Sarah Brown

Sarah Rees Jones

Tim Ayers

York explores the archaeology, art, architecture and cultural heritage of the city in the late Middle Ages. In the years since the resurrection of the British Archaeological Association conference in 1976, the association has met in the city only once (in 1988), for a conference that celebrated Yorkshire Monasticism. As a consequence, the secular and vernacular architecture as well as the architecture, art and imagery of York Minster were excluded from its scope, something redressed in the meeting that took place in 2017. As many recent publications have focused on York in the earlier medieval period, this book shines a much-needed light on the city in the later medieval ages. Starting with a range of essays on York Minster by authors directly involved in major conservation projects undertaken in the last ten years, the book also includes information on the vernacular architecture and transport infrastructure of York, as well as the parochial and material culture of the period. Illuminating the extensive resources for the study of the late Middle Ages in England’s second capital, this book provides new research on this important city and will be suitable for researchers in medieval archaeology, art history, literature and material culture.

Art, Architecture and Archaeology

York

Sethina Watson

The shocking massacre of the Jews in York, 1190, is here re-examined in its historical context along with the circumstances and processes through which Christian and Jewish neighbours became enemies and victims.

The York Massacre of 1190, Narratives and Contexts

Christians and Jews in Angevin England

Rosemary Horrox

This collection of essays was presented to Barrie Dobson in celebration of his 70th birthday. It will be welcomed by all scholars of pre-modern religion and society. Spanning the artificial divide between medieval and early modern, the contributors - all acknowledged experts in their field - pursue the ways in which men and women tried to put their ideals into practice, sometimes alone, but more commonly in the shared environment of cloister, college or city. The range of topics is testimony to the breadth of Barrie Dobson's own interests, but even more striking are the continuities and shared assumptions across time, and between the dissident and the impeccably orthodox. Taking the reader from a rural anchor-hold to the London of Thomas More, and from the greenwood of Robin Hood to the central law courts, this collection builds into a richly satisfying exploration of the search for perfection in an imperfect world.

Sarah Rees Jones

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