Sarah Lees

Giovanni Boldini in impressionist Paris

Richard R. Brettell

"A study of the prints of three Impressionist artists and their collaborative working relationships, c. 1875 to 1895, accompanied by a catalogue of the works in the exhibition"--

Prints by Cassatt, Degas, and Pissarro

Innovative Impressions

Michel Hilaire

Sylvain Amic

Some of the most iconic and influential images of nineteenth-century French painting, including Gustave Courbet's famous The Meeting ("Bonjour, Monsieur Courbet!"), highlight the celebrated Bruyas Collection from the Musée Fabre in Montpellier. With tastes ranging from romanticism to realism, Alfred Bruyas (1821-1877) collected both traditional and what was then avant-garde art. Featuring nine masterpieces by Courbet, as well as important painting, drawings, and sculptures by such leading artists of the period as Delacroix, Ingres, Géricault, Millet, Corot, Rousseau, and Barye, this book examines Bruyas's role as one of the foremost collectors of contemporary art in France, and the significance of his patronage of living artists.

Bonjour, Monsieur Courbet!

Sterling and Francine Clark Art Institute

Richard Kendall

Barbara Guidi

Distinguished by his brilliantly energetic brushwork, Giovanni Boldini (1842–1931) was one of the most prominent Italian artists of the late 19th century. Still, he has remained little known beyond his native country. This beautiful book is the first published on Boldini in English in a generation and accompanies the first major exhibition of his works outside of Europe. Born in Ferrara, Boldini moved to Paris in 1871, where he lived for the rest of his life. This important volume focuses on his work from 1871 to 1886, which reflects the influence of his contemporaries—Degas, Manet, Caillebotte, Meissonier, and Fortuny, among others. It features Boldini’s fanciful paintings made for the art market and depictions of the city around him—from the bustling streets and squares to cafés, theaters, and concert halls—as well as paintings of friends and models, and a selection of later portraits that established him as one of the quintessential portraitists of the Belle Époque.

Giovanni Boldini in Impressionist Paris

Sarah Lees

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