John White

Sarah Barrow

Sabine Haenni

The Routledge Encyclopedia of Films comprises 200 essays by leading film scholars analysing the most important, influential, innovative and interesting films of all time. Arranged alphabetically, each entry explores why each film is significant for those who study film and explores the social, historical and political contexts in which the film was produced. Ranging from Hollywood classics to international bestsellers to lesser-known representations of national cinema, this collection is deliberately broad in scope crossing decades, boundaries and genres. The encyclopedia thus provides an introduction to the historical range and scope of cinema produced throughout the world.

The Routledge Encyclopedia of Films

Thea Pitman

Gabrielle Carty

Marion Röwekamp

Alexandra Simon-López

Richard Mora

F. Javier García Castaño

Damián Esteban Bretones

Tamar Abuladze

Vera Elisabeth Gerling

Identity and Otherness in Contemporary Chicano Cinema

iMex Revista (2)

In Fifty Key British Films, Britain's best known films such as Clockwork Orange, The Full Monty and Goldfinger are scrutinised for their outstanding ability to articulate the issues of the time. This is essential reading for anyone interested in quality, cult film.

Fifty Key British Films

Cynthia Vich

This is the first English-language book to provide a critical panorama of the last twenty years of Peruvian cinema. Through analysis of the nation’s diverse modes of filmmaking, it offers an insight into how global debates around cinema are played out on and off screen in a distinctive national context. The insertion of post-conflict Peru within neoliberalism resulted in widespread commodification of all areas of life, significantly impacting cinema culture. Consequently, the principal structural concept of this collection is the interplay between film production and market forces, an interaction which makes dynamism and instability the defining features of 21st-century Peruvian cinema.

Dynamic and Unstable Grounds

Peruvian Cinema of the Twenty-First Century

Sarah Barrow

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