Samuel G. Armistead

Joseph H. Silverman

This title is part of UC Press's Voices Revived program, which commemorates University of California Press’s mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1994.

Judeo-Spanish Ballads from Oral Tradition, II Carolingian Ballads, 1: Roncesvalles

Folk Literature of the Sephardic Jews, Vol. III

In New York City during the winter of 1922 and the spring of 1923, Mair Jose Benardete recorded the texts of the thirty-nine traditional ballads published in this volume. His collection, the beginning of Judeo-Spanish ballad research in America, was assembled when the oral tradition was still rich and vigorous among immigrants to New York from the Sephardic settlements of the Eastern Mediterranean and North Africa. Among the ballads are a number of rare text types, some never again recorded in the Sephardic communities of the United States, In addition, many of the texts provide new insights into the origins of the thematic traditions they represent. Samuel G. Armistead and Joseph H. Silverman have edited the ballads collected by Benardete, offering an English abstract and exhaustive bibliography for each ballad. In addition to placing each ballad within the context of its Sephardic variants, the bibliographies refer to the most important collections in the modern Castilian, Portuguese, Catalan, and Hispano-American traditions, to earlier (fifteenth- to seventeenth-century) evidence, and to any known analogs in other European traditions. The volume also includes a general bibliography, a thematic classification of the ballads, several indexes, and a glossary of exotic lexical elements. In an introduction, professors Armistead and Silverman present a documented survey of Judeo-Spanish ballad scholarship with particular attention to fieldwork in teh United States and elsewhere. Benardete himself attributed the decline of ballad singing among the Sephardim to a growing preference for phonographic recordings over traditional family singers. The need for further field-work increases as "Sephardic folkspeech and folklore retreat before the irresistible onslaught of the English language and modern American mass-media culture" (from the Introduction). This title is part of UC Press's Voices Revived program, which commemorates University of California Press's mission to seek out and cultivate the brightest minds and give them voice, reach, and impact. Drawing on a backlist dating to 1893, Voices Revived makes high-quality, peer-reviewed scholarship accessible once again using print-on-demand technology. This title was originally published in 1981.

Collected by Mair Jose Bernardete

Judeo-Spanish Ballads from New York

Joseba Zulaika

This volume presents contributions of leading scholars to the field of orally improvised poetry, focusing on the Basque practitioners of

Improvised Oral Poetry and Basque Tradition

Voicing the Moment

Josep María Sola-Solé

Studies on the History, Language, and Literature of the Jews in the Hispanic World

Hispania Judaica

Judeo-Spanish Ballads from Oral Tradition

The Judeo-Spanish folk literature of the Sephardic Jews of Bosnia, and with it their uncommonly rich balladry, has remained largely unknown to Western scholars. Since their move to Sarajevo in the sixteenth century, Serob-Croatian has displaced their original Spanish, and the entire culture is rapidly approaching extinction. This book preserved for posterity three fundamentally important groups of these rare ballads: Kalmi Baruch's Spanski romanse; ballads collected from the readers of the Sarajevo newspaper Jevrejski Glas; and five previously unedited eighteenth-century Bosnian ballads from a manuscript in the Jewish National and University Library in Jerusalem. Notes, abstracts in English, reproductions of the music itself, and other scholarly aids serve to make this colorful and strangely modern literature fully accessible to Hispanists, folklorists, and all students of comparative literature and Judaic culture.

Judeo-Spanish Ballads from Bosnia

This volume presents contributions of leading scholars to the field of orally improvised poetry. It includes, on the one hand, essays on Hispanic and extra-Hispanic improvised poetry and, on the other, essays in which leading practitioners of bertsolaritza study their own poetic art and its techniques. Among other traditions, the Slavic gulsari (John Miles Foley), the Canarian punto cubano (Mazimiano Trapero), Mediterranean and Near Eastern improvisation (Samuel G. Armistead), Medieval Spanish written debates (John Zemke), Asturian deep song (James Fernandez), Cantabrian trovas (William A. Christian), Arabic invective (James T. Monroe), as well as the oral context of Garcia Lorca's Romance sonambulo (Wilfredo de Rafols) are examined. On the Basque tradition of the art of bertsolaritza, Antonio Zavala, Gorka Aulestia, Linda White, Kepa Fernandez, Joxe Mallea-Olaetxe, Joseba Zulaika, Joxerra Garzia, Jon Sarasua, and Andoni Egana discuss its various aspects, techniques, and theories. Israel J. Katz concludes the volume with a study of the bertso music. The result is a balanced combination of diverse perspectives that constitute a significant addition to the growing body of scholarship

catálogo-índice de romances y canciones

El Romancero judeo-español en el Archivo Menéndez Pidal

Antonio Sánchez Romeralo

Diego Catalán

El Romancero hoy: Poética

Carolingian ballads (3) : Gaiferos. IV.

Judeo-spanish Ballads from Oral Tradition

The Spanish Tradition in Louisiana

E. Michael Gerli

Alphabetically arranged entries document the history of medieval Spain.

Medieval Iberia

Manuel da Costa Fontes

Israel J. Katz

índice temático e bibliograf́ico : com uma bibliografia pan-hispânica e resumos de cada romance em ingleês

O Romanceiro português e brasileiro

Samuel G. Armistead

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