Sandra Garrett Shannon

Sandra D Shannon

"In The Dramatic Vision of August Wilson, Sandra Shannon follows the playwright's path through each decade. From the outset, she considers how he uses poetry, the blues, Romare Bearden's art, and other cultural artifacts to lead him to imagined sites of pain and resignation, healing and renewal in the collective memory of black America. It is in these places of defeat and victory, Shannon demonstrates, that Wilson creates drama, as he excavates, examines, and reclaims the past. Although Wilson diverts attention away from factual details and focuses on the human costs of family dislocation, chronic unemployment, or cultural alienation, Shannon illustrates how fully the plays are grounded in credible historical contexts - from slavery and Emancipation to the aftermath of World War II, the 1960s, and the Vietnam War. Moreover, she identifies and analyzes the themes that recur in some plays and branch off in new directions in others - including the dislocations that attended black migration to the North and communication gaps between black men and women. As she examines each of the plays in Wilson's dramatic history of the African American experience, Shannon conveys the broad range of his dramatic vision."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved

The Dramatic Vision of August Wilson

Shannon (African American literature, Howard U.) considers how African American historical playwright Wilson uses poetry, the blues, Romare Bearden's art, and other cultural artifacts in his series of plays dramatizing moments in African American history since 1900. She identifies and analyzes recurring themes in the plays, such as black migration to the north and communication gaps between men and women, and interviews the playwright on his dramatic vision. Annotation copyright by Book News, Inc., Portland, OR

Susan C. W. Abbotson

Outlines the plot and characters of this groundbreaking play; explains the production, historical context, and themes; and includes critiques and reactions of scholars.

Sandra Garrett Shannon

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