Sasha Abramsky

Abramsky shows how poverty - a massive political scandal - is dramatically changing in the wake of the Great Recession.

How the Other Half Still Lives

The American Way of Poverty

This is the story of Sasha Abramsky's grandparents, Chimen and Miriam Abramsky, and of their unique home at 5 Hillway, around the corner from Hampstead Heath. In their semi-detached house, so deceptively ordinary from the outside, the Abramskys created a remarkable House of Books. It became the repository for Chimen's collection of thousands upon thousands of books, manuscripts and other printed, handwritten and painted documents, representing his journey through the great political, philosophical, religious and ethical debates that have shaped the western world. Chimen Abramsky was barely a teenager when his father, a famous rabbi, was arrested by Stalin's secret police and sentenced to five years hard labour in Siberia, and fifteen when his family was exiled to London. Lacking a university degree, he nevertheless became a polymath, always obsessed with collecting ideas, with capturing the meanderings of the human soul through the world of great thoughts and thinkers. Rejecting his father's Orthodoxy, he became a Communist, made his living as a book-dealer and amassed a huge, and astonishingly rare, library of socialist literature and memorabilia. Disillusioned with Communism and belatedly recognising the barbarity at the core of Stalin's project, he transformed himself once more, this time into a liberal and a humanist. To his socialist library was added a vastrove of Jewish history volumes. Chimen ended his career as Professor of Hebrew and Jewish studies at UCL, London and rare manuscripts expert for Sotheby's. With his wife Miriam, Chimen made their house a focal point for left-wing intellectual Jewish life: hundreds of the world's leading thinkers, from at their table. The House of Twenty Thousand Books brings alive this latter-day salon by telling the story of Chimen Abramsky's love affair with ideas and with the world of books and of Miriam's obsession with being a hostess and with entertaining. Room by room, book by book, idea by idea, the world of these politically engaged intellectuals, autodidacts and dreamers is lovingly resurrected. In this extraordinary elegy to a lost world, Sasha Abramsky's passionate narrative brings to life once more not just the Hillway salon, but the ideas, the conflicts, the personalities and the human yearnings that animated it. 'The sheer richness of this marvellous book - in terms of its style, think Borges, Perec - amply complements the wondrous complexity of the family - in terms of its subject-matter, think the Eitingons, the Ephrussi - about which Sasha Abramsky writes so lovingly. And as a portrait of London's left-wing Jewish intellectual life it is surely without equal.' Simon Winchester 'I loved this touching and heartfelt celebration of a scholar, teacher and bibliophile, a man whose profound learning was fine-tempered by humane wisdom and self-knowledge. We might all of us envy Sasha Abramsky in possessing such a remarkable grandfather, heroic in his integrity and evoked for us here with real eloquence and affection.' Jonathan Keates 'Sasha Abramsky has combined four kinds of history - familial, political, Jewish, and literary - into one brilliant and compelling book. With him as an erudite and sensitive guide, any reader will be grateful for the opportunity to be immersed into the house of twenty thousand books.' Samuel Freedman 'The House of Twenty Thousand Books is a grandson's elegy for the vanished world of his grandparents' house in London and the exuberant, passionate jostling of two traditions - Jewish and Marxist - that intertwined in his growing up. It is a fascinating memoir of the fatal encounter between Russian Jewish yearning for freedom and the Stalinist creed, a grandson's unsparing, but loving reckoning with a conflicted inheritance. In the digital age, it will also make you long for the smell of old books, the dust on shelves and the collector's passions, all on display in The House of Twenty Thousand Books.' Michael Ignatieff

The House of Twenty Thousand Books

"Why does a disease that killed only a handful of Americans like ebola provoke panic, but the flu--which kills tens of thousands each year--is dismissed with a yawn? Why is an unarmed young black woman who knocks on a stranger's front door to ask for help after her car breaks down perceived to be so threatening that the stranger shoots her dead? In Jumping at Shadows, Sasha Abramsky sets his sights on America's most dangerous epidemic: irrational fear. In this meditation on the paralyzing terror Americans feel when confronted with something they don't understand--from foreigners to tropical viruses to universal health care--Abramsky delivers an eye-opening analysis of our misconceptions about risk and threats, and how our brains interpret them, both at a neurological level and at a conscious one. What emerges is a journey through a political and cultural landscape that is defined by our fears, which are often misplaced. Ultimately, Abramsky shows that our fears can teach us a great deal about our society, exposing our deeply ingrained racism, classism, xenophobia, and susceptibility to the toxic messages of demagogues"--

the triumph of fear and the end of the American dream

Jumping at shadows

"The House of Twenty Thousand Books is journalist Sasha Abramsky's elegy to the vanished intellectual world of his grandparents, Chimen and Miriam, and their vast library of socialist literature and Jewish history. A rare book dealer and self-educated polymath who would go on to teach at Oxford and consult for Sotheby's, Chimen Abramsky drew great writers and thinkers like Isaiah Berlin and Eric Hobsbawm to his north London home; his library grew from his abiding passion for books and his search for an enduring ideology. The books, documents, and manuscripts that covered every shelf at 5 Hillway were testaments to Chimen's quest -- from the Jewish orthodoxy of his boyhood, to the Communism of his youth, to the liberalism of his mature years. The House of Twenty Thousand Books is at once the story of a fascinating family and chronicle of the embattled twentieth century. The House of Twenty Thousand Books includes 43 photos. "--

The house of twenty thousand books

Why is an unarmed young black woman who knocks on a stranger's front door to ask for help after her car breaks down perceived to be so threatening that he shoots her dead? Why do we fear infrequent acts of terrorism more far more common acts of violence? Why does a disease like Ebola, which killed only a handful of Americans, provoke panic, whereas the flu--which kills tens of thousands each year--is dismissed with a yawn? Jumping at Shadows is Sasha Abramsky's searing account of America's most dangerous epidemic: irrational fear. Taking readers on a dramatic journey through a divided nation, where everything from immigration to disease, gun control to health care has become fodder for fearmongers and conspiracists, he delivers an eye-popping analysis of our misconceptions about risk and threats. What emerges is a shocking portrait of a political and cultural landscape that is, increasingly, defined by our worst fears and rampant anxieties. Ultimately, Abramsky shows that how we calculate risk and deal with fear can teach us a great deal about ourselves, exposing deeply ingrained strains of racism, classism, and xenophobia within our culture, as well as our growing susceptibility to the toxic messages of demagogues.

The Triumph of Fear and the End of the American Dream

Jumping at Shadows

In this dramatic expose of U.S. penitentiaries and the communities around them, Sasha Abramsky finds that prisons have dumped their age-old goal of rehabilitation, often for political reasons. The new "ideal," unknown to most Americans, is a punitive mandate marked by a drive toward vengeance. Surveying this state of affairs--life sentences for nonviolent crimes, appalling conditions, the growth of private prisons, the treatment of juveniles--Abramsky asks: Does the vengeful impulse ennoble our culture or demean it? What can become of people who are quarantined for years in a violent subculture? California's Three Strikes law typifies the politics that exploit the grief of victims' families and our fears of violent crime. Brilliantly researched and compellingly told, American Furies shows that the ethos of "lock 'em up and throw away the key" has enormous social costs. "The most urgent book of the season. Sasha Abramsky provides us with an invaluable, if harrowing, audit of the cataclysmic damage inflicted upon American values by American prisons. The lack of compassion in our national life and the gangrened hearts of our politicians pose greater threats to our childrens' futures than any overseas terrorist conspiracy." --Mike Davis, professor of history at University of California-Irvine and author of seven books including Planet of Slums and The Monster At Our Door "A smart, compassionate and tough-minded look at the rise and impact of the tough-on-crime culture that has made America the world's foremost jailer. By showing us how we got into this mess, this revelatory book also holds out hope that we might find our way out." --Nell Bernstein, former Soros Justice Media Fellow and author of All Alone in the World: Children of the Incarcerated "This is by far the most intelligent and haunting indictment of the American prison system that I have ever read. Sasha Abramsky has shone an incandescent lamp on a shadowy underground universe that holds and in all too many cases brutalizes the lives of more than two million Americans. He should be commended for doing so, and his book made required reading for every legislator in the land, bar none." --Simon Winchester, author of A Crack in the Edge of the World and The Professor and the Madman "It is with an exemplary and multifaceted grasp of the history and modern-day reality of incarceration that Abramsky is able to grasp the full context of why callous negligence and brutality so abound in the American prison system . . . American Furies is a brilliantly crafted piece of creative non-fiction replete with non-dogmatic, accessible, and lyrical prose . . . In the difficult realm of prison reporting, Abramsky is unquestionably among the best and brightest, and American Furies is clear evidence of such." --The American Prospect Praise for Conned: "Timely and important. Instead of preaching democracy to the world, the United States should start practicing it at home." --Eric Schlosser "The war on drugs, the disenfranchisement of convicted felons, a series of dodgy electoral Republican victories . . . someone had to connect the dots, and Sasha Abramsky has done so with passion, precision, and artistry." --Barbara Ehrenreich Sasha Abramsky has written for The Atlantic, The Nation, and Rolling Stone. The author of Conned: How Millions Went to Prison, Lost the Vote, and Helped Send George W. Bush to the White House and Hard Time Blues: How Politics Built a Prison Nation, he has also reported on U.S. prisons for Human Rights Watch. He lives in Sacramento, California.

Crime, Punishment, and Vengeance in the Age of Mass Imprisonment

American Furies

Little Wonder tells the epic, and until now largely unchronicled, story of Lottie Dod, the first great heroine in women's sports. Dod was a champion tennis player, golfer, hockey player, tobogannist, skater, mountaineer, and archer. She was also a first-rate musician, performing numerous choral concerts in London in the 1920s and 1930s, including in a private performance before the King and Queen. In the late 19th century, Dod was almost certainly the second most famous woman in the British Isles, bested only by the fame of Queen Victoria. She was fawned over by the press, and loved by a huge fan base - which composed poems and songs in her honor, followed her from one tournament to the next, voraciously read every profile published on her and every report on her sporting triumphs. Yet, within a decade or two of her retirement from sports, Dod was largely a forgotten figure. She lived, unmarried and childless, until 1960, and for the last half of her life she was shrouded in obscurity. In this new book, Sasha Abramsky brings Lottie's remarkable achievements back into the public eye in a fascinating story of resilience and determination.

The Fabulous Story of Lottie Dod, the World's First Female Sports Superstar

Little Wonder

Jetzt auch als Taschenbuch! Ein Haus voller Bücher, in dem Abend für Abend eine illustre Gästeschar lebhaft diskutierte. Als Kind kam Sasha Abramsky dies ganz selbstverständlich vor. Erst viel später wurde ihm bewusst, welcher Schatz sich hinter der unauffälligen Fassade dieses Londoner Reihenhauses verbarg: Sein Großvater Chimen, der 2010 hochbetagt starb, hatte im Laufe seines Lebens geschätzte zwanzigtausend Bücher zusammengetragen und eine der bedeutendsten Privatsammlungen Englands geschaffen – zugleich ein Spiegel der großen gesellschaftspolitischen Debatten des 20. Jahrhunderts. Voller Zärtlichkeit erinnert sich Abramsky an seinen Großvater und dessen unvergleichliche Sammlung – ein einzigartiges Vermächtnis. Die Taschenbuchausgabe wurde um das Vorwort von Sasha Abramsky erweitert, der im September 2016 erfuhr, dass seine Großeltern vom britischen Inlandsgeheimdienst überwacht wurden. ORF-Bestenliste Dezember 2015. Mit einem Nachwort von Philipp Blom und einem farbigen Bildteil.

Das Haus der zwanzigtausend Bücher

"Why does a disease that killed only a handful of Americans like ebola provoke panic, but the flu-which kills tens of thousands each year-is dismissed with a yawn? Why is an unarmed young black woman who knocks on a stranger's front door to ask for help after her car breaks down perceived to be so threatening that the stranger shoots her dead? In Jumping at Shadows, Sasha Abramsky sets his sights on America's most dangerous epidemic: irrational fear. In this meditation on the paralyzing terror Americans feel when confronted with something they don't understand-from foreigners to tropical viruses to universal health care-Abramsky delivers an eye-opening analysis of our misconceptions about risk and threats, and how our brains interpret them, both at a neurological level and at a conscious one. What emerges is a journey through a political and cultural landscape that is defined by our fears, which are often misplaced. Ultimately, Abramsky shows that our fears can teach us a great deal about our society, exposing our deeply ingrained racism, classism, xenophobia, and susceptibility to the toxic messages of demagogues"--

Trapped in a triangle of the housing market collapse, rising energy costs, and an increasingly dysfunctional healthcare system, America's working poor are now battling an even more formidable enemy: hunger. This time, the battle is taking place well outside of the media spotlight, which has focused on obesity, another food-related epidemic affecting the poor. Breadline USA tells the stories of Americans in all types of communities who struggle to put any type of food on the table come the end of the month when money runs out and the social safety net isn't there to catch them.

Sasha Abramsky

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