Robert Frank

Sarah Greenough

Stuart Alexander

Edited and text by Sarah Greenough. Additional text by Anne Tucker, Stuart Alexander, Martin Gasser, Jeff Rosenheim, Michel Frizot, Luc Sante, Philip Brookman.

Robert Frank's The Americans

Looking in

Collects the private correspondence between Georgia O'Keeffe and Alfred Stieglitz, revealing the ups and downs of their marriage, their thoughts on their work, and their friendships with other artists.

Selected Letters of Georgia O'Keeffe and Alfred Stieglitz: Volume One, 1915-1933

My Faraway One

National Gallery of Art (U.S.)

Juan Hamilton

Alfred Stieglitz

Returning to print after fifteen years, a high-quality collection of seventy-three images from the career of the pioneering photographer features portraits of artist Georgia O'Keeffe and early twentieth-century New York City. 10,000 first printing.

Photographs & Writings

Jack Cowart

This collection contains the best of O'Keeffe's drawings and paintings, which were displayed at a major exhibition in 1987. It also features letters from the artist to critics, friends and other artists and as such is a valuable reference work on her art and her life.

Art and Letters

Georgia O'Keeffe

Roger Taylor

Crispin Branfoot

Malcolm Daniel

This volume on Captain Linnaeus Tripe, who photographed extensively in India and Burma in the mid-19th century, offers brilliant pictures that display the unusual combination of a surveyor's eye and an artist's passion. Captain Linnaeus Tripe (1822-1902) occupies a special place in the history of 19th-century photography for the outstanding body of work he produced in India and Burma (now Myanmar) in the 1850s. Introduced to photography by those who saw it as a pastime, he recognized that it could be an effective tool for conveying information about unknown cultures. Under the auspices of the East India Company, he took many photographs of Buddhist and Hindu architecture and dramatic landscapes not seen before in the West. His military training gave his work a striking aesthetic and formal rigor and helped him achieve remarkably consistent results, despite the challenges that India's heat and humidity posed to photographic chemistry. This sumptuous volume features photographs from Tripe's two major expeditions: to Burma in 1854 and to southeast India in 1857. Essays explore the evolution of his practice and the importance of the sites he recorded, while maps and a chronology provide an overview of his life and travels.

Photographer of India and Burma, 1852-1860

Captain Linnaeus Tripe

Harry M. Callahan

A compilation of Harry Callahan's photographs throughout hs career ranges from 1912 to 1999 and reveals how he used double exposures, color, extreme contrast, and wide-angle photography to creat lyrical, highly personal images. Original. 10,000 first printing.

Harry Callahan

the photographs of Allen Ginsberg

Beat memories

Gordon Baldwin

Malcolm R. Daniel

Roger Fenton (1819-1869) was England’s most celebrated and influential photographer during the 1850s, the “golden age” of this radically new medium. Fenton’s majestic pictures of cathedrals, country houses, and varied countryside were without peer in England—as were his views of the royal castles and Houses of Parliament that embodied Britain’s power. But Fenton’s choice of subjects ranged more widely still: he was among the first to photograph the Kremlin and other landmarks of Moscow and Kiev; he was commissioned in 1855 to document the Crimean War, producing early war photographs; and he created theatrical Orientalist costume pictures and a startling series of lush still lifes. Fenton had first studied law and painting, but soon after he took up the camera he was making photographs that were technically superb and highly original in their handling of composition, perspective, atmosphere, and light. Always he strove to demonstrate that photography could equal the art of painting and even surpass it. He was the force behind the founding of the Photographic Society (later the Royal Photographic Society), which worked to advance the profession and encouraged the exhibition of members’ works throughout Britain. In a career of a single decade, Fenton did much to transform photography into a medium of powerful expression and visual delight. This exquisitely produced book—the first comprehensive publication on Fenton in almost twenty years—presents eighty-five of the artist’s finest photographs and discusses every aspect of his work and his remarkable career.

The Photographs of Roger Fenton, 1852-1860

All the Mighty World

National Gallery of Art

Few individuals have exerted as profound an influence on 20th-century American art and culture as Alfred Stieglitz (1864-1946).This luxurious two-volume boxed set is the definitive catalogue of the Alfred Stieglitz Collection of Photographs at the National Gallery of Art, Washington, the most complete Stieglitz holding in existence, donated to the gallery by his widow, artist Georgia O'Keeffe. Numbering 1,642 photographs, the collection represents the full range of the master photographer's work -- from early studies made in Europe, to views of the majestic New York skyline, to incomparable intimate portraits of O'Keeffe. Coinciding with a major traveling exhibition and providing complete scholarly apparatus and a chronology, this sumptuous volume demonstrates how Stieglitz absorbed the most advanced artistic concepts of his time into photography and transformed the medium forever.

The Alfred Stieglitz Collection of Photographs

Alfred Stieglitz: The Key Set - Volume I & II

Sarah Kennel

Matthew S. Witkovsky

Diane Waggoner

Robert E. Jackson

'The Art of the American Snapshot' examines the evolution of this most common form of photography. The book shows that among the countless snapshots taken by American amateurs, some works, through intention or accident, continue to resonate long after their intimate context and original meaning have been lost.

From the Collection of Robert E. Jackson

The Art of the American Snapshot, 1888-1978

Roger Fenton

Gordon Baldwin is associate curator of Photographs, The J. Paul Getty Museum.

Philip Brookman

A companion book to the National Gallery's exhibition of its recently- acquired Robert Frank Collection, celebrating a lifetime of work by the Swiss photographer who documented the American scene. Frank embarked on a road tour of the country in 1953, resulting in The Americans, a look beneath the surface of the country's wholesome image of itself. After filming Pull My Daisy, with Jack Kerouac and other members of the beat generation, and Cocksucker Blues, a documentary of the Rolling Stones, Frank turned to more autobiographical work. Photos from all of these phases of his career are here, plus his earlier work in Europe, and a sample of his color work. Five essays complement the photographs. Includes a chronology and a list of exhibitions. 9.5x12". Annotation copyright by Book News, Inc., Portland, OR

The celebrated American poet Allen Ginsberg (1926-1997) began photographing in the late 1940s when he purchased a small, second-hand Kodak camera. For the next fifteen years he made intimate and often exuberant portraits of himself, his friends, and lovers, including the writers and poets Jack Kerouac, William Burroughs, and Gregory Corso as well as Beat personality Neal Cassady. He abandoned photography in 1963 and took it up again in the 1980s, when he was encouraged by photographers Berenice Abbott and Robert Frank to reprint his earlier work and make new portraits; these included more images of long-time friends as well as other acquaintances such as painters Larry Rivers and Francesco Clemente and musician Bob Dylan. Ginsberg's photographs form a compelling portrait of the Beat and counterculture generation from the 1950s to the 1990s, tracing their arch from youthful men to aging, often spent, figures. Far more historical documents, his photographs and the extensive inscriptions he added to them years later preserve what he referred to as "the sacredness of the moment", the often joyous communion of friends and the poignancy of looking back to intensely felt times. More than seventy prints, including a few "drugstore" prints made in the early 1950s, are brilliantly reproduced in this book, accompanied by Sarah Greenough's essay on Ginsberg's photography in relation to his poetry and other photographers of the time, a chronology of his photographic activity, and selections from interviews with Ginsberg between 1958 and 1996. AUTHOR: Sarah Greenough is senior curator and head of the department of photographs at the National Gallery of Art. She is the author of Looking In: Robert Frank's: 'The Americans' and numerous other publications on photography. SELLING POINTS: * Now available in paperback, this intimate "family album" is a revealing photographic look at the Beat Generation as chronicled by the movement's great poet, Allen Ginsberg. 70 tritones, 30 duotones, 5 colour images

The Photographs of Allen Ginsberg

Beat Memories

A fascinating look at Irving Penn's platinum prints, which the photographer carefully made of some of his most iconic images.

Platinum Prints

Irving Penn

For more than four decades, Sally Mann has made experimental, elegiac, and hauntingly beautiful photographe that explore the overarching themes of existence : memory, desire, death, the bonds of family, and nature's magisterial indifference to human endeavor. What unites this broad body of work—including figure studies, landscapes, and architectural views—is that it is all bred of a place, the American South. Fully immersed in its literary and visual culture, Mann— a native of Lexington, Virginia— has long written about what it means to live in the South and to be identified as a southerner. Using her deep love of her homeland and her knowledge of its fraught heritage, she asks powerful, provocative questions—about history, identity, race, and religion—that reverberate across geographic and national boundaries. Presenting essays both personal and scholarly, this richly illustrated monograph constitutes an in-depth exploration of the evolution of Mann's art, with more than one hundred photographs, including several previously unpublished ones. Sally Mann : A Thousand Crossings considers how Mann's relationship with her native land has shaped her work and how the legacy of the South—as both homeland and graveyard, refuge and battleground — continues to inform American identity and experience.

Sarah Greenough

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