kuscan Demon

Karlax has survived numerous encounters with dragons, atorats, and orcs, but now he will face off against his deadliest foe yet; the Emissary of the Void, but even that may pale in comparison to the growing threat that is surfacing within his newly formed alliance...

A Dragon Epic Fantasy Adventure

Stormbreak

Karlax, a young dragon prince, is hell-bent on vengeance and domination after narrowly escaping a murderous assault on his home that left all of his loved ones dead. In the wake of the destruction, Karlax has sworn never to rest until he has repaid those who took everything from him, and established a new kind of ruling order on Kendualdern, the likes of which has never been seen before.Don't miss book 2 in the Epic Dragons of Kendualdern series!

Dominion

This volume is the first study of the diary in French writing across the twentieth century, as a genre which includes both fictional and non-fictional works. From the 1880s it became apparent to writers in France that their diariesa supposedly private form of writing would probably come to be published, strongly affecting the way their readers viewed their other published works, and their very persona as an author. More than any other, Andre Gide embraced the literary potential of the diary: the first part of this book follows his experimentation with the diary in the fictional works Les Cahiers d'Andre Walter (1891) and Paludes (1895), in his diary of the composition of his great novel, Le Journal des faux-monnayeurs (1926), and in his monumental Journal 1889-1939 (1939). The second part follows developments in diary-writing after the Second World War, inflected by radical changes in attitudes towards the writing subject. Raymond Queneau's works published under the pseudonym of Sally Mara (1947-1962) used the diary playfully at a time when the writing subject was condemned by the literary avant-garde. Roland Barthes's experiments with the diary (1977-1979) took it to the extremes of its formal possibilities, at the point of a return of the writing subject. Annie Ernaux's published diaries (1993-2011) demonstrate the role of the diary in the modern field of life-writing. Throughout the century, the diary has repeatedly been used to construct an oeuvre and author, but also to call these fundamental literary concepts into question.

When millionaire Tobin Masters decided to kill himself, he never imagined that not only would he survive but he would also find himself transported to the dimension of hell. Enslaved by the living artifact known as the Throne of Darkness, Tobin is forced to become the observer, to record the events of the War of Ascension as seven terrible demon lords/ladies tear the world apart in their bid to become the next ruling Satan. However, this War of Ascension is unlike any that has come before it. The free humans, people who barely survive on the fringes of demonic society, have gotten their hands on a stone of power, a chance to put one of their own on the throne and send humans back home. The stage is set, the war has begun, and God help whoever wins.

Rise of War

The Throne of Darkness

Linda Candy

The use of interactive technology in the arts has changed the audience from viewer to participant and in doing so is transforming the nature of experience. From visual and sound art to performance and gaming, the boundaries of what is possible for creation, curating, production and distribution are continually extending. As a consequence, we need to reconsider the way in which these practices are evaluated. Interactive Experience in the Digital Age explores diverse ways of creating and evaluating interactive digital art through the eyes of the practitioners who are embedding evaluation in their creative process as a way of revealing and enhancing their practice. It draws on research methods from other disciplines such as interaction design, human-computer interaction and practice-based research more generally and adapts them to develop new strategies and techniques for how we reflect upon and assess value in the creation and experience of interactive art. With contributions from artists, scientists, curators, entrepreneurs and designers engaged in the creative arts, this book is an invaluable resource for both researchers and practitioners, working in this emerging field.

Sam Ferguson

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