Dan Slott

Various

Eric Fein

Joey Cavalieri

Scott Proudfit

Mike Pellowski

Collects Material from Spider-Man Magazine #1-19, Spider-Man Magazine Special #1-2. Spider-Man takes on his classic rogues’ gallery in exciting adventures from the 1990s! Spidey must avoid the many arms of Doctor Octopus — but will he fall victim to Electro, Mysterio, the Scorpion and the Vulture? There’s panic at the planetarium and a great train robbery to solve, but that’s nothing compared to the horror of the Hobgoblin! Spidey and his old pal the Human Torch fly in the face of Doom, the X-Men pitch in when Magneto strikes, and Daredevil lends a hand against their mutual enemy the Kingpin! And don’t forget deadly encounters with Venom and Carnage! It’s fun for the whole family in these never-before-reprinted, animated-style adventures magazine, featuring a parade of guest stars from Captain America to the Hulk!

Radioactive

Adventures Of Spider-Man

Kathryn Mederos Syssoyeva

This book explores the role and centrality of women in the development of collaborative theatre practice, alongside the significance of collective creation and devising in the development of the modern theatre. Tracing a web of women theatremakers in Europe and North America, this book explores the connections between early twentieth century collective theatre practices such as workers theatre and the dramatic play movement, and the subsequent spread of theatrical devising. Chapters investigate the work of the Settlement Houses, total theatre in 1920s’ France, the mid-century avant-garde and New Left collectives, the nomadic performances of Europe’s transnational theatre troupes, street-theatre protests, and contemporary devising. In so doing, the book further elucidates a history of modern theatre begun in A History of Collective Creation (2013) and Collective Creation in Contemporary Performance (2013), in which the seemingly marginal and disparate practices of collective creation and devising are revealed as central—and women theatremakers revealed as progenitors of these practices.

The Rise of Women Theatre Artists in the Twentieth and Twenty-First Centuries

Women, Collective Creation, and Devised Performance

Scott Proudfit

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