Scott Cutler Shershow

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Bread is an object that, throughout the myriad details of its manufacture and social existence, is always in process of becoming something else: flower to grain, grain to dough, dough to loaf, loaf to crumb. Bread is also often a figure or vehicle of social cohesion: from the homely image of “breaking bread together” to the mysteries of the Eucharist. But bread also commonly figures in social conflict - sometimes literally, in the “bread riots” that punctuate European history, and sometimes figuratively, in the ways bread operates as ethnic, religious or class signifier. Drawing on a wide range of sources, from the scriptures to modern pop culture, Bread tells the story of how this ancient and everyday object serves as a symbol for both social communion and social exclusion. Object Lessons is published in partnership with an essay series in The Atlantic.

Bread

"Considers how, in a wide range of western culture and thought, the ideas of working and giving remain locked in a fatal dilemma, each one representing the other's aspirations and absolute limit. Ranging from Marx and Derrida to Friedrich Hayek and Alvin Toffler, Scott Cutler Shershow here explores the predictions of political thinkers on both the left and the right that work is fundamentally changing, or even disappearing; the debates among anthropologists and historians about an archaic gift-economy that preceded capitalism and might reemerge in its wake; contemporary political battles over charity and social welfare; and attempts by modern and postmodern artists to destabilize the work of art as we know it".--BOOKJACKET.

The Work and the Gift

Jean Elizabeth Howard

This book reveals the continuing power of Marxist thought to address: the relationship of texts to social class; the historical construction of the aesthetic; and utopian dimensions of literary production.

Marxist Shakespeares

Object Lessons is a series of short, beautifully designed books about the hidden lives of ordinary things. Bread is an object that is always in process of becoming something else: flower to grain, grain to dough, dough to loaf, loaf to crumb. Bread is also often a figure or vehicle of social cohesion: from the homely image of “breaking bread together” to the mysteries of the Eucharist. But bread also commonly figures in social conflict - sometimes literally, in the “bread riots” that punctuate European history, and sometimes figuratively, in the ways bread operates as ethnic, religious or class signifier. Drawing on a wide range of sources, from the scriptures to modern pop culture, Bread tells the story of how this ancient and everyday object serves as a symbol for both social communion and social exclusion. Object Lessons is published in partnership with an essay series in The Atlantic.

Scott Michaelsen

Explores issues related to race and religion in Lovecraft criticism. Today, H. P. Lovecraft is both more popular and controversial than ever: the influence of his “Cthulhu mythos” is everywhere in popular culture, his cosmic pessimism has reemerged as a major theme in contemporary philosophy, and his racism continues to spark controversy in the media. The Love of Ruins takes a fresh look at a figure widely acknowledged as the father of modern horror or “weird” fiction. In these pages, Lovecraft emerges not as the atheist and nihilist he is often claimed to be, but as a kind of “psychonaut” and mystic whose stories, through their own imaginative rigor, expose the intellectual bankruptcy of their author’s racism. The Love of Ruins is itself written in the form of letters, in order to do homage to Lovecraft’s love of the form of the personal letter (he wrote more than 100,000), and to emulate Lovecraft’s lifetime practice of thinking-as-corresponding. “The Love of Ruins ranks among the small handful of the very best Lovecraftian analyses. Erudite, sophisticated, and insightful, this volume is a pure joy to read. A must have for anyone interested in Lovecraft or the field of dark fantasy.” — Gary Hoppenstand, author of Clive Barker’s Short Stories: Imagination as Metaphor in the Books of Blood and Other Works

Scott Cutler Shershow

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