Zelmarie Cantillon

Lauren Istvandity

Sarah Baker

Catherine Strong

The Routledge Companion to Popular Music History and Heritage examines the social, cultural, political and economic value of popular music as history and heritage. Taking a cross-disciplinary approach, the volume explores the relationship between popular music and the past, and how interpretations of the changing nature of the past in post-industrial societies play out in the field of popular music. In-depth chapters cover key themes around historiography, heritage, memory and institutions, alongside case studies from around the world, including the UK, Australia, South Africa and India, exploring popular music’s connection to culture both past and present. Wide-ranging in scope, the book is an excellent introduction for students and scholars working in musicology, ethnomusicology, popular music studies, critical heritage studies, cultural studies, memory studies and other related fields.

The Routledge Companion to Popular Music History and Heritage

Raphaël Nowak

Curating Pop speaks to the rapidly growing interest in the study of popular music exhibitions, which has occurred alongside the increasing number of popular music museums in operation across the world. Focusing on curatorial practices and processes, this book draws on interviews with museum workers and curators from twenty museums globally, including the Country Music Hall of Fame in Nashville, the Experience Music Project in Seattle and the PopMuseum in Prague. Through a consideration of the subjective experiences of curators involved in the exhibition of popular music in museums in a range of geographic locations, Curating Pop compares institutional practices internationally, illustrating the ways in which popular music history is presented to visitors in a wider sense.

Exhibiting Popular Music in the Museum

Curating Pop

Catching Gracie is the story about the trials, fears, and disappointments the Bakers had as they searched for their small black-and-tan dachshund, Gracie. The very first day at her new home, Gracie escaped from her kennel into a strange new world to her. She trusted no one. Afraid and bewildered, Gracie ran fast into the woods where coyotes roam. Other wild animals larger than Gracie also lived there. This was a very dangerous place for a small dachshund. The story relates the many situations and anxious days the Bakers spent while trying to catch Gracie.

Catching Gracie

From their first iconic pairing in 7th Heaven (1927) and in eleven films that followed, Janet Gaynor and Charles Farrell created an unparalleled cinematic romance. Their partnership was so utterly complete that in the minds and hearts of their adoring public, they were as one. Even though both enjoyed successful solo careers-Janet Gaynor won the first Best Actress Oscar and played Vicki Lester in the original A Star Is Born (1937) and Charles Farrell enjoyed a successful television career, playing Vern Albright on My Little Margie-their work as a team stood out. Even decades after their onscreen partnership ended, any mention of Gaynor in the press merited a mention of Farrell, and vice-versa. Behind the camera, Gaynor and Farrell carried on a secret romance that lasted from their first meeting in 1926 until Gaynor's first marriage in 1929. Supporting and encouraging each other's lives beyond Hollywood, they were able to maintain a mellow friendship that lasted their entire lives. Drawing upon previously unpublished interviews with Charles Farrell and Janet Gaynor, formal interviews with family and friends who knew them best, and meticulous archival research, author Sarah Baker details the fascinating behind the scenes story of the greatest romantic team of all time. The book includes a detailed filmography and is lavishly illustrated with over 100 photographs, many from Charles Farrell's estate. Includes a foreword by director Allison Anders (Grace of My Heart, Things Behind the Sun).

Lucky Stars: Janet Gaynor and Charles Farrell

Remembering Popular Music’s Past capitalizes on the growing interest, globally, in the preservation of popular music’s material past and on scholarly explorations of the ways in which popular music, as heritage, is produced, legitimized and conferred cultural and historical significance. The chapters in this collection consider the spaces, practices and representations that constitute popular music heritage to elucidate how popular music’s past is lived in the present. Thus the focus is on the transformation of popular music into heritage, and the role of history and memory in this process. The cultural studies framework adopted in Remembering Popular Music’s Past encompasses unique approaches to popular music historiography, sociology, film analysis, and archival and museal work. Broadly, the collection deals with the precarious nature of popular music heritage, history and memory.

Memory-Heritage-History

Remembering Popular Musics Past

Includes bibliographical references and index.

Redefining Mainstream Popular Music

Through the Mirror Door

David Hesmondhalgh

What is it like to work in the media? Are media jobs more ‘creative’ than those in other sectors? To answer these questions, this book explores the creative industries, using a combination of original research and a synthesis of existing studies. Through its close analysis of key issues – such as tensions between commerce and creativity, the conditions and experiences of workers, alienation, autonomy, self-realization, emotional and affective labour, self-exploitation, and how possible it might be to produce ‘good work’ Creative Labour makes a major contribution to our understanding of the media, of work, and of social and cultural change. In addition, the book undertakes an extensive exploration of the creative industries, spanning numerous sectors including television, music and journalism. This book provides a comprehensive and accessible account of life in the creative industries in the twenty-first century. It is a major piece of research and a valuable study aid for both undergraduate and postgraduate students of subjects including business and management studies, sociology of work, sociology of culture, and media and communications.

Sarah Baker

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