Sarah Harman

Florence Grimes is a thirty-one-year-old party girl who always takes the easy way out. Single, broke and unfulfilled after the humiliating end to her girl band career, she has only one reason to get out of bed each day: her ten-year-old son Dylan. But then Alfie Risby, her son’s bully and the heir to a vast frozen food empire, mysteriously vanishes during a class trip, and Dylan becomes the prime suspect. Florence, for once, is faced with a task she can’t quit: She’s got to find Alfie and clear her son’s name, or risk losing Dylan forever.

The only problem? Florence has no useful skills, let alone investigative ones, and all the other school moms hate her. Oh, and Florence has a reason to suspect Dylan might not be as innocent as she’d like to believe…

All the Other Mothers Hate Me

Wickham Clayton

The Twilight saga, a series of five films adapted from Stephanie Meyer's four novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans. As popular cinema, the series has had its share of criticism, even from fans. However, it also offers rich opportunities for critical attention, which the contributors to 'Screening Twilight' provide with energy and style. The book unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages. Chapters address Twilight in the context of the vampire and myth, in terms of genre and reception, identity, gender and sexuality, and through re-viewing the series fandom. 'Screening Twilight' is a revelation of how a popular cinematic phenomenon can reward close attention from scholarly, critical writers on cinema and culture

Critical Approaches to a Cinematic Phenomenon

Screening Twilight

The Twilight saga, a series of five films adapted from Stephanie Meyer's four vampire novels, has been a sensation, both at the box office and through the attention it has won from its predominantly teenaged fans. This series has also been the subject of criticism and sometimes derision - often from critics and on occasion even from fans. However, it also offers rich opportunities for analytic and critical attention, which the contributors to Screening Twilight demonstrate with energy and style. Through examining Twilight, the book unpacks how this popular group of films work as cinematic texts, what they have to say about cinema and culture today, and how fans may seek to re-read or subvert these messages. The chapters addressTwilight in the context of the vampire and myth, in terms of genre and reception, identity, gender and sexuality, and through re-viewing the series fandom. Screening Twilight is also a revelation of how a popular cinematic phenomenon like Twilight rewards close attention from contemporary critical scholars of cinema and culture.

Sarah Harman

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