Sandy Feldstein

Alfred's Pocket Dictionary of Music

Dave Black

"Rudimental studies, roll studies, reading studies, actual drum parts, contest solos, bass drum & cymbals"--Cover.

Book 1

Alfred's Drum Method

A combination text and workbook in three volumes. All areas of music theory are covered in a concise and practical manner and each level contains 28 lessons.

Practical Theory, Volume 2

Contains thousands of entries covering all eras of music. It is unique in that it includes contemporary terms and composers from the popular genre as well as classical terms and composers. It is organized in a logical sequence for quick and easy reference.

Fred Weber

The Belwin Student Instrumental Course is a course for individual instruction and class instruction of like instruments, at three levels, for all band instruments. Each book is complete in itself, but all books are correlated with each other. Although each book can be used separately, all supplementary books should be used as companion books with the method.

Student Instrumental Course Drum Soloist: Level I (Solo Book)

Student Instrumental Course: Mallet Student, Level II

Aaron Stang

Book 2 is correlated to Guitar Method 2. It includes: Tarrega's Etude in E Minor * Joy to the World * Eighth of January * Victor's March * Rae's Song * Have Yourself a Merry Little Christmas and more.

The Most Complete Guitar Course Available

21st Century Guitar Ensemble 2 (Student Book)

John O'Reilly

A collection of 25 solos and duets using only six notes.

Fantastic Familiar Folk Songs

Practical Theory, Complete

A huge collection of the world's most-loved folk songs and melodies, in "fakebook" style (melody, lyrics and chord changes). Perfect for sing-alongs, children's centers, classroom teachers or parents.

The World's Greatest Songbook

Part of the Contemporary Rhythm Section series. This video focuses on the rhythm section as a whole. Beginning with setups, various scenarios are discussed and represented in diagram forms. Various styles of music are studied along with the techniques and approaches that apply for each instrument in each style. Soloing, improvisation, chart reading and ear training are also covered in great detail.

Sandy Feldstein

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