Scott Cowdell

Leading Girardian theologian Scott Cowdell seeks to resolve a long-standing challenge to mimetic theory: that it entails a fundamental brutishness—an ontological violence. Girard’s account of scapegoating violence, seen as providing the initial stability for our species to emerge and consolidate, hardly seems compatible with Christian belief in God’s good creation, with violence only appearing after a subsequent Fall. The brilliant but controversial theologian John Milbank has long raised this concern about Girard, grounded in a remarkably sophisticated (though seldom fathomed) philosophical theology. Unpacking Milbank’s program, along with Girard’s recasting of Continental philosophy in light of mimetic theory, Cowdell finds a way between two apparently irreconcilable positions. With irenic spirit but analytic tenacity, he probes for ways through Milbank’s arguments while pressing on growth points in Girard’s. Cowdell’s proposals involve reframing divine creation in light of salvation history, reimagining divine participation by thinking Christ and evolution together, and developing a semiotic approach to mimetic theory that delivers ontological peace hermeneutically. Cowdell shows how Girard’s vision of human transformation through faith in Christ reveals a different world beyond ontological violence while preserving the divine participation that Milbank champions.

Girard, Milbank, and Ontological Violence

Mimetic Theory and Its Shadow

Chris Fleming

Joel Hodge

This collection of state of the art interpretations of the thought of René Girard follows on from the volume Violence, Desire, and the Sacred: Girard's Mimetic Theory Across the Disciplines (2012). The previous collection has been acclaimed for demonstrating and showcasing Girard's mimetic theory at its inter-disciplinary best by bringing together scholars who apply Girard's insights in different fields. This new volume builds on and extends the work of that earlier collection by moving into new areas such as psychology, politics, classical literature, national literature, and practical applications of Girard's theory in pastoral/spiritual care, peace-making and religious thought and practice.

René Girard and Sacrifice in Life, Love and Literature

Violence, Desire, and the Sacred, Volume 2

Violence, Desire and the Sacred presents the most up-to-date inter-disciplinary work being developed with the ground-breaking insights of René Girard's mimetic theory. The collection showcases the work of outstanding scholars in mimetic theory and how they are applying and developing Girard's insights in a variety of fields. Girard's mimetic insight has provided a fruitful way for different disciplines, such as literature, anthropology, theology, religion studies, cultural studies, and philosophy, to engage on common anthropological ground, with a shared understanding of the human person. The aim of this edited collection is to present this interdisciplinary work and to illustrate how Girard's insights provide fertile ground for bringing together disparate disciplines in a shared purpose. As academic work on Girard's insights is growing, this collection would meet the need to show the critical, interdisciplinary applications of these insights.

Girard's Mimetic Theory Across the Disciplines

Violence, Desire, and the Sacred, Volume 1

Introduction -- Media and representation. On the one medium / Eric Gans -- The scapegoat mechanism and the media: beyond the folk devil paradigm / John O'Carroll -- The apocalypse will not be televised / Chris Fleming -- Film. Mirrors of nature: artificial agents in real life and virtual worlds / Paul Dumouchel -- Superheroes, scapegoats, and saviors: the problem of evil and the need for redemption / Joel Hodge -- Sanctified victimage on page and screen: The hunger games as prophetic media / Debra E. Macdonald -- The mimetic e-motion: from The matrix to Avatar / Nidesh Lawtoo -- Apocalypse of the therapeutic: The cabin in the woods and the death of mimetic desire / Peter Y. Paik -- Eyes wide shut: mimesis and historical memory in Stanley Kubrick's The shining / David Humbert -- Against romantic love: mimeticism and satire in Woody Allen's Vicky, Cristina, Barcelona; you will meet a tall dark stranger; and To Rome with love / Scott Cowdell -- A beautiful crisis: Ang Lee's film adaptation of The ice storm / Carly Osborn -- Cowboy metaphysics, the virtuous-enough cowboy, and mimetic desire in Stephen Fears' The hi-lo country / Thomas Ryba -- Television. The self in crisis: watching Mad men and Homeland with Girard and Hegel / Paolo Diego Bubbio -- Media, murder, and memoir: Girardian baroque in Robert Drewe's The shark net / Rosamund Dalziell -- Conversion in Dexter / Matthew John Paul Tan and Joel Hodge

Violence, Desire, and the Sacred

Mimesis, Movies, and Media

State of the art interpretations of Rene Girard's theory and its relation to fields as diverse as politics, national literature, pastoral care and peace-making

Ren� Girard and Sacrifice in Life, Love and Literature

In René Girard and Secular Modernity: Christ, Culture, and Crisis, Scott Cowdell provides the first systematic interpretation of René Girard’s controversial approach to secular modernity. Cowdell identifies the scope, development, and implications of Girard’s thought, the centrality of Christ in Girard's thinking, and, in particular, Girard's distinctive take on the uniqueness and finality of Christ in terms of his impact on Western culture. In Girard’s singular vision, according to Cowdell, secular modernity has emerged thanks to the Bible’s exposure of the cathartic violence that is at the root of religious prohibitions, myths, and rituals. In the literature, the psychology, and most recently the military history of modernity, Girard discerns a consistent slide into an apocalypse that challenges modern ideas of romanticism, individualism, and progressivism. In the first three chapters, Cowdell examines the three elements of Girard’s basic intellectual vision (mimesis, sacrifice, biblical hermeneutics) and brings this vision to a constructive interpretation of “secularization” and “modernity,” as these terms are understood in the broadest sense today. Chapter 4 focuses on modern institutions, chiefly the nation state and the market, that function to restrain the outbreak of violence. And finally, Cowdell discusses the apocalyptic dimension of Girard's theory in relation to modern warfare and terrorism. Here, Cowdell engages with the most recent writings of Girard (particularly his Battling to the End) and applies them to further conversations in cultural theology, political science, and philosophy. Cowdell takes up and extends Girard’s own warning concerning an alternative to a future apocalypse: “What sort of conversion must humans undergo, before it is too late?”

Christ, Culture, and Crisis

René Girard and Secular Modernity

Michael Kirwan

Sheelah Treflé Hidden

How are we to best understand the statement of faith that Jesus Christ lived, died and rose again 'for us and for salvation?' This question has animated Christian thought for two millennia: it has also bitterly divided believers, not least in Reformation and post-Reformation disputes about atonement, justification, sanctification and sacrifice. René Girard's Violence and the Sacred (1972) made startling connections between religion, violence and culture. His work has enlivened the theological and philosophical debate once again, especially the question of whether and how we are to understand Christ's death as a 'sacrifice'. Mimesis and Atonement brings together philosophers from Catholic, Evangelical, Orthodox, and Jewish backgrounds to examine the continued significance of Girard's work. They do so in the light of new developments, such as the controversial 'new scholarship' on Paul.

René Girard and the Doctrine of Salvation

Mimesis and Atonement

Showcases the application of René Girard's mimetic theory across a range of disciplines, including philosophy, religious studies, literature and cultural studies.

This is a discussion of how God became remote from the world, with consequences for belief, and how God is today being reimagined as being at home in the world and at work in natural and human events. Beyond classical theism and modern atheism, traditions of God at home in the world are recovered and holistic images of God explored - old and new. Incorporating insights from quantum physics, postmodern theory, chaos theory and evolutionary biology, the book recaptures the sense of God as soul of the world, commending a secular mysticism of God in, with and under all the struggles of matter, life and consciousness. This reinvigorated tradition of divine action is brought into respectful dialogue with the undeniable challanges to faith which evil and suffering pose.

A God for this World

Building on the growing recognition and critical acclaim of volumes 1 and 2 of Violence, Desire, and the Sacred, this third volume in the series showcases the most groundbreaking, interdisciplinary research in mimetic theory, with a focus on well-known films, television series, and other media. Mimesis, Movies, and Media reaches beyond the traditional boundaries of continental theory to demonstrate how scholars apply and develop René Girard's insights in light of contemporary media. It brings together major Australian and international scholars working at the intersection of popular culture and philosophy.

In his latest book on the ground-breaking work of René Girard (1923–2015), Scott Cowdell sets out a new perspective on mimetic theory and theology: he develops the proposed connection between Girardian thought and theological dramatic theory in new directions, engaging with issues of evolutionary suffering and divine providence, inclusive Christian uniqueness, God's judgment, nonviolent atonement, and the spiritual life. Cowdell reveals a powerful, illuminating, and life-enhancing synergy between mimetic theory and Christianity at its best. With religion widely seen as increasingly violent and intransigent, the true Christian emphasis on divine solidarity, mercy, and healing is in danger of being lost. René Girard provides a countervailing voice. He emerges from Cowdell's study not only as a necessary dialogue partner for theology today, but as a global prophet offering hope and challenge in equal measure. René Girard was a Catholic cultural theorist whose mimetic theory achieved a powerful symbiosis of social science with scripture and theology, yielding a unique perspective on humanity’s origins, violent history, and future prospects. Cowdell maps this synergy, revealing theological themes present from Girard’s earliest writings to the latest, less-familiar publications. He resolves a number of theological challenges to Girard’s work, engaging mimetic theory in fruitful dialogue with key themes, movements, and thinkers in theology today. Bringing a distinctive Anglican voice to a largely Catholic debate, Cowdell gives an orthodox theological account of Girard’s intellectual achievement, bearing witness to Christianity’s nonviolent God. This book will be of great interest to theologians, seminarians and clergy of all traditions, Girardians, and Christian peace activists.

René Girard and the Nonviolent God

Mathias Moosbrugger

The brilliant and ground-breaking mimetic theory of the French-American theorist René Girard (1923-2015)has gained wide-ranging recognition, yet its development has received less attention. This volume presents the important correspondence-conducted in French and as yet unpublished, let alone translated into English-between Girard and his major theological interlocutor Raymund Schwager SJ (1935-2004). It presents the personal relationship between two great thinkers that led to the development of a significant break-through in the humanities. In particular it reveals the theological development of Girard's thought in dialogue with Schwager, who was concerned to assist Girard in areas where he had little expertise and had encountered major criticism, such as the theological application of sacrifice. These issues in particular had placed major barriers to Girard's acceptance in theological circles. These letters reveal how Girard, with Schwager's help, entered the mainstream of theological debate.

Scott Cowdell

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