Sarah Daniels

A gripping near-future thriller: love triangles, betrayals and fights for freedom in a world turned upside-down . . . Welcome to the Arcadia. Once a luxurious cruise ship, it became a refugee camp after being driven from Europe by an apocalyptic war. Now it floats near the coastline of the Federated States - a leftover piece of a fractured USA. For forty years, residents of the Arcadia have been prohibited from making landfall. It is a world of extreme haves and have nots, gangs and make-shift shelters. Esther is a loyal citizen, working flat-out to have the rare chance to live a normal life as a medic on dry land. Ben is a rebel, planning something big to liberate the Arcadia once and for all. When events throw them both together, their lives, and the lives of everyone on the ship, will change forever . . . The unmissable YA debut of 2022 - The Hunger Games meets Station Eleven, for fans of pacey, disruptive TV, such as the Noughts and Crosses adaptation.

The Stranded

Stranded

Gut Girls

Masterpieces is a powerful issue-play, a vehement statement against pornography that has set theatre audiences on edge since its first production in the 1980s. Written in response to excessive and graphically violent films, Masterpieces is a play written in anger that still holds relevance today.

Masterpieces

Melissa and Luke love Pan's People. Brett loves stabbing beer cans and people with a knife. His unusual gang of teenagers has set itself on a mission to terrorize the elderley. But they are about to meet their match in the form of Rose, Grace and Adele - three old women with a fondness for teapots.

Morning Glory

Alice Birch

Katherine Chandler

Suhayla El-Bushra

Deborah Bruce

Katie Hims

Sonya Hale

Linda Brogan

Clean Break is a British theatre company set up in 1979 by two women in prison. It exists to tell the stories of women with experience of the criminal justice system and to transform women's lives through theatre. Over 40 years, Clean Break has commissioned some of the most progressive and brilliant women writers to write ground-breaking plays, alongside developing the writing skills of the women they work with in its London studios and in prisons. This is a collection of monologues from this canon. Rebel Voices: Monologues for Women by Women celebrates the opportunities inherent when women represent themselves. Offering female performers a diverse set of monologues reflecting a range of characters in age, ethnicity and lived experience, the material is drawn from a mix of published and unpublished works. This book is for any performer who does not see themselves represented in mainstream plays, for lovers of radical women's theatre and for rebels everywhere who believe that the act of speaking and being heard can create change.

Celebrating 40 Years of Clean Break Theatre Company

Rebel Voices: Monologues for Women by Women

You are not at liberty to avenge the pornography industry in this country. We have the censorship laws for that. Masterpieces opens on three couples having dinner in a restaurant, exchanging sexist jokes. The response is varied: some of them laugh uproariously, some of them uncomfortably, and one is deeply unhappy. Their domestic discussion about the morality of pornography is suddenly amplified a thousand-fold in the next scene in which Rowena is on trial for murder. She had just been to see a 'snuff' film in which a porn actress is actually mutilated and killed on screen, and on her way home is approached threateningly by a man who she ends up pushing under a train because he was harassing her. The play is the story of Rowena's journey, through seeing a porn magazine for the first time to a thwarted attempt to help an unhappy prostitute, from uncomfortable laughter to radical and disgusted protest at female subjugation. Masterpieces is an angry and defiant play, first staged in 1983, at the Royal Exchange Theatre, Manchester, before transferring to the Royal Court Theatre, London. It earned Daniels a London Theatre Critics Award for Most Promising Playwright. This edition introduces Sarah Daniels into the Modern Classics series and features an introduction by Elaine Aston, Professor of Contemporary Performance at Lancaster University.

Sherwood Burns-Nader

Jessika  Boles

In today’s evidence-based healthcare culture, child life specialists must demonstrate knowledge and skill not only in clinical care, but also in planning and evaluating the impact of their interventions—yet few resources exist to provide research skills and support for these practitioners. To adequately evaluate, improve, and innovate patient and family outcomes, it is essential that all providers understand the key inquiry pathways of research. Combining clinical examples and skills with candid advice from seasoned child life specialist researchers, this text scaffolds the concept of inquiry into feasible units of action. From identifying a clinical question to assembling a team, designing a project, collecting and analyzing data, and reporting on results, it guides students, professionals, and administrators in actively exploring and improving healthcare outcomes for patients and their families. Case examples from the authors’ own experiences as clinicians and researchers serve to demonstrate how to seamlessly translate clinical skills into those needed for success in research, ensuring that child life specialists remain active contributors to today’s research evidence on the needs of children and families during healthcare encounters.

Research Methods for Child Life Specialists

Ripen Our Darkness was the play that established Sarah Daniels as a writer; The Devil's Gateway carries the flavour of life in Bethnal Green in the 1980s; Masterpieces, Daniels' most controversial play is a radical take on the porn industry and caused outrage among critics - "The play has bite, anger and tenacity and many of its arguments are true... the supreme merit of Ms Daniels' combative work is that it makes me want to argue back." (Michael Billington, Guardian) Neaptide looks at lesbianism and prejudice - "A lacerating wit" (City Limits), whilst Byrthrite is set in the 17th century, at the point when the role of the healer was taken over by the male profession of doctor, it examines the implications and dangers of reproductive technology - "Daniels puts her case with vigour and wit." (Financial Times)

Ripen Our Darkness; The Devil's Gateway; Masterpiece; Neaptide; Byrthrite

Daniels Plays: 1

Sarah Daniels is "a writer with a natural talent for disturbance" (Observer) Set in the gutting sheds of the slaughterhouse at the Cattle Market in late Victorian Deptford, The Gut Girls shows how the lives of the girls are changed when their work is made illegal - "Regarded as little better than whores by their contemporaries the gut girls are...a boisterous, beer-swilling, strong-minded bunch, handy with a knife both in the gutting shed and outside it, defiantly independent in attitude and scornful of the illusion of male supremacy." Malcolm Hay (Time Out). Beside Herself is the first of three plays in this volume that deal with women and madness - "a dramatic analogue of a contemporary social tragedy which exists on a scale we are only just beginning to comprehend" (Observer); Head-Rot Holiday commissioned by Clean Break theatre company for ex-offenders, portrays the fate of women detained in special hospitals, a euphemism for an institution for the "criminally insane" - "There is a fine, hard humour, as well as compassion, in the way Head-Rot Holdiay examines the contradictions entangling these women's lives"; The Madness of Esmé and Shaz is "A weird and wondrous black comedy." (Spectator)

Gut Girls; Beside Herself; Head-rot Holiday; Madness of Esme and Shaz

Daniels Plays: 2

“Neaptide races from domestic trauma to staff-room banter ... it bursts with provocative ideas and disturbing questions about human relationships. Most important, it shows that the facade of liberalism and emancipation is merely a translucent gloss.” Jewish Chronicle Claire is a history teacher at a local school where two teenage girls have come out. Their principal, Bea Grimble, is none too impressed, and aims to have them expelled. Claire, who had been hiding the fact that she is homosexual, speaks up on behalf of the girls: this in spite of the fact that she is fighting her ex-husband Lawrence for custody of their daughter, the precocious and happy Poppy. All around Claire hardened attitudes are challenged – and confirmed – as she must decide whether to try to maintain a position of honesty, and battle hypocrisy, from within the bounds of the law, or without. A modern story of custody battles, sexual identity and gender politics, framed around the ancient myth of Demeter and her daughter Persephone. Neaptide was the winner of the 1982 George Devine Award and became the first play by a living female writer to be performed at the National Theatre, London, in 1986. This Modern Classics edition feature a new introduction by Dr Carina Bartleet.

Neaptide

*The unmissable YA debut of 2022 - The Hunger Games meets Station Eleven, for fans of pacey, disruptive TV, such as the Noughts and Crosses adaptation.* A gripping near-future thriller: love triangles, betrayals and fights for freedom in a world turned upside-down . . . Welcome to the Arcadia. Once a luxurious cruise ship, it became a refugee camp after being driven from Europe by an apocalyptic war. Now it floats near the coastline of the Federated States - a leftover piece of a fractured USA. For forty years, residents of the Arcadia have been prohibited from making landfall. It is a world of extreme haves and have nots, gangs and make-shift shelters. Esther is a loyal citizen, working flat-out to have the rare chance to live a normal life as a medic on dry land. Ben is a rebel, planning something big to liberate the Arcadia once and for all. When events throw them both together, their lives, and the lives of everyone on the ship, will change forever . . .

Winsome Pinnock

Sabrina Mahfouz

Bryony Lavery

Rebecca Lenkiewicz

Natasha Marshall

Chinoyerem Odimba

Rena Owen

Rebecca Prichard

Chloe Moss

Ursula Rani Sarma

Shelley Silas

Sandrine Uwayo

Anna Reynolds

Somalia Seaton

Naomi Wallace

Lucy Kirkwood

Jacqueline Holborough

Morgan Lloyd-Malcolm

Daisy King

Vivienne Franzmann

Lin Coghlan

Annie Caulfield

Raina Dunne

Danni Brown

Laura Lomas

Theresa Ikoko

Tony Ioannou

Buying and selling a home are the biggest financial transactions most people will ever tackle. Well, help has arrived. This revised edition of Buying and Selling a Home For Canadians For Dummies prepares you to get what you need and want when buying a new home or selling the one you're in. Everything from arranging your finances and hiring an agent, to inspecting prospective homes and assessing home values, to making or fielding offers is presented in a clear and humorous way to help you get the most out of the process.

Buying and Selling a Home For Canadians For Dummies

Sarah Daniels

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