Sarah Faber

In the aftermath of the mysterious disappearance of their eldest daughter, a once-golden family prepares to leave behind the seeming paradise of Brazil for the safer, more pragmatic shores of Canada. But as the family counts down the days to their departure, secrets and betrayals surface, threatening their hopes for a new life. Brazil, 1962: A young woman walks into the waters off a crowded beach and vanishes. A year later, her family - the once-golden family of their privileged little community - prepares to leave behind the seeming paradise of Brazil in the wake of their eldest daughter's presumed drowning. As they attend a series of goodbye parties and count down the days to their departure, we are taken into the heart of a family whose many charms belie more troubling truths. There is the family's charismatic father, whose emotional extremes are becoming increasingly disturbing; his long-suffering wife, who made a mistake that has shattering consequences for the family she meant to protect; and their two remaining daughters, both on the precipice of joining the adult world with all its secrets and lies. Then there is the lost daughter herself, a woman undone by her attempts to grasp at happiness. With settings ranging from the opulence of the legendary Copacabana Club to the poverty of Rio's fishing villages, this sensual and beautifully written novel reveals the soul of a family living in the shadow of tragedy, one poised on the brink of a new life, if only they could make peace with the past.

All Is Beauty Now

Kerstin-Anja Münderlein

From early examples of queer representation in mainstream media to present-day dissolutions of the human-nature boundary, the Gothic is always concerned with delineating and transgressing the norms that regulate society and speak to our collective fears and anxieties. This volume examines British and American Gothic texts from four centuries and diverse media – including novels, films, podcasts, and games – in case studies which outline the central relationship between the Gothic and transgression, particularly gender(ed) and sexual transgression. This relationship is both crucial and constantly shifting, ever in the process of renegotiation, as transgression defines the Gothic and society redefines transgression. The case studies draw on a combination of well-studied and under-studied texts in order to arrive at a more comprehensive picture of transgression in the Gothic. Pointing the way forward in Gothic Studies, this original and nuanced combination of gendered, Ecogothic, queer, and media critical approaches addresses established and new scholars of the Gothic alike.

Sarah Faber

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